Author: Kathryn Moore Heleniak
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300023114
Category : Art
Languages : en
Pages : 287
Book Description
Kathryn Heleniak demonstrates how intimately Mulready's paintings were related to the social conditions of his time. His portrayal of blacks is linked to the abolition of slavery and to the British colonial experience; his children's genre is analysed in the light of nineteenth-century attitudes to childhood and sexuality, and in the light of Mulready's own deeply-rooted pessimism about human nature.
William Mulready
Author: Kathryn Moore Heleniak
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300023114
Category : Art
Languages : en
Pages : 287
Book Description
Kathryn Heleniak demonstrates how intimately Mulready's paintings were related to the social conditions of his time. His portrayal of blacks is linked to the abolition of slavery and to the British colonial experience; his children's genre is analysed in the light of nineteenth-century attitudes to childhood and sexuality, and in the light of Mulready's own deeply-rooted pessimism about human nature.
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300023114
Category : Art
Languages : en
Pages : 287
Book Description
Kathryn Heleniak demonstrates how intimately Mulready's paintings were related to the social conditions of his time. His portrayal of blacks is linked to the abolition of slavery and to the British colonial experience; his children's genre is analysed in the light of nineteenth-century attitudes to childhood and sexuality, and in the light of Mulready's own deeply-rooted pessimism about human nature.
Early Victorian Illustrated Books
Author: John Buchanan-Brown
Publisher: New Castle, Del. : Oak Knoll
ISBN:
Category : Art
Languages : en
Pages : 336
Book Description
The author examines book illustration of the Romantic period. He focuses on the decorative wood - and steel-engravings, which were used as embellishments with the purpose of appealing to the sophisticated book buyer. He also describes how the values of the time are reflected in the illustrations.
Publisher: New Castle, Del. : Oak Knoll
ISBN:
Category : Art
Languages : en
Pages : 336
Book Description
The author examines book illustration of the Romantic period. He focuses on the decorative wood - and steel-engravings, which were used as embellishments with the purpose of appealing to the sophisticated book buyer. He also describes how the values of the time are reflected in the illustrations.
A catalogue of the pictures, drawings, sketches, etc., of ... William Mulready
Author: Victoria and Albert museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
Drawings of William Blake
Author: William Blake
Publisher: Courier Corporation
ISBN: 9780486223032
Category : Art
Languages : en
Pages : 196
Book Description
The artist and poet are clearly revealed in these reproductions of Blake's pencil drawings
Publisher: Courier Corporation
ISBN: 9780486223032
Category : Art
Languages : en
Pages : 196
Book Description
The artist and poet are clearly revealed in these reproductions of Blake's pencil drawings
Drawings by William Mulready
Author: Anne Rorimer
Publisher:
ISBN:
Category :
Languages : en
Pages : 174
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 174
Book Description
The Victorian Nude
Author: Alison Smith
Publisher: Manchester University Press
ISBN: 9780719044038
Category : Art
Languages : en
Pages : 282
Book Description
Smith reveals how images of the nude were used at all levels of Victorian culture, from prestigious high-art paintings through to photographs and popular entertainments; and discusses the many views as to whether these were legitimate forms of representation or, in fact, pornography and an incitement to unregulated sexual activity.
Publisher: Manchester University Press
ISBN: 9780719044038
Category : Art
Languages : en
Pages : 282
Book Description
Smith reveals how images of the nude were used at all levels of Victorian culture, from prestigious high-art paintings through to photographs and popular entertainments; and discusses the many views as to whether these were legitimate forms of representation or, in fact, pornography and an incitement to unregulated sexual activity.
The Women Who Inspired London Art
Author: Lucy Merello Peterson
Publisher: Pen and Sword
ISBN: 1526725266
Category : History
Languages : en
Pages : 238
Book Description
This is the story of women caught up in thetumultuous art scene of the early twentiethcentury, some famous and others lost totime.By 1910 the patina of the belle poquewas wearing thin in London. Artists wereon the hunt for modern women who couldhold them in thrall. A chance encounter onthe street could turn an artless child intoan artists model, and a model into a muse.Most were accidental beauties, plucked fromobscurity to pose in the great art schoolsand studios. Many returned home to livesthat were desperately challenging almostall were anonymous.Meet them now. Sit with them in theCaf Royal amid the wives and mistressesof Londons most provocative artists. Peekbehind the brushstrokes and chisel cuts atwomen whose identities are some of arthistorys most enduring secrets. Drawing ona rich mlange of historical and anecdotalrecords and a primary source, this isstorytelling that sweeps up the reader inthe cultural tides that raced across Londonin the Edwardian, Great War and interwarperiods.A highlight of the book is a reveal of theAvico siblings, a family of models whosefaces can be found in paint and bronze andstone today. Their lives and contributionshave been cloaked in a century of silence.Now, illuminated by family photos and oralhistories from the daughter of one of themodels, the Avico story is finally told.
