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Author: K. Oliver
Publisher: Springer
ISBN: 0230584624
Category : Fiction
Languages : en
Pages : 234
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Book Description
This book concerns itself with dress in the novels of Samuel Richardson, and how attire confirms, contributes to, or challenges the characters' fashioning of self and the self as others (characters or readers) perceive it.
Author: K. Oliver
Publisher: Springer
ISBN: 0230584624
Category : Fiction
Languages : en
Pages : 234
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Book Description
This book concerns itself with dress in the novels of Samuel Richardson, and how attire confirms, contributes to, or challenges the characters' fashioning of self and the self as others (characters or readers) perceive it.
Author: Kristi Upson-Saia
Publisher: Routledge
ISBN: 1136655417
Category : Health & Fitness
Languages : en
Pages : 187
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Book Description
Early Christian Dress is the first full-length monograph on the subject of dress in early Christianity. It pays attention to the ways in which dress expressed and shaped Christian identity, the role dress played in Christians’ rivalries with pagan neighbours, and especially to the ways in which notions of gender were culled and revised in the process. Although many scholars have argued that gender in late antiquity was a performed and embodied category, few have paid attention to the ways in which dress and physical appearances were implicated in the understanding of femininity and masculinity. This study addresses that gap, revealing the amount of sartorial work necessary to secure stable gender categories in the worlds of early Imperial pagans and late ancient Christians. This study analyzes several vigorous discussions and debates that arose over Christian women’s dress. It examines how Christians interpreted their dress—especially the dress of female ascetics—as evidence of Christianity’s advanced morality and piety, a morality and piety that was coded "masculine." Yet even Christian leaders who championed ascetic women’s ability to achieve a degree of virility in terms of their virtue and spiritual status were troubled when ascetics’ dress threatened to materially dissolve gender categories, difference, and hierarchies. In the end, the study enables us to gain a broader view of how gender was constructed, perceived, and contested in early Christianity.
Author: J. Batchelor
Publisher: Springer
ISBN: 0230508200
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Dress, Distress and Desire explores representations of sartorial experience in eighteenth-century literature. Batchelor's study brings together for the first time canonical and non-canonical texts including novels, conduct books and women's magazines to investigate the pressures that the growth of the fashion market placed on conceptions of female virtue and propriety. It shows how dress dispelled the sentimental myth that the body acted as a moral index and enabled the women reader to resist some of sentimental literature's more prescriptive advice.
Author: Katherine Joslin
Publisher: University of New Hampshire Press
ISBN: 1611686423
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
Crossings in Text and Textile explores the diverse range of transatlantic representations of clothing in nineteenth- and early twentieth-century literature. This collection of essays demonstrates that fashion history and literary history, when examined together, prompt fresh understandings of the complexities of race, class, and sexual identity. By bridging material culture and discourse, Crossings establishes the significance of fashionÑwhile neglecting none of its aesthetic appealÑto offer historicized readings on a variety of topics, from Jane AustenÕs nuanced display of social interactions through the economics of muslin to the 1871 Park and Boulton cross-dressing trial and Jessie FausetÕs selection of apparel to express racial power. The geographic span of textiles from different economic areas around the globe includes Asia, Africa, Europe, and North America. By making use of transatlantic texts to consider the political and social positioning of both workers and consumers, the collection further expands upon the emerging cross-disciplinary study of reading dress. A true Òstate of the fieldÓ work, Crossings in Text and Textiles charts new scholarly ground at the nexus between fashion, textiles, and literature, appealing to a broad interdisciplinary audience of scholars and students.
Author: Malcolm Barnard
Publisher: Routledge
ISBN: 1136412972
Category : Language Arts & Disciplines
Languages : en
Pages : 224
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Book Description
What kinds of things do fashion and clothing say about us? What does it mean to wear Gap or Gaultier, Milletts or Moschino? Are there any real differences between Hip-Hop style and Punk anti-styles? In this fully revised and updated edition, Malcolm Barnard introduces fashion and clothing as ways of communicating and challenging class, gender, sexual and social identities. Drawing on a range of theoretical approaches from Barthes and Baudrillard to Marxist, psychoanalytic and feminist theory, Barnard addresses the ambivalent status of fashion in contemporary culture.
Author: Judith Perani
Publisher: Berg 3pl
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
Drawing examples from a wide range of African cultures, this ground-breaking book expands the continuing discourse on the aesthetic and cultural significance of cloth, body and dress in Africa and moves beyond contextual analysis to consider the broader application of cloth and dress to art forms in other media. In blending the concerns of Art History and Anthropology, the authors focus on the art patronage systems that stimulate production, consumption, commodification and cultural meaning, and emphasize the overriding importance of cloth to aesthetic and cultural expression in African societies. Through this approach they reveal complex processes that involve a series of actors, including textile artists, commissioning-patrons and consumer-patrons, all of whom shape cloth and dress traditions. These individuals not only influence production, but are a key to understanding the cultural meaning of cloth and dress and, by extension, the body in Africa.
