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Author: Yann Robert
Publisher: University of Pennsylvania Press
ISBN: 0812250753
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.
Author: Yann Robert
Publisher: University of Pennsylvania Press
ISBN: 0812250753
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.
Author: Ben Quash
Publisher: Cambridge University Press
ISBN: 1139446096
Category : Religion
Languages : en
Pages : 251
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Book Description
How can theology think and talk about history? Building on the work of the major twentieth-century theologian Hans Urs von Balthasar as well as entering into sharp critical debate with him, this book sets out to examine the value and the potential of a 'theodramatic' conception of history. By engaging in dialogue not only with theologians and philosophers like von Balthasar, Hegel and Barth, but with poets and dramatists such as the Greek tragedians, Shakespeare and Gerard Manley Hopkins, the book makes its theological principles open and indebted to literary forms, and seeks to show how such a theology might be applied to a world intrinsically and thoroughly historical. By contrast with theologies that stand back from the contingencies of history and so fight shy of the uncertainties and openness of Christian existence, this book's theology is committed to taking seriously the God who works in time.
Author: Connie A. Jacobs
Publisher: MSU Press
ISBN: 1628954450
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Louise Erdrich is one of the most important, prolific, and widely read contemporary Indigenous writers. Here leading scholars analyze the three critically acclaimed recent novels—The Plague of Doves (2008), The Round House (2012), and LaRose (2016)—that make up what has become known as Erdrich’s “justice trilogy.” Set in small towns and reservations of northern North Dakota, these three interwoven works bring together a vibrant cast of characters whose lives are shaped by history, identity, and community. Individually and collectively, the essays herein illuminate Erdrich’s storytelling abilities; the complex relations among crime, punishment, and forgiveness that characterize her work; and the Anishinaabe contexts that underlie her presentation of character, conflict, and community. The volume also includes a reader’s guide to each novel, a glossary, and an interview with Erdrich that will aid in readers’ navigation of the justice novels. These timely, original, and compelling readings make a valuable contribution to Erdrich scholarship and, subsequently, to the study of Native literature and women’s authorship as a whole.
Author: Jack Thomas Grein
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 312
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Book Description
Author: Paul A. Mones
Publisher: Beyond Words/Atria Books
ISBN:
Category : Law
Languages : en
Pages : 360
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Book Description
"Stalking Justice focuses on the heroic efforts of the lone investigator who, by using his gut instincts and twenty-first-century technology, ended the vicious rampage of an elusive killer." "Detective Joe Horgas suspected that Susan Tucker's murder was connected to a similar case nearly four years earlier - a murder to which another man had already confessed. Horgas's theories were dismissed by superiors and colleagues alike; undaunted, he developed his own leads, and ultimately targeted a suspect. But he had nothing except semen stains from the crime scene to tie his suspect to the murder - nothing but a genetic code that, once deciphered, would break open the case. In a historic breakthrough for U.S. criminal justice, DNA testing would be used to catch a killer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
![Lorenzo, the Outcast Son: a Tragic Drama [in three acts and in verse] founded on the Robbers of F. Schiller PDF](https://books.google.com/books/content/images/frontcover/U0dgAAAAcAAJ?fife=w80-h100)
Author: Edward GANDY
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 460
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Book Description
Wholly dedicated to the stage, and containing original dramatic biography, essays, criticisms, poetry, reviews ... with occasional notices of the country theatres, the whole forming a complete critical and biographical illustration of the British stage.
Author: Adolphus William Ward
Publisher: Atlantic Publishers & Dist
ISBN: 9788171566853
Category : English drama
Languages : en
Pages : 612
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Book Description
... The Most Exhaustive And Important In Its Field... Thus, The Judgment Of An Outstanding 19Th Century Literary Figure (See Below On Ward S Masterly History Of English Dramatic Literature). It Is A Judgment That Has Stood Up Remarkably Well In The Passing Of Almost A Century Since The Work Was First Published. Students And Scholars Alike Will Find This Famous History An Invaluable Source Book On English Literature.Ward S Lucid Survey Starts With The Origin Of The Drama In England And The Beginnings Of Regular Drama. After An Excellent Account Of Shakespeare S Predecessors There Is A Long And Astute Section On Shakespeare Himself, Including A Discussion Of The Dramatist S Early Influence On The Continent, Especially In Germany. Volume Ii Also Covers Ben Jonson And The Later Elizabethans, Concluding With The Merits And Defects Of Beaumont And Fletcher. Volume Iii Ends The Work With An Examination Of The Later Stuart Drama When Prose Had Become Permanently The Vehicle Of Dramatic Speech In English Comedy And The Decay Of Tragedy. From An Early Review By Richard Burton In The Dial : ... The Work Is Beyond All Compare The Most Exhaustive And Important ... In Its Field .... When This Monument Of Scholarly Investigation Appeared, In 1874, It Was At Once Recognized As Authoritative, And Has Held The Position Ever Since.... Dr. Ward S Survey Of The Native Drama......Stands Alone Among Scholarly Achievements By Englishmen.The Prime Merit Of The Work, Aside From Thoroughness, Good Judgment In Ample Illustration, And The Deduction Of Sound Principles Therefrom, Lies In This Giving Of Due Attention To The History Of The Stage, While At The Same Time Keeping The Student To A Realization Of The Drama S Literary Splendors ... Drama In Its Technique As Well As In Its Imaginative Triumphs ... ... Take His Admirable Monograph (Vol. I, Chap. Iv) On Shakespeare .... It Would Be Difficult, Even In The Mass Of Similar Attempts, To Indicate Another Eighty Pages Which Tell So Much So Well, And Are So Little Open To Criticism... This Critic S Independence And Originality Of Thought Appear To Advantage In His Closing Remarks On The Tailend Of The Stuart Drama.
Author: Greg Walker
Publisher: Cambridge University Press
ISBN: 0521563313
Category : Drama
Languages : en
Pages : 261
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Book Description
Analyses the role of drama in English and Scottish court politics during the sixteenth century.
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 620
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Book Description