Publisher: Pen and Sword
ISBN: 1526725266
Category : History
Languages : en
Pages : 238
Book Description
This is the story of women caught up in thetumultuous art scene of the early twentiethcentury, some famous and others lost totime.By 1910 the patina of the belle poquewas wearing thin in London. Artists wereon the hunt for modern women who couldhold them in thrall. A chance encounter onthe street could turn an artless child intoan artists model, and a model into a muse.Most were accidental beauties, plucked fromobscurity to pose in the great art schoolsand studios. Many returned home to livesthat were desperately challenging almostall were anonymous.Meet them now. Sit with them in theCaf Royal amid the wives and mistressesof Londons most provocative artists. Peekbehind the brushstrokes and chisel cuts atwomen whose identities are some of arthistorys most enduring secrets. Drawing ona rich mlange of historical and anecdotalrecords and a primary source, this isstorytelling that sweeps up the reader inthe cultural tides that raced across Londonin the Edwardian, Great War and interwarperiods.A highlight of the book is a reveal of theAvico siblings, a family of models whosefaces can be found in paint and bronze andstone today. Their lives and contributionshave been cloaked in a century of silence.Now, illuminated by family photos and oralhistories from the daughter of one of themodels, the Avico story is finally told.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Memorials of William Mulready, R.a
Author: William Mulready
Publisher: Legare Street Press
ISBN: 9781022492424
Category :
Languages : en
Pages : 0
Book Description
Memorials of William Mulready RA is a biographical work that details the life and career of the British artist William Mulready. The book is written by Frederic George Stephens, a noted art critic and writer of the Victorian era. It includes analysis of Mulready's work, along with personal anecdotes and insights into his life. It is a valuable resource for anyone interested in the art and culture of 19th century Britain. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781022492424
Category :
Languages : en
Pages : 0
Book Description
Memorials of William Mulready RA is a biographical work that details the life and career of the British artist William Mulready. The book is written by Frederic George Stephens, a noted art critic and writer of the Victorian era. It includes analysis of Mulready's work, along with personal anecdotes and insights into his life. It is a valuable resource for anyone interested in the art and culture of 19th century Britain. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Moxon Tennyson
Author: Simon Cooke
Publisher: Ohio University Press
ISBN: 0821446975
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
A new perspective on a book that transformed Victorian illustration into a stand-alone art. Edward Moxon’s 1857 edition of Alfred, Lord Tennyson’s Poems dramatically redefined the relationship between images and words in print. Cooke’s study, the first book to address the subject in over 120 years, presents a sweeping analysis of the illustrators and the complex and challenging ways in which they interpreted Tennyson’s poetry. This book considers the volume’s historical context, examining in detail the roles of publisher, engravers, and binding designer, as well as the material difficulties of printing its fine illustrations, which recreate the effects of painting. Arranged thematically and reproducing all the original images, the chapters present a detailed reappraisal of the original volume and the distinctive culture that produced it.
Publisher: Ohio University Press
ISBN: 0821446975
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
A new perspective on a book that transformed Victorian illustration into a stand-alone art. Edward Moxon’s 1857 edition of Alfred, Lord Tennyson’s Poems dramatically redefined the relationship between images and words in print. Cooke’s study, the first book to address the subject in over 120 years, presents a sweeping analysis of the illustrators and the complex and challenging ways in which they interpreted Tennyson’s poetry. This book considers the volume’s historical context, examining in detail the roles of publisher, engravers, and binding designer, as well as the material difficulties of printing its fine illustrations, which recreate the effects of painting. Arranged thematically and reproducing all the original images, the chapters present a detailed reappraisal of the original volume and the distinctive culture that produced it.