Author: Drew Page
Publisher: LSU Press
ISBN: 9780807124963
Category : Music
Languages : en
Pages : 272
Book Description
“Congratulations on a much needed book on the Big Band era, especially from the viewpoint of the ‘side man’. Having been one for about eight years before becoming a ‘leader’ I can really appreciate your approach. A bandleader is no better than the men behind him and I have had some great ones, including of course Drew Page.” —Freddy Martin Having lived behind the scenes during the Big Band era of the thirties and forties, Page invites us to share that era with him. An instrumentalist or sideman, in many touring bands, he recounts friendships with now-famous as well as unknown musicians who made American dance music. Like them, Drew Page loved his music and the road. He did not want to stay in one place and one job for thirty years, repeating one year or experience thirty times. He wanted to see things, to observe people and places. After a lifetime of traveling and music, “every town began to seem like home.” Page’s life was touched with humor, disappointment, triumph, and some tragedy. “ Perhaps it’s the variety of my experiences, none seeming to relate to the others, that has given my life its discontinuity.” Certainly, discontinuity characterized his daily life, but continuity–his music–characterized its essence. Brought together by their art, the traveling bandmembers were apt to encounter each other any place, any time, and so they avoided goodbyes. “I’ll be seeing you.’ That’s the way I left Harry James and the boys in the band,” recalls Page. In this well-illustrated autobiography, he tells us what it was like to travel in the days before paved roads, and how the Great Depression, the death of vaudeville, and World War II affected the music business. He gives us anecdotes about the famous musicians he worked with–Harry James, Red Nichols, Freddy Martin among others–and he talks about his fellow sidemen. His narrative unrolls like a scroll inscribed with the names of those who made American dance music and jazz famous. Every music lover, nostalgia seeker, and student of American culture will want to own this book.
Drew's Blues
Author: Drew Page
Publisher: LSU Press
ISBN: 9780807124963
Category : Music
Languages : en
Pages : 272
Book Description
“Congratulations on a much needed book on the Big Band era, especially from the viewpoint of the ‘side man’. Having been one for about eight years before becoming a ‘leader’ I can really appreciate your approach. A bandleader is no better than the men behind him and I have had some great ones, including of course Drew Page.” —Freddy Martin Having lived behind the scenes during the Big Band era of the thirties and forties, Page invites us to share that era with him. An instrumentalist or sideman, in many touring bands, he recounts friendships with now-famous as well as unknown musicians who made American dance music. Like them, Drew Page loved his music and the road. He did not want to stay in one place and one job for thirty years, repeating one year or experience thirty times. He wanted to see things, to observe people and places. After a lifetime of traveling and music, “every town began to seem like home.” Page’s life was touched with humor, disappointment, triumph, and some tragedy. “ Perhaps it’s the variety of my experiences, none seeming to relate to the others, that has given my life its discontinuity.” Certainly, discontinuity characterized his daily life, but continuity–his music–characterized its essence. Brought together by their art, the traveling bandmembers were apt to encounter each other any place, any time, and so they avoided goodbyes. “I’ll be seeing you.’ That’s the way I left Harry James and the boys in the band,” recalls Page. In this well-illustrated autobiography, he tells us what it was like to travel in the days before paved roads, and how the Great Depression, the death of vaudeville, and World War II affected the music business. He gives us anecdotes about the famous musicians he worked with–Harry James, Red Nichols, Freddy Martin among others–and he talks about his fellow sidemen. His narrative unrolls like a scroll inscribed with the names of those who made American dance music and jazz famous. Every music lover, nostalgia seeker, and student of American culture will want to own this book.
