Author: Anita Callaway
Publisher: UNSW Press
ISBN: 9780868406343
Category : Art
Languages : en
Pages : 248
Book Description
Tracing the history of theatrical arts in 19th-century Australia, this book documents varieties of visual culture that until now have remained unrecorded or been dismissed as irrelevant to the history of Australian art.
Visual Ephemera
Drawings Faithfully Copied from Nature at Naples
Author: Friedrich Rehberg
Publisher:
ISBN:
Category : Drapery in art
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Drapery in art
Languages : en
Pages : 60
Book Description
Catalogue of the Casts, Busts, Reliefs, and Illustrations of the School of Design and Ceramic Art, in the Museum of Art, at the Melbourne Public Library
Author: Melbourne (Vic.). Public Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Modernism's Mythic Pose
Author: Carrie J. Preston
Publisher: Oxford University Press
ISBN: 0199384584
Category : Art
Languages : en
Pages : 372
Book Description
Modernism's Mythic Pose recovers the tradition of Delsartism, a popular international movement that promoted bodily and vocal solo performances, particularly for women. This strain of classical-antimodernism shaped dance, film, and poetics. Its central figure, the mythic pose, expressed both skepticism and nostalgia and functioned as an ambivalent break from modernity.
Publisher: Oxford University Press
ISBN: 0199384584
Category : Art
Languages : en
Pages : 372
Book Description
Modernism's Mythic Pose recovers the tradition of Delsartism, a popular international movement that promoted bodily and vocal solo performances, particularly for women. This strain of classical-antimodernism shaped dance, film, and poetics. Its central figure, the mythic pose, expressed both skepticism and nostalgia and functioned as an ambivalent break from modernity.
Bookseller's catalogues
Author: John Gray Bell
Publisher:
ISBN:
Category :
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 766
Book Description
Dictionary of Artists' Models
Author: Jill Berk Jiminez
Publisher: Routledge
ISBN: 1135959218
Category : Social Science
Languages : en
Pages : 628
Book Description
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Publisher: Routledge
ISBN: 1135959218
Category : Social Science
Languages : en
Pages : 628
Book Description
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Emma Hamilton and Late Eighteenth-Century European Art
Author: Ersy Contogouris
Publisher: Routledge
ISBN: 1351187899
Category : Art
Languages : en
Pages : 325
Book Description
This book offers a renewed look at Emma Hamilton, the eighteenth-century celebrity who was depicted by many major artists, including Angelica Kauffman, George Romney, and Élisabeth Vigée-Le Brun. Adopting an art historical and feminist lens, Ersy Contogouris analyzes works of art in which Hamilton appears, her performances, and writings by her contemporaries to establish her impact on this pivotal moment in European history and art. This pioneering volume shows that Hamilton did not attempt to present a coherent or polished identity, and argues instead that she was a kaleidoscope of different selves through which she both expressed herself and presented to others what they wanted to see. She was resilient, effectively asserted her agency, and was a powerful inspiration for generations of artists and women in their own search for expression and self-actualization.
Publisher: Routledge
ISBN: 1351187899
Category : Art
Languages : en
Pages : 325
Book Description
This book offers a renewed look at Emma Hamilton, the eighteenth-century celebrity who was depicted by many major artists, including Angelica Kauffman, George Romney, and Élisabeth Vigée-Le Brun. Adopting an art historical and feminist lens, Ersy Contogouris analyzes works of art in which Hamilton appears, her performances, and writings by her contemporaries to establish her impact on this pivotal moment in European history and art. This pioneering volume shows that Hamilton did not attempt to present a coherent or polished identity, and argues instead that she was a kaleidoscope of different selves through which she both expressed herself and presented to others what they wanted to see. She was resilient, effectively asserted her agency, and was a powerful inspiration for generations of artists and women in their own search for expression and self-actualization.
