Drawing Fire: The Editorial Cartoons of Bill Mauldin PDF Download
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Author: Todd Depastino
Publisher:
ISBN: 9780998968940
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
The first career-spanning volume of the work of two-time Pulitzer Prize winning cartoonist Bill Mauldin, featuring comic art from World War II, Korea, Vietnam and Operation Desert Storm, along with a half-century of graphic commentary on civil rights, free speech, the Cold War, and other issues. Army sergeant William Henry "Bill" Mauldin shot to fame during World War II with his grim and gritty "Willie & Joe" cartoons, which gave readers of Stars & Stripes and hundreds of home-front newspapers a glimpse of the war from the foxholes of Europe. Lesser known are Mauldin's second and even third acts as one of America's premier political cartoonists from the last half of the twentieth century, when he traveled to Korea and Vietnam; Israel and Saudi Arabia; Oxford, Mississippi, and Washington, D.C.; covering war and peace, civil rights and the Great Society, Nixon and the Middle East. He especially kept close track of American military power, its use and abuse, and the men and women who served in uniform. Now, for the first time, his entire career is explored in this illustrated single volume, featuring selections from Chicago's Pritzker Military Museum & Library.Edited by Mauldin's biographer, Todd DePastino, and featuring 150 images, Drawing Fire: The Editorial Cartoons of Bill Mauldin includes illuminating essays exploring all facets of Mauldin's career by Tom Brokaw, Cord A. Scott, G. Kurt Piehler, and Christina Knopf.
Author: Todd Depastino
Publisher:
ISBN: 9780998968940
Category : Biography & Autobiography
Languages : en
Pages : 224
Get Book Here
Book Description
The first career-spanning volume of the work of two-time Pulitzer Prize winning cartoonist Bill Mauldin, featuring comic art from World War II, Korea, Vietnam and Operation Desert Storm, along with a half-century of graphic commentary on civil rights, free speech, the Cold War, and other issues. Army sergeant William Henry "Bill" Mauldin shot to fame during World War II with his grim and gritty "Willie & Joe" cartoons, which gave readers of Stars & Stripes and hundreds of home-front newspapers a glimpse of the war from the foxholes of Europe. Lesser known are Mauldin's second and even third acts as one of America's premier political cartoonists from the last half of the twentieth century, when he traveled to Korea and Vietnam; Israel and Saudi Arabia; Oxford, Mississippi, and Washington, D.C.; covering war and peace, civil rights and the Great Society, Nixon and the Middle East. He especially kept close track of American military power, its use and abuse, and the men and women who served in uniform. Now, for the first time, his entire career is explored in this illustrated single volume, featuring selections from Chicago's Pritzker Military Museum & Library.Edited by Mauldin's biographer, Todd DePastino, and featuring 150 images, Drawing Fire: The Editorial Cartoons of Bill Mauldin includes illuminating essays exploring all facets of Mauldin's career by Tom Brokaw, Cord A. Scott, G. Kurt Piehler, and Christina Knopf.
Author: Bill Mauldin
Publisher: Fantagraphics Books
ISBN: 1606993518
Category : Comics & Graphic Novels
Languages : en
Pages : 289
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Book Description
Willie & Joe: Back Home brilliantly chronicles the struggles and disillusionments of these early post-WWII years and, in doing so, tells Bill Mauldin’s own extraordinary story of his journey home to a wife he barely knew and a son he had only seen in pictures. The drawings capture the texture and feel, the warp and woof, of this confusing time: the ubiquitous hats and cigarettes, the domestic rubs, the rising fear of another war, and new conflicts over Civil Rights, civil liberties, and free speech. This second volume of Fantagraphics’ series reprinting Mauldin’s greatest work identifies and restores the dozens of cartoons censored by Mauldin’s syndicate for their attacks on racial segregation and McCarthy-style “witch hunts.” Mauldin pleaded with his syndicate to let him out of his contract so that he could return to the simple quiet life so desired by Willie & Joe. The syndicate refused, so Mauldin did battle, as always, through pen and ink.
Author: Jack Higgins
Publisher: Northwestern University Press
ISBN: 0810126451
Category : Humor
Languages : en
Pages : 305
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Book Description
This is a collection of editorial and political cartoons focused on the highs and lows of the Chicago and Illinois politics that produced both the first African American president and a string of corrupt gubernatorial administrations.