Publisher: LSU Press
ISBN: 9780807124963
Category : Music
Languages : en
Pages : 272
Book Description
“Congratulations on a much needed book on the Big Band era, especially from the viewpoint of the ‘side man’. Having been one for about eight years before becoming a ‘leader’ I can really appreciate your approach. A bandleader is no better than the men behind him and I have had some great ones, including of course Drew Page.” —Freddy Martin Having lived behind the scenes during the Big Band era of the thirties and forties, Page invites us to share that era with him. An instrumentalist or sideman, in many touring bands, he recounts friendships with now-famous as well as unknown musicians who made American dance music. Like them, Drew Page loved his music and the road. He did not want to stay in one place and one job for thirty years, repeating one year or experience thirty times. He wanted to see things, to observe people and places. After a lifetime of traveling and music, “every town began to seem like home.” Page’s life was touched with humor, disappointment, triumph, and some tragedy. “ Perhaps it’s the variety of my experiences, none seeming to relate to the others, that has given my life its discontinuity.” Certainly, discontinuity characterized his daily life, but continuity–his music–characterized its essence. Brought together by their art, the traveling bandmembers were apt to encounter each other any place, any time, and so they avoided goodbyes. “I’ll be seeing you.’ That’s the way I left Harry James and the boys in the band,” recalls Page. In this well-illustrated autobiography, he tells us what it was like to travel in the days before paved roads, and how the Great Depression, the death of vaudeville, and World War II affected the music business. He gives us anecdotes about the famous musicians he worked with–Harry James, Red Nichols, Freddy Martin among others–and he talks about his fellow sidemen. His narrative unrolls like a scroll inscribed with the names of those who made American dance music and jazz famous. Every music lover, nostalgia seeker, and student of American culture will want to own this book.
The Berlin Blues
Author: Drew Hayden Taylor
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 100
Book Description
German developers propose a Native theme park for the "Otter Lake Reserve." Cast of 3 women and 3 men.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 100
Book Description
German developers propose a Native theme park for the "Otter Lake Reserve." Cast of 3 women and 3 men.
Butterfly Blues
Author: Carolyn Keene
Publisher: Simon and Schuster
ISBN: 1481414712
Category : Juvenile Fiction
Languages : en
Pages : 96
Book Description
In this Nancy Drew and the Clew Crew adventure, Nancy and her friends must track down a beautiful—and very rare—butterfly when it goes missing from the new butterfly museum. Nancy, Bess, and George can’t wait to check out Flutter House, an awesome new museum that’s all about butterflies! The girls are thrilled when they get to see the beautiful creatures up close and personal. But soon after their class leaves, the rarest butterfly, a Blue Morpho, goes missing! It’s up to the Clue Crew to get the valuable butterfly back safely. But with a long suspect list and not many clues, it’s going to be a tough case for Nancy and her friends.
Publisher: Simon and Schuster
ISBN: 1481414712
Category : Juvenile Fiction
Languages : en
Pages : 96
Book Description
In this Nancy Drew and the Clew Crew adventure, Nancy and her friends must track down a beautiful—and very rare—butterfly when it goes missing from the new butterfly museum. Nancy, Bess, and George can’t wait to check out Flutter House, an awesome new museum that’s all about butterflies! The girls are thrilled when they get to see the beautiful creatures up close and personal. But soon after their class leaves, the rarest butterfly, a Blue Morpho, goes missing! It’s up to the Clue Crew to get the valuable butterfly back safely. But with a long suspect list and not many clues, it’s going to be a tough case for Nancy and her friends.
The Baby Blues
Author: Drew Hayden Taylor
Publisher: Burnaby, B.C. : Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 108
Book Description
A highly wrought farce of patrimony among fancy dancers" on the powwow trail. Cast of 3 women and 3 men.
Publisher: Burnaby, B.C. : Talonbooks
ISBN:
Category : Drama
Languages : en
Pages : 108
Book Description
A highly wrought farce of patrimony among fancy dancers" on the powwow trail. Cast of 3 women and 3 men.
