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Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 826
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 826
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 350
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 272
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Book Description
Author: Frederick Winthrop Faxon
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 298
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Book Description
Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
Author: E H Mikhail
Publisher: Springer
ISBN: 1349030856
Category : Literary Criticism
Languages : en
Pages : 153
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Book Description
Author: Martin Puchner
Publisher: Oxford University Press
ISBN: 0190453419
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.
Author: Deborah Geis
Publisher: Bloomsbury Publishing
ISBN: 1472567897
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
Readers and acolytes of the vital early 1950s-mid 1960s writers known as the Beat Generation tend to be familiar with the prose and poetry by the seminal authors of this period: Jack Kerouac, Gregory Corso, Lawrence Ferlinghetti, Diane Di Prima, and many others. Yet all of these authors, as well as other less well-known Beat figures, also wrote plays-and these, together with their countercultural approaches to what could or should happen in the theatre-shaped the dramatic experiments of the playwrights who came after them, from Sam Shepard to Maria Irene Fornes, to the many vanguard performance artists of the seventies. This volume, the first of its kind, gathers essays about the exciting work in drama and performance by and about the Beat Generation, ranging from the well-known Beat figures such as Kerouac, Ginsberg and Burroughs, to the “Afro-Beats” - LeRoi Jones (Amiri Baraka), Bob Kaufman, and others. It offers original studies of the women Beats - Di Prima, Bunny Lang - as well as groups like the Living Theater who in this era first challenged the literal and physical boundaries of the performance space itself.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521098694
Category : Drama
Languages : en
Pages : 272
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Book Description
This book will appeal to students, actors and directors of drama, as well as the theatregoers.
Author: Bert O. States
Publisher: Cornell University Press
ISBN: 1501743597
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Professor States provides nothing less than a new theory of the drama based upon the principles of irony and dialectic. Very close in approach to the Continental structuralists, he treats irony, not as a literary device or as an attitude in the mind of the playgoer, but as a means of confronting reality—a way of testing and resolving conflicting ideas. Pointing out the limitations of conventional categories such as comedy, tragedy, and tragicomedy, he views drama instead as a vehicle for perceiving and ordering the possibilities of human experience. After setting forth his thesis boldly and persuasively, Professor States explores other mod es such as the epic and the lyric and shows how they interact with the dramatic principle. He manages to cover, in a minimum amount of space, the entire range of dramatic styles and periods, placing special emphasis on playwrights of universal appeal like Sophocles, Shakespeare, Chekhov, Ibsen, Shaw, and Beckett.
Author: Debra McGregor
Publisher: Springer Nature
ISBN: 3031173503
Category : Science
Languages : en
Pages : 324
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Book Description
This book presents a wide range of international perspectives that explore the different ways the diverse forms of drama supports learning in science. It illustrates how learning science by adopting and adapting theatrical techniques can offer more inclusive ways for students to relate to scientific ideas and concepts. The theatrical processes by which subject matter can be introduced, thought about, discussed, transformed, enacted and disseminated are shown to be endless. The first section of the book considers different ways of theorising and applying drama in classrooms. The second section provides a range of case studies illustrating how role play, performance, embodiment and enquiry approaches can be utilised for learning in primary, secondary and tertiary education contexts. The third section demonstrates how different research methods from questionnaires, particular kinds of tests and even the theatrical conventions themselves can provide rich data that informs how drama impacts on learning science.