The Arts of the Prima Donna in the Long Nineteenth Century
Author: Rachel Cowgill
Publisher: Oxford University Press, USA
ISBN: 0195365887
Category : Biography & Autobiography
Languages : en
Pages : 415
Book Description
Female characters assumed increasing prominence in the narrative of 19th and early 20th century opera. This book shines a light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled doomed women onstage before an audience.
Publisher: Oxford University Press, USA
ISBN: 0195365887
Category : Biography & Autobiography
Languages : en
Pages : 415
Book Description
Female characters assumed increasing prominence in the narrative of 19th and early 20th century opera. This book shines a light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled doomed women onstage before an audience.
Time in Romantic Theatre
Author: Frederick Burwick
Publisher: Springer Nature
ISBN: 303096079X
Category : Performing Arts
Languages : en
Pages : 305
Book Description
The shift in temporal modalities of Romantic Theatre was the consequence of internal as well as external developments: internally, the playwright was liberated from the old imperative of “Unity of Time” and the expectation that the events of the play must not exceed the hours of a single day; externally, the new social and cultural conformance to the time-keeping schedules of labour and business that had become more urgent with the industrial revolution. In reviewing the theatre of the Romantic era, this monograph draws attention to the ways in which theatre reflected the pervasive impact of increased temporal urgency in social and cultural behaviour. The contribution this book makes to the study of drama in the early nineteenth century is a renewed emphasis on time as a prominent element in Romantic dramaturgy, and a reappraisal of the extensive experimentation on how time functioned.
Publisher: Springer Nature
ISBN: 303096079X
Category : Performing Arts
Languages : en
Pages : 305
Book Description
The shift in temporal modalities of Romantic Theatre was the consequence of internal as well as external developments: internally, the playwright was liberated from the old imperative of “Unity of Time” and the expectation that the events of the play must not exceed the hours of a single day; externally, the new social and cultural conformance to the time-keeping schedules of labour and business that had become more urgent with the industrial revolution. In reviewing the theatre of the Romantic era, this monograph draws attention to the ways in which theatre reflected the pervasive impact of increased temporal urgency in social and cultural behaviour. The contribution this book makes to the study of drama in the early nineteenth century is a renewed emphasis on time as a prominent element in Romantic dramaturgy, and a reappraisal of the extensive experimentation on how time functioned.
The Seeming and the Seen
Author: Beverly Maeder
Publisher: Peter Lang
ISBN: 9783039109975
Category : Art
Languages : en
Pages : 380
Book Description
Taking their cue from the polymorphous relationship between word and image, the essays of this book explore how different media translate the world of phenomena into aesthetic, intellectual or sensual experience. They embrace the media of poetry, fiction, drama, engraving, painting, photography, film and advertising posters ranging from the early modern to the postmodern periods. At the heart of the volume lie essays on works that characteristically perform intriguing interactions between the verbal and visual modes. They discuss the manifold ways in which artists as different as William Blake or Gertrude Stein, Diane Arbus or Stanley Kubrick heighten the tension between the linguistic and the seen. Taken both individually and collectively, this volume's contributions illuminate the problematics of how readers and spectators/lookers transform verbal and visual representation into worlds of seeming.
Publisher: Peter Lang
ISBN: 9783039109975
Category : Art
Languages : en
Pages : 380
Book Description
Taking their cue from the polymorphous relationship between word and image, the essays of this book explore how different media translate the world of phenomena into aesthetic, intellectual or sensual experience. They embrace the media of poetry, fiction, drama, engraving, painting, photography, film and advertising posters ranging from the early modern to the postmodern periods. At the heart of the volume lie essays on works that characteristically perform intriguing interactions between the verbal and visual modes. They discuss the manifold ways in which artists as different as William Blake or Gertrude Stein, Diane Arbus or Stanley Kubrick heighten the tension between the linguistic and the seen. Taken both individually and collectively, this volume's contributions illuminate the problematics of how readers and spectators/lookers transform verbal and visual representation into worlds of seeming.