The Classroom Guide to Jazz Improvisation
Author: John McNeil
Publisher: Oxford University Press
ISBN: 0197614647
Category : Education
Languages : en
Pages : 169
Book Description
The Classroom Guide to Jazz Improvisation dispels the misconception that one must be a jazz expert to give students a solid foundation in jazz improvisation. Authors John McNeil and Ryan Nielsen argue that all individuals possess an innate ability to improvise and that, given sufficient exposure and repetition, anyone can improvise in music as successfully as they improvise in life. Drawing on their shared 54 years of teaching experience and extensive work as professional jazz musicians, McNeil and Nielsen offer classroom-tested lesson plans for music educators of all backgrounds, removing the guesswork and mystique along the way.
Publisher: Oxford University Press
ISBN: 0197614647
Category : Education
Languages : en
Pages : 169
Book Description
The Classroom Guide to Jazz Improvisation dispels the misconception that one must be a jazz expert to give students a solid foundation in jazz improvisation. Authors John McNeil and Ryan Nielsen argue that all individuals possess an innate ability to improvise and that, given sufficient exposure and repetition, anyone can improvise in music as successfully as they improvise in life. Drawing on their shared 54 years of teaching experience and extensive work as professional jazz musicians, McNeil and Nielsen offer classroom-tested lesson plans for music educators of all backgrounds, removing the guesswork and mystique along the way.
The Essential Jazz Records: Modernism to postmodernism
Author: Max Harrison
Publisher: A&C Black
ISBN: 9780720118223
Category : Music
Languages : en
Pages : 924
Book Description
Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.
Publisher: A&C Black
ISBN: 9780720118223
Category : Music
Languages : en
Pages : 924
Book Description
Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.
Nancy Drew #11: Monkey-Wrench Blues
Author: Stefan Petrucha
Publisher: Papercutz
ISBN: 1597078603
Category : Juvenile Fiction
Languages : en
Pages : 106
Book Description
Papercutz presents the conclusion to the biggest Nancy Drew graphic novel adventure ever. "The High Miles Mystery," winds up with a race that could spell life or death for the girl detective! Hinkley is able to build a prototype for a new high-efficiency car based on a recently recovered engine. After seeing Nancy drive a tank and stop a speeding train, he wants her (and mechanic Bess) to drive the prototype in a government-sponsored race. The car with the best fuel efficiency wins a government development contract, money Hinkley and Credo would need to bring the car to production. But someone is determined that Nancy and Bess lose-- at any cost!
Publisher: Papercutz
ISBN: 1597078603
Category : Juvenile Fiction
Languages : en
Pages : 106
Book Description
Papercutz presents the conclusion to the biggest Nancy Drew graphic novel adventure ever. "The High Miles Mystery," winds up with a race that could spell life or death for the girl detective! Hinkley is able to build a prototype for a new high-efficiency car based on a recently recovered engine. After seeing Nancy drive a tank and stop a speeding train, he wants her (and mechanic Bess) to drive the prototype in a government-sponsored race. The car with the best fuel efficiency wins a government development contract, money Hinkley and Credo would need to bring the car to production. But someone is determined that Nancy and Bess lose-- at any cost!
Who Killed Emmett Till
Author: Susan Klopfer
Publisher: Lulu.com
ISBN: 0982604912
Category : History
Languages : en
Pages : 318
Book Description
The Mississippi Delta is not a place I would have picked to live and if you had asked me a few years ago what I knew about the region, it would have been a puzzle since I knew nothing of its history or culture -- I'd never even heard of Emmett Till.
Publisher: Lulu.com
ISBN: 0982604912
Category : History
Languages : en
Pages : 318
Book Description
The Mississippi Delta is not a place I would have picked to live and if you had asked me a few years ago what I knew about the region, it would have been a puzzle since I knew nothing of its history or culture -- I'd never even heard of Emmett Till.
