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Author: Wayne Jeffrey Froman
Publisher: Lexington Books
ISBN: 9780739124093
Category : History
Languages : en
Pages : 262
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Book Description
Dramas of Culture is shaped by twelve carefully interwoven interdisciplinary essays on the role of performance as inscribed within contemporary cultural debate. Part One addresses the recent cultural turn in scholarship and public affairs and offers three provocative discussions of its genealogy, goals, and shortcomings. Underpinning these arguments are the key dramatic elements of language, performativity, and spectacle. Part Two stresses the constitutive roles of scene and setting, melodrama, and tragic conflict for literary theory, political thought, and dialectical philosophy, each with direct bearings on contemporary cultural studies. Parts Three and Four turn to the intellectual and cultural significance of specific plays in the Western repertoire. Part Three examines several major efforts to rethink the nature of tragedy as a dramatic genre, emphasizing its capacity to reveal the fragility and provisionality of culture, while Part Four focuses on prominent examples of the shifting relations among drama, history, and processes of cultural change.
Author: Wayne Jeffrey Froman
Publisher: Lexington Books
ISBN: 9780739124093
Category : History
Languages : en
Pages : 262
Get Book Here
Book Description
Dramas of Culture is shaped by twelve carefully interwoven interdisciplinary essays on the role of performance as inscribed within contemporary cultural debate. Part One addresses the recent cultural turn in scholarship and public affairs and offers three provocative discussions of its genealogy, goals, and shortcomings. Underpinning these arguments are the key dramatic elements of language, performativity, and spectacle. Part Two stresses the constitutive roles of scene and setting, melodrama, and tragic conflict for literary theory, political thought, and dialectical philosophy, each with direct bearings on contemporary cultural studies. Parts Three and Four turn to the intellectual and cultural significance of specific plays in the Western repertoire. Part Three examines several major efforts to rethink the nature of tragedy as a dramatic genre, emphasizing its capacity to reveal the fragility and provisionality of culture, while Part Four focuses on prominent examples of the shifting relations among drama, history, and processes of cultural change.
Author: David J. Harding
Publisher: University of Chicago Press
ISBN: 0226316661
Category : Social Science
Languages : en
Pages : 334
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Book Description
For the middle class and the affluent, local ties seem to matter less and less these days, but in the inner city, your life can be irrevocably shaped by what block you live on. Living the Drama takes a close look at three neighborhoods in Boston to analyze the many complex ways that the context of community shapes the daily lives and long-term prospects of inner-city boys. David J. Harding studied sixty adolescent boys growing up in two very poor areas and one working-class area. In the first two, violence and neighborhood identification are inextricably linked as rivalries divide the city into spaces safe, neutral, or dangerous. Consequently, Harding discovers, social relationships are determined by residential space. Older boys who can navigate the dangers of the streets serve as role models, and friendships between peers grow out of mutual protection. The impact of community goes beyond the realm of same-sex bonding, Harding reveals, affecting the boys’ experiences in school and with the opposite sex. A unique glimpse into the world of urban adolescent boys, Living the Drama paints a detailed, insightful portrait of life in the inner city.
Author: Xueping Zhong
Publisher: University of Hawaii Press
ISBN: 0824860667
Category : Art
Languages : en
Pages : 233
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Book Description
Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture. Mainstream Culture Refocused opens with an examination of television as a narrative motif in three contemporary Chinese art-house films. Zhong then turns her attention to dianshiju’s most important subgenres. "Emperor dramas" highlight the link between popular culture’s obsession with emperors and modern Chinese intellectuals’ preoccupation with issues of history and tradition and how they relate to modernity. In her exploration of the "anti-corruption" subgenre, Zhong considers three representative dramas, exploring their diverse plots and emphases. "Youth dramas’" rich array of representations reveal the numerous social, economic, cultural, and ideological issues surrounding the notion of youth and its changing meanings. The chapter on the "family-marriage" subgenre analyzes the ways in which women’s emotions are represented in relation to their desire for "happiness." Song lyrics from music composed for television dramas are considered as "popular poetics." Their sentiments range between nostalgia and uncertainty, mirroring the social contradictions of the reform era. The Epilogue returns to the relationship between intellectuals and the production of mainstream cultural meaning in the context of China’s post-revolutionary social, economic, and cultural transformation. Provocative and insightful, Mainstream Culture Refocused will appeal to scholars and students in studies of modern China generally and of contemporary Chinese media and popular culture specifically.
Author: Lila Abu-Lughod
Publisher: University of Chicago Press
ISBN: 9780226001968
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
Television is the cultural form that binds together the nation of Egypt. This text analyses Egyptian TV, not only to provide an understanding of the effect of the medium on Egyptian people, but also to examine TVs greater role in culture.
