Dramatic Mirror of the Stage and Motion Pictures PDF Download
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 982
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 982
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 966
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1116
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Book Description
Author: John C. Tibbetts
Publisher: Popular Press
ISBN: 9780879722890
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.
Author: Shane Denson
Publisher: transcript Verlag
ISBN: 3839428173
Category : Social Science
Languages : en
Pages : 433
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Book Description
»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment. With a foreword by media theorist Mark B. N. Hansen.
Author: Daniel Talbot
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 428
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Book Description
Author: Richard Abel
Publisher: Univ of California Press
ISBN: 0520286774
Category : Performing Arts
Languages : en
Pages : 434
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Book Description
At the turn of the past century, the main function of a newspaper was to offer ÒmenusÓ by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fansÕ ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of Òmovieland,Ó and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 944
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Book Description
Author: Richard Abel
Publisher: A&C Black
ISBN: 9780485300765
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
Silent Film offers some of the best recent essays on silent cinema, essays that cross disciplinary boundaries and break new ground in a variety of ways. Some focus on the "materiality" of early cinema: the color processes used in printing nitrate film stocks, the choreographic styles of film acting, and the wide range of sound accompaniment. Others focus on questions of periodicity and nationality: on the shift from a "cinema of attractions" to a "classical narrative cinema," on the relationship between changes in production and those in exhibition, and on the historical specificity of national cinemas. Still others focus on early cinema's intertextual relations with various forms of mass culture (from magazine stories or sensational melodramas in the United States to the tango craze in Russia), and on reception in silent cinema (from black audiences in Chicago to women's fan magazines of the 1920s). Taken together, the contributors to this volume suggest provocative parallels between silent cinema at the turn of the last century and "postmodern" cinema at the end of our own. This book is an important contribution to the study of silent film and a key addition to this new series.
Author: Craig Clinton
Publisher: McFarland
ISBN: 0786427477
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
Born Caroline Louise Dudley, Mrs. Leslie Carter was destined to become one of America's principal turn-of-the century actresses. In 1889, a high profile divorce case labeled her an adulteress and sent her to the brink of poverty. With characteristic resilience, however, Mrs. Carter used infamy to her advantage. Retaining her married name as an act of revenge against her ex-husband, she approached David Belasco, one of the foremost playwright/directors of the day, and persuaded him to teach her the art of acting. So began one of theatre's most prolific partnerships. Not only did Belasco become Mrs. Carter's acting coach, he composed plays specifically as vehicles to showcase her particular talents. Although their relationship ruptured in 1906, Mrs. Carter continued to enjoy international renown. Weathering the changing times and methods of the early twentieth century, she persevered through stage, silent movies and vaudeville shows. This biography focuses particularly on Mrs. Carter's successful career and on her professional partnership with David Belasco. Spanning a period of radical transformation in American theatre, her career reflected--and endured--the artistic changes which occurred during the decades on either side of the century mark. Period photographs and theatrical art are included.