Enigma Variations
Author: Éric-Emmanuel Schmitt
Publisher: Dramatists Play Service Inc
ISBN: 9780822218104
Category : Drama
Languages : en
Pages : 60
Book Description
THE STORY: Nobel Prize-winning author Abel Znorko lives as a recluse on a remote island in the Norwegian Seas. For fifteen years, his one friend and soulmate has been Helen, from whom he has been physically separated for the majority of their affai
Publisher: Dramatists Play Service Inc
ISBN: 9780822218104
Category : Drama
Languages : en
Pages : 60
Book Description
THE STORY: Nobel Prize-winning author Abel Znorko lives as a recluse on a remote island in the Norwegian Seas. For fifteen years, his one friend and soulmate has been Helen, from whom he has been physically separated for the majority of their affai
Outside and Inside
Author: Reva Marin
Publisher: Univ. Press of Mississippi
ISBN: 1496829999
Category : Music
Languages : en
Pages : 298
Book Description
Outside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of musical, social, and economic backgrounds looked to black music and culture as the model on which to form their personal identities and their identities as professional musicians. Their accounts illustrate the triumphs and failures of jazz interracialism. As they describe their relationships with black musicians who are their teachers and peers, white jazz autobiographers display the contradictory attitudes of reverence and entitlement, and deference and insensitivity that remain part of the white response to black culture to the present day. Outside and Inside features insights into the development of jazz styles and culture in the urban meccas of twentieth-century jazz in New Orleans, Chicago, New York, and Los Angeles. Reva Marin considers the autobiographies of sixteen white male jazz instrumentalists, including renowned swing-era bandleaders Benny Goodman, Artie Shaw, and Charlie Barnet; reed instrumentalists Mezz Mezzrow, Bob Wilber, and Bud Freeman; trumpeters Max Kaminsky and Wingy Manone; guitarist Steve Jordan; pianists Art Hodes and Don Asher; saxophonist Art Pepper; guitarist and bandleader Eddie Condon; and New Orleans–style clarinetist Tom Sancton. While critical race theory informs this work, Marin argues that viewing these texts simply through the lens of white privilege does not do justice to the kind of sustained relationships with black music and culture described in the accounts of white jazz autobiographers. She both insists upon the value of insider perspectives and holds the texts to rigorous scrutiny, while embracing an expansive interpretation of white involvement in black culture. Marin opens new paths for study of race relations and racial, ethnic, and gender identity formation in jazz studies.
Publisher: Univ. Press of Mississippi
ISBN: 1496829999
Category : Music
Languages : en
Pages : 298
Book Description
Outside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of musical, social, and economic backgrounds looked to black music and culture as the model on which to form their personal identities and their identities as professional musicians. Their accounts illustrate the triumphs and failures of jazz interracialism. As they describe their relationships with black musicians who are their teachers and peers, white jazz autobiographers display the contradictory attitudes of reverence and entitlement, and deference and insensitivity that remain part of the white response to black culture to the present day. Outside and Inside features insights into the development of jazz styles and culture in the urban meccas of twentieth-century jazz in New Orleans, Chicago, New York, and Los Angeles. Reva Marin considers the autobiographies of sixteen white male jazz instrumentalists, including renowned swing-era bandleaders Benny Goodman, Artie Shaw, and Charlie Barnet; reed instrumentalists Mezz Mezzrow, Bob Wilber, and Bud Freeman; trumpeters Max Kaminsky and Wingy Manone; guitarist Steve Jordan; pianists Art Hodes and Don Asher; saxophonist Art Pepper; guitarist and bandleader Eddie Condon; and New Orleans–style clarinetist Tom Sancton. While critical race theory informs this work, Marin argues that viewing these texts simply through the lens of white privilege does not do justice to the kind of sustained relationships with black music and culture described in the accounts of white jazz autobiographers. She both insists upon the value of insider perspectives and holds the texts to rigorous scrutiny, while embracing an expansive interpretation of white involvement in black culture. Marin opens new paths for study of race relations and racial, ethnic, and gender identity formation in jazz studies.