Author: Tony Husband
Publisher:
ISBN: 9781848580756
Category : World War, 1939-1945
Languages : en
Pages : 0
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Book Description
This book is a brilliant collection of cartoons from Britain, the United States, Germany, and Russia. It contains the work of all of World War II's greatest cartoonists, including Bill Mauldin, Fougasse, Emett, David Langdon, and Graham Laidler.
Author: Willard Mullin
Publisher: Fantagraphics Books
ISBN: 1606996398
Category : Comics & Graphic Novels
Languages : en
Pages : 241
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Book Description
In Fantagraphics’ ceaseless effort to rediscover every world-class cartoonist in the history of the medium, we turn your attention to a neglected part of the art form—sports cartooning—and to its greatest practitioner—Willard Mullin. The years 1930-1970 were the Golden Age of both American sports and American comic strips, when giants strode their respective fields—Babe Ruth, Lou Gehrig, and Hank Aaron in one, George (Krazy Kat) Herriman, Milton (Steve Canyon) Caniff, Walt (Pogo) Kelly in the other—and Mullin was there, straddling both fields, recording every major player and event in the mid-20th-century history of baseball. Mullin was to baseball players what Bill Mauldin was to soldiers: advocate and critic, investing them with personality, humanity, dignity, and poignancy; Mauldin had Willie & Joe and Mullin had the Brooklyn Bum, his affectionate 1939 character representing the bedraggled figure of the Brooklyn Dodgers. Willard Mullin’s Golden Age of Baseball: Drawings 1934-1972 collects for the first time Mullin’s best drawings devoted to baseball—depictions of players like Joe DiMaggio, Ted Williams, Yogi Berra, and Sandy Koufax, legendary managers like Casey Stengel and George Steinbrenner, and events like Lou Gehrig’s emotional retirement speech on July 4, 1939, for which Mullin not only drew a portrait but composed a poem (which he often incorporated into his cartoons). Mullin’s fluid line and delicate but vigorous brushwork are shown to beautiful effect, with many drawings reproduced from original art. See why millions of baseball fans from the ’30s to the ’70s looked forward to Mullin’s cartoons in their daily paper.
Author: Donald Dewey
Publisher: NYU Press
ISBN: 0814720153
Category : Art
Languages : en
Pages : 262
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Book Description
Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing.
Author: Stephen Hess
Publisher: Black Belt Press
ISBN:
Category : History
Languages : en
Pages : 172
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Book Description
This book belongs on the reference shelf of anyone interested in the interplay between cartoons, politics, and public opinion. It provides the reader a historic framework in which to understand the cartoons' meaning and significance.
Author: Jim Willoughby
Publisher: Pelican Publishing
ISBN: 9781565541412
Category : Humor
Languages : en
Pages : 96
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Book Description
This Arizona cartoonist and illustrator of Arizona Humoresque has been published in Saturday Evening Post, Collierï s, and others.
Author: Ted Rall
Publisher: Hill and Wang
ISBN: 1429955589
Category : Comics & Graphic Novels
Languages : en
Pages : 273
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Book Description
An unflinching account—in words and pictures—of America's longest war by our most outspoken graphic journalist Ted Rall traveled deep into Afghanistan—without embedding himself with U.S. soldiers, without insulating himself with flak jackets and armored SUVs—where no one else would go (except, of course, Afghans). He made two long trips: the first in the wake of 9/11, and the next ten years later to see what a decade of U.S. occupation had wrought. On the first trip, he shouted his dispatches into a satellite phone provided by a Los Angeles radio station, attempting to explain that the booming in the background—and sometimes the foreground—were the sounds of an all-out war that no one at home would entirely own up to. Ten years later, the alternative newspapers and radio station that had financed his first trip could no longer afford to send him into harm's way, so he turned to Kickstarter to fund a groundbreaking effort to publish online a real-time blog of graphic journalism (essentially, a nonfiction comic) documenting what was really happening on the ground, filed daily by satellite. The result of this intrepid reporting is After We Kill You, We Will Welcome You Back as Honored Guests—a singular account of one determined journalist's effort to bring the realities of life in twenty-first-century Afghanistan to the world in the best way he knows how: a mix of travelogue, photography, and award-winning comics.
Author: Chang-tai Hung
Publisher: Univ of California Press
ISBN: 0520354869
Category : History
Languages : en
Pages : 468
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Book Description
This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.
