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Author: Steven Cassedy
Publisher: Stanford University Press
ISBN: 9780804767613
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Any reader of Dostoevsky is immediately struck by the importance of religion within the world of his fiction. That said, it is very difficult to locate a coherent set of religious beliefs within Dostoevsky’s works, and to argue that the writer embraced these beliefs. This book provides a trenchant reassessment of his religion by showing how Dostoevsky used his writings as the vehicle for an intense probing of the nature of Christianity, of the individual meaning of belief and doubt, and of the problems of ethical behavior that arise from these questions. The author argues that religion represented for Dostoevsky a welter of conflicting views and stances, from philosophical idealism to nationalist messianism. The strength of this study lies in its recognition of the absence of a single religious prescription in Dostoevsky's works, as well as in its success in tracing the background of the ideas animating Dostoevsky’s religious probing.
Author: Steven Cassedy
Publisher: Stanford University Press
ISBN: 9780804767613
Category : Literary Criticism
Languages : en
Pages : 238
Get Book Here
Book Description
Any reader of Dostoevsky is immediately struck by the importance of religion within the world of his fiction. That said, it is very difficult to locate a coherent set of religious beliefs within Dostoevsky’s works, and to argue that the writer embraced these beliefs. This book provides a trenchant reassessment of his religion by showing how Dostoevsky used his writings as the vehicle for an intense probing of the nature of Christianity, of the individual meaning of belief and doubt, and of the problems of ethical behavior that arise from these questions. The author argues that religion represented for Dostoevsky a welter of conflicting views and stances, from philosophical idealism to nationalist messianism. The strength of this study lies in its recognition of the absence of a single religious prescription in Dostoevsky's works, as well as in its success in tracing the background of the ideas animating Dostoevsky’s religious probing.
Author: Alexander Boyce Gibson
Publisher: Wipf and Stock Publishers
ISBN: 1532604769
Category : Religion
Languages : en
Pages : 225
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Book Description
Why has Dostoevsky influenced so much of the religious thinking of our times? His impact on modern theologians--Barth, for example--has been great, and thousands of his readers have been stirred by his extraordinary power to register metaphysical insights in narrative form. This fresh and subtle study of Dostoevsky's life and writing demonstrates that the great Russian's relevance for our day lies in his perception that religious faith and philosophic doubt are inseparable in his illustration that the practice of religion and intellectual scruples belong together and actually enhance each other. Gibson records what is known, from outside the novels, of his successive engagements and disengagements with the Christian faith. He then traces chronologically the path of Dostoevsky's developing thoughts and feelings as presented in the novels themselves, and his sentiments as distributed among his characters. Especially illuminating is the author's analysis of the dichotomies that make up the fascinating puzzle of Dostoevsky's complexity. Overlapping but never coinciding are the two perspectives of reflective artist and journalist-reporter. Buttressing Dostoevsky's dialectical method of thinking was the literary device of the "double," the character with contradictory ways of thought and behavior. Gibson shows how all these factors structured Dostoevsky's depiction of mental, moral, and religious ambiguities. This stimulating guide, which takes the reader from Notes from Underground through The Brothers Karamazov, explores the polarities of reason and faith as the irreconcilables that Dostoevsky constantly tries to reconcile. Everyone who has found his own vision of ethics or of religion expanded by Dostoevsky's work will find this literary study provocative and informative.
Author: Rowan Williams
Publisher: A&C Black
ISBN: 1847064256
Category : Religion
Languages : en
Pages : 305
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Book Description
Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it.
Author: Wil van den Bercken
Publisher: Anthem Press
ISBN: 0857289454
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
This study offers a literary analysis and theological evaluation of the Christian themes in the five great novels of Dostoevsky - 'Crime and Punishment', 'The Idiot', 'The Adolescent', 'The Devils' and 'The Brothers Karamazov'. Dostoevsky's ambiguous treatment of religious issues in his literary works strongly differs from the slavophile Orthodoxy of his journalistic writings. In the novels Dostoevsky deals with Christian basic values, which are presented via a unique tension between the fictionality of the Christian characters and the readers' experience of the existential reality of their religious problems.