Author: Adam Geczy
Publisher: A&C Black
ISBN: 0857854267
Category : Design
Languages : en
Pages : 272
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Book Description
Orientalism is a central factor within the fashion system, both subtle and overt. In this groundbreaking book, the author shows the extent of the influence that the Orient had, and continues to have, on fashion. Our concept of Western fashion is unthinkable without it, whether in terms of the growth of the cotton industry or of garments we take for granted, such as the dressing gown. From pre-modern to contemporary times, this book demonstrates that, in the realms of fashion, the Orient is not simply a construction or a fascination of the imperial West with its eastern other. Rather, it reveals the extent of cross-pollination, exchange and multiple translation that has taken place between East and West for the last 500 years. Exploring topics including Chinoiserie, masquerade, bohemianism, Japonisme, the "de-Orientalization" of the Orient, perfume and the birth of couture, Fashion and Orientalism is an essential read for students and scholars of fashion, cultural studies and history.
Author: Angela Goddard
Publisher: Routledge
ISBN: 1351757709
Category : Language Arts & Disciplines
Languages : en
Pages : 300
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Book Description
Humans are social animals and are constantly interacting with each other through conversation, written communication, symbols and other expressions . Discourse: The Basics is an accessible and engaging introduction to the analysis of those interactions and the many forms and meanings they can take. The book draws on a range of international case studies and examples from literature, political speech, advertising and newspaper articles to address key questions such as: What is discourse? Why are there different approaches to understanding discourse? How are individual interactions connected with the larger discourses that frame our ways of thinking and behaving? How can discourse be analysed and researched? Discourse: The Basics includes subject summaries, a glossary of key terms and suggestions for further reading. It will be of particular relevance to students of language and the social sciences but also useful to all students who are interested in how meanings are made.
Author: Susan Elizabeth Ryan
Publisher: MIT Press
ISBN: 0262027445
Category : Design
Languages : en
Pages : 337
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Book Description
A historical and critical view of wearable technologies that considers them as acts of communication in a social landscape. Wearable technology—whether a Walkman in the 1970s, an LED-illuminated gown in the 2000s, or Google Glass today—makes the wearer visible in a technologically literate environment. Twenty years ago, wearable technology reflected cultural preoccupations with cyborgs and augmented reality; today, it reflects our newer needs for mobility and connectedness. In this book, Susan Elizabeth Ryan examines wearable technology as an evolving set of ideas and their contexts, always with an eye on actual wearables—on clothing, dress, and the histories and social relations they represent. She proposes that wearable technologies comprise a pragmatics of enhanced communication in a social landscape. “Garments of paradise” is a reference to wearable technology's promise of physical and mental enhancements. Ryan defines “dress acts”—hybrid acts of communication in which the behavior of wearing is bound up with the materiality of garments and devices—and focuses on the use of digital technology as part of such systems of meaning. She connects the ideas of dress and technology historically, in terms of major discourses of art and culture, and in terms of mass media and media culture, citing such thinkers as Giorgio Agamben, Manuel De Landa, and Gilles Deleuze and Félix Guattari. She examines the early history of wearable technology as it emerged in research labs; the impact of ubiquitous and affective approaches to computing; interaction design and the idea of wearable technology as a language of embodied technology; and the influence of open source ideology. Finally, she considers the future, as wearing technologies becomes an increasingly naturalized aspect of our social behavior.
Author: Agnès Rocamora
Publisher: Bloomsbury Publishing
ISBN: 0857726625
Category : Design
Languages : en
Pages : 322
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Book Description
Learning how to think through fashion is both exciting and challenging, being dependent on one s ability to critically engage with an array of theories and concepts. This is the first book designed to accompany readers through the process of thinking through fashion. It aims to help them grasp both the relevance of social and cultural theory to fashion, dress, and material culture and, conversely, the relevance of those fields to social and cultural theory. It does so by offering a guide through the work of selected major thinkers, introducing their concepts and ideas. Each chapter is written by an expert contributor and is devoted to a key thinker, capturing the significance of their thought to the understanding of the field of fashion, while also assessing the importance of this field for a critical engagement with these thinkers ideas. This is a guide and reference for students and scholars in the fields of fashion, dress and material culture, the creative industries, sociology, cultural history, design and cultural studies."
