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Author:
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 296
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Book Description
Author:
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 296
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Book Description
Author: Sydney Higgins
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 396
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Book Description
Author: Sydney Higgins
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 156
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Book Description
Author: Sydney Higgins
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 368
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Book Description
Author: Sydney Higgins
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 300
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Book Description
Author: Elissa B. Weaver
Publisher: Cambridge University Press
ISBN: 9780521550826
Category : History
Languages : en
Pages : 332
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Book Description
This book is a study of convent theatre in Italy, an all-female tradition. Widespread in the early modern period, but virtually forgotten today, this activity produced a number of talented dramatists and works worthy of remembrance. Convent authors, actresses and audiences, especially in Tuscan houses, the plays written and produced, and what these reveal about the lives of convent women, are the focus of this book. Beginning with the earliest known performances of miracle and mystery plays (sacre rappresentazioni) in the late fifteenth century, the book follows the development in the convents at the turn of the sixteenth century of spiritual comedy and of a variety of dramatic forms in the seventeenth century. Convent theatre both reflected the high level of literacy among convent women and contributed to it, and it attested to the continuing close contact between the secular world and the convents - even in the Post Tridentine period.
Author: Jan Bloemendal
Publisher: BRILL
ISBN: 9004257462
Category : History
Languages : en
Pages : 808
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Book Description
From ca. 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frédéric Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquín Pascual Barea, Fidel Rädle, and Raija Sarasti Willenius.
Author: Constantin C. Stathatos
Publisher: Rowman & Littlefield
ISBN: 1611462770
Category : Reference
Languages : en
Pages : 127
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Book Description
This is a compilation of contributions to the study of the Portuguese playwright Gil Vicente (1465–1536) which appeared between 2005 and 2015. Entries are grouped under three main headings: Editions and Adaptations, Translations, and Critical Studies. The scholarly interest in the father of the Portuguese theater continues unabated, as it can be seen in the great numbers of scholarly works, both editorial and critical, which appeared in the decade under question. The modest aim of this work is to alert scholars as to which of Gil Vicente’s works have not received adequate critical attention. New names are constantly added to the list of established vicentistas and new ways of looking at the dramatist’s works are introduced.
Author: William Tydeman
Publisher: Cambridge University Press
ISBN: 9780521293044
Category : Drama
Languages : en
Pages : 322
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Book Description
William Tydeman covers central aspects of western European theatre from the Dark Ages to the building of the first public theatres towards the end of the sixteenth century.
Author: Lynette R. Muir
Publisher: Cambridge University Press
ISBN: 9780521542104
Category : Drama
Languages : en
Pages : 352
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Book Description
This book presents a detailed survey and analysis of the surviving corpus of biblical drama from all parts of medieval Christian Europe. Over five hundred plays from the tenth to the sixteenth centuries are examined, in a wide-ranging discussion which makes available the full scope of this important part of theatre history. The volume is specially organised to provide a complete overview of major aspects of medieval biblical theatre, including the theatrical community of both audience and players; the major plays and cycles; and the legacy of medieval biblical theatre. The book also includes valuable appendices with information on the liturgical calendar, processions, and the Mass and the Bible.