Author: Svetlana Evdokimova
Publisher: Ars Rossica
ISBN: 9781618115263
Category : Literary Criticism
Languages : en
Pages : 413
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Book Description
This volume deals with Dostoevsky's wide-ranging interests and engagement with philosophical, religious, political, economic, and scientific discourses of his time. It includes contributions by prominent Dostoevsky scholars, social scientists, scholars of religion and philosophy.
Author: George Pattison
Publisher: Cambridge University Press
ISBN: 0521782783
Category : Literary Collections
Languages : en
Pages : 304
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Book Description
Dostoevsky is one of Russia's greatest novelists and a major influence in modern debates about religion, both in Russia and the West. This collection brings together Western and Russian perspectives on the issues raised by the religious element in his work. The aim of this collection is not to abstract Dostoevsky's religious 'teaching' from his literary works, but to explore the interaction between his Christian faith and his writing. The essays cover such topics as temptation, grace and law, Dostoevsky's use of the gospels and hagiography, Trinitarianism, and the Russian tradition of the veneration of icons, as well as reading aloud, and dialogism. In addition to an exploration of the impact of the Christian tradition on Dostoevsky's major novels, Crime and Punishment, The Idiot and The Brothers Karamazov, there are also discussions of lesser-known works such as The Landlady and A Little Boy at Christ's Christmas Tree.
Author: Malcolm Jones
Publisher: Anthem Press
ISBN: 0857287168
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
'Dostoevsky and the Dynamics of Religious Experience' deals with the religious dimension of the novelist’s life and fiction. The book is structured through six clearly defined and self-reliant essays that take into account past and current criticism and offers a close textual analysis on Dostoevsky's works, including 'The Double', 'Notes from Underground', 'Crime and Punishment', 'The Idiot', 'The Devils' and an in-depth study of 'The Brothers Karamazov'.
Author: David Stromberg
Publisher: Rowman & Littlefield
ISBN: 1611496659
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
Narrative Faith engages with the dynamics of doubt and faith to consider how literary works with complex structures explore different moral visions. The study describes a literary petite histoire that problematizes faith in two ways—both in the themes presented in the story, and the strategies used to tell that story—leading readers to doubt the narrators and their narratives. Starting with Dostoevsky’s Demons (1872), a literary work that has captivated and confounded critics and readers for well over a century, the study examines Albert Camus’s The Plague (1947) and Isaac Bashevis Singer’s The Penitent (1973/83), works by twentieth-century authors who similarly intensify questions of faith through narrators that generate doubt. The two postwar novelists share parallel preoccupations with Dostoevsky’s art and similar personal philosophies, while their works constitute two literary responses to the cataclysm of the Second World War—extending questions of faith into the current era. The book’s last section looks beyond narrative inquiry to consider themes of confession and revision that appear in all three novels and open onto horizons beyond faith and doubt—to hope.
Author: James Patrick Scanlan
Publisher: Cornell University Press
ISBN: 9780801439940
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
For all his distance from philosophy, Dostoevsky was one of the most philosophical of writers. Drawing on his novels, essays, letters and notebooks, this volume examines Dostoevsky's philosophical thought.
Author: John F. Desmond
Publisher: Catholic University of America Press
ISBN: 0813231272
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Fyodor Dostoevsky, Walker Percy, and the Age of Suicide is a study of the phenomenon of suicide in modern and post-modern society as represented in the major fictional works of Fyodor Dostoevsky and Walker Percy. In his study, suicide is understood in both a literal and spiritual sense as referring to both the actual suicides in their works and to the broader social malaise of spiritual suicide, or despair. In the 19th century Dostoevsky called suicide “the terrible question of our age”. For his part, Percy understood 20th century Western culture as “suicidal” in both its social, political and military behavior and in the deeper sense that its citizenry had suffered an ontological “loss of self” or “deformation” of being. Likewise, Thomas Merton called the 20th century an “age of suicide”.