Author: Korean Culture and Information Service South Korea
Publisher: 길잡이미디어
ISBN: 8973751670
Category : Television programs
Languages : en
Pages : 117
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Book Description
This book, the third volume in the K-Culture series intended to promote contemporary Korean culture overseas, introduces foreign audiences to Korean dramas. K-Drama and Hallyu K-Drama: The Beginning of Hallyu K-Drama Reaches into Asia and Beyond Why K-Drama? The Appeal of K-Drama Foreign Media Respond to K-Drama History of K-Drama 1960s: The Age of Enlightenment 1970s: Entering the Era of True Entertainment 1980s: Portraits of a Modern Korea 1990s: More Ideas, Better Results 2000s to the Present: K-Drama Goes Global Top K-Dramas and Stars Top 10 K-Dramas Top K-Drama Stars From Little Acorns
Author: Michele Marrapodi
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655046
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Applying recent developments in new historicism and cultural materialism-along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text-the essays collected here reconsider the pervasive infl
Author: Jeffrey C. Alexander
Publisher: John Wiley & Sons
ISBN: 1509518142
Category : Social Science
Languages : en
Pages : 180
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Book Description
In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to Alexander’s approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. He uses this model to shed new light on a wide range of social actors, movements, and events, demonstrating through striking empirical examples the drama of social life. Producing successful dramas determines the outcome of social movements and provides the keys to political power. Modernity has neither eliminated aura nor suppressed authenticity; on the contrary, they are available to social actors who can perform them in compelling ways. This volume further consolidates Alexander’s reputation as one of the most original social thinkers of our time. It will be of great interest to students and scholars in sociology and cultural studies as well as throughout the social sciences and humanities.
Author: Simone Caroti
Publisher: McFarland
ISBN: 1476620407
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
This critical history of Iain M. Banks' Culture novels covers the series from its inception in the 1970s to the The Hydrogen Sonata (2012), published less than a year before Banks' death. It considers Banks' origins as a writer, the development of his politics and ethics, his struggles to become a published author, his eventual success with The Wasp Factory (1984) and the publication of the first Culture novel, Consider Phlebas (1987). His 1994 essay "A Few Notes on the Culture" is included, along with a range of critical responses to the 10 Culture books he published in his lifetime and a discussion of the series' status as utopian literature. Banks was a complex man, both in his everyday life and on the page. This work aims at understanding the Culture series not only as a fundamental contribution to science fiction but also as a product of its creator's responses to the turbulent times he lived in.
Author: Lawrence M. Clopper
Publisher: University of Chicago Press
ISBN: 0226110303
Category : Drama
Languages : en
Pages : 356
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Book Description
How was it possible for drama, especially biblical representations, to appear in the Christian West given the church's condemnation of the theatrum of the ancient world?In a book with radical implications for the study of medieval literature, Lawrence Clopper resolves this perplexing question. Drama, Play, and Game demonstrates that the theatrum repudiated by medieval clerics was not "theater" as we understand the term today. Clopper contends that critics have misrepresented Western stage history because they have assumed that theatrum designates a place where drama is performed. While theatrum was thought of as a site of spectacle during the Middle Ages, the term was more closely connected with immodest behavior and lurid forms of festive culture. Clerics were not opposed to liturgical representations in churches, but they strove ardently to suppress May games, ludi, festivals, and liturgical parodies. Medieval drama, then, stemmed from a more vernacular tradition than previously acknowledged-one developed by England's laity outside the boundaries of clerical rule.
Author: Koichi Iwabuchi
Publisher: Hong Kong University Press
ISBN: 962209631X
Category : Social Science
Languages : en
Pages : 341
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Book Description
The recent transnational reach of Japanese television dramas in East and Southeast Asia is unprecedented, and not simply in terms of the range and scale of diffusion, but also of the intense sympathy many young Asians feel toward the characters in Japanese dramas, so that they cope with their own modern lives by emulating the lives on screen. Through the empirical analysis of how Japanese youth dramas are (re)produced, circulated, regulated, and consumed in East and Southeast Asia, each chapter in this volume variously explores the ways in which intra-Asian cultural flows highlight cultural resonance and asymmetry in the region under the decentering processes of globalization. Key questions include: What is the nature of Japanese cultural power and influence in the region and how is it historically overdetermined? How is it similar to and different from "Americanization" and other Asian cultural sub-centers? What kinds of images and sense of intimacy and distance are perceived through the reception of Japanese youth dramas?
