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Author: Lawrence Pitilli
Publisher: Rowman & Littlefield
ISBN: 1442244305
Category : Music
Languages : en
Pages : 241
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Book Description
In Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, scholar and musician Lawrence Pitilli details this too-little-explored area of 1950’s - early 60’s American culture. As Kenny Vance and the Planotones suggested in their classic song “Looking for an Echo,” every doo-wop acapella group’s mission—the search “for a sound, a place to be in harmony, a place we almost found”—was more than the story of street kids seeking recording glory. It is the tale of urban change, mass migrations, ethnic acculturation, a changing radio and recording industry, and the dynamics of cultural change in the “sounds”—sonic and linguistic—that every generation seeks to make and re-make for itself. In his study of this neglected period, Pitilli uncovers a rich musical tradition practiced largely by amateurs in an almost mythologized urban America. Although most of these practitioners were musically untrained, their lack of formal music education and financial support neither diluted their passion for singing or their quest for possible fame and fortune. In this engagingly written and celebratory work, Pitilli further demonstrates that doo-wop acappella was closely tied to broader issues, including the self-invented individual, gender roles, ethnicity, race, and class.
Author: Lawrence Pitilli
Publisher: Rowman & Littlefield
ISBN: 1442244305
Category : Music
Languages : en
Pages : 241
Get Book Here
Book Description
In Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, scholar and musician Lawrence Pitilli details this too-little-explored area of 1950’s - early 60’s American culture. As Kenny Vance and the Planotones suggested in their classic song “Looking for an Echo,” every doo-wop acapella group’s mission—the search “for a sound, a place to be in harmony, a place we almost found”—was more than the story of street kids seeking recording glory. It is the tale of urban change, mass migrations, ethnic acculturation, a changing radio and recording industry, and the dynamics of cultural change in the “sounds”—sonic and linguistic—that every generation seeks to make and re-make for itself. In his study of this neglected period, Pitilli uncovers a rich musical tradition practiced largely by amateurs in an almost mythologized urban America. Although most of these practitioners were musically untrained, their lack of formal music education and financial support neither diluted their passion for singing or their quest for possible fame and fortune. In this engagingly written and celebratory work, Pitilli further demonstrates that doo-wop acappella was closely tied to broader issues, including the self-invented individual, gender roles, ethnicity, race, and class.
Author: Norman Seldin
Publisher:
ISBN: 9781732965034
Category :
Languages : en
Pages : 264
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Book Description
"You Don't Know Me" is the fascinating memoir of Stormin' Norman Seldin, the influential musician, band leader, songwriter, arranger, producer, promoter and record label owner. Norman's music career transcends the genres of rhythm & blues, doo wop, soul, jazz, rock & roll, pop and rock music and his life stories go way beyond his involvement in music. Norman began playing piano at age three and fronted his first band by the age of twelve. Norman's strong influence helped shape the emerging Asbury Park rock scene of the 1960's that became known worldwide as the Jersey Sound. As a teenage dance and concert promoter he brought together many of the early bands like the Castiles, Motifs, DuCanes, Sonny & the Starfires and Jaywalkers that produced rock luminaries like Bruce Springsteen, Vini Lopez, Doc Holiday, Billy Ryan, Mickey Holiday, Vinnie Roslin and others. Norman hired and recorded Clarence Clemons prior to Bruce Springsteen's E Street Band. In doing so, he broke the color barrier in Jersey shore clubs. In soul music, Norman discovered Harry Ray before Ray Goodman & Brown. In doo wop music, Norman managed acts like Larry Chance & the Earls and produced numerous concerts by Nicky Addeo, Vito & the Salutations, Shells, Duprees, Danny & the Juniors, Belmonts, Olympics and countless others. He recorded doo wop groups like the Darchaes, Uniques and Shondelles. This barely scratches the surface of a career that went from New Jersey to Mississippi to Florida and back. But accomplishments alone don't make for a great read. There has to be a storyline to draws readers in. While music is woven through the fabric of every paragraph, this book is not really about music. It's about one man's determination to overcome adversity while living by his own terms. Whether racing horses, surviving health crises or fighting discrimination, Norman Seldin "stormed" his way through each situation. This book is the life story of Stormin' Norman Seldin. Music is just Norman's companion. Norman found early on that in an imperfect world, real music is pure. In a world full of discord, Norman found harmony.
Author: Deke Sharon
Publisher: Rowman & Littlefield
ISBN: 1538172674
Category : Music
Languages : en
Pages : 447
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Book Description
In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging—including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music. Since the publication of the original book in 2012, a cappella as a genre has grown enormously. Using conversational yet instructive tone, A Cappella Arranging 2.0: The Next Level picks up where the previous book left off, helping people deepen their a cappella arranging skills. In four parts, the book addresses a variety of topics including: The creative process An advanced understanding of vocal ranges Counterpoint and polyphony Harmonic concepts and techniques Arranging for the studio Live looping arrangements Instrumental idioms Arranging in different styles, including world styles Medleys and mashups This is the perfect resource for taking your a cappella arrangements to the next level.
Author: Roni Schotter
Publisher: Harper Collins
ISBN: 0060579684
Category : Juvenile Fiction
Languages : en
Pages : 44
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Book Description
A school janitor teaches children to sing and have confidence in themselves.
Author: Deke Sharon
Publisher: Rowman & Littlefield
ISBN: 1538105888
Category : Music
Languages : en
Pages : 391
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Book Description
From amateur collegiate a cappella groups to professional ensembles like Straight No Chaser and Pentatonix, contemporary a cappella has exploded onto the world pop music scene. In So You Want to Sing A Cappella, Deke Sharon combines historical context and a comprehensive look at the a cappella community with a detailed discussion of vocal techniques, rehearsal practices, and live audio support needed to sing great a cappella. Additional contributed chapters discuss singing and voice science, vocal health, vocal percussion, and audio technology. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing, and each book features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Author: Joshua S Duchan
Publisher: University of Michigan Press
ISBN: 0472028332
Category : Music
Languages : en
Pages : 365
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Book Description
Collegiate a cappella, part of a long tradition of unaccompanied singing, is known to date back on American college campuses to at least the colonial era. Considered in the context of college glee clubs, barbershop quartets, early-twentieth-century vocal pop groups, doo-wop groups, and contemporary a cappella manifestations in pop music, collegiate a cappella is an extension of a very old tradition of close harmony singing---one that includes but also goes beyond the founding of the Yale Whiffenpoofs. Yet despite this important history, collegiate a cappella has until now never been the subject of scholarly examination. In Powerful Voices: The Musical and Social World of Collegiate A Cappella, Joshua S. Duchan offers the first thorough accounting of the music's history and reveals how the critical issues of sociability, gender, performance, and technology affect its music and experience. Just as importantly, Duchan provides a vital contribution to music scholarship more broadly, in several important ways: by expanding the small body of literature on choruses and amateur music; by addressing musical and social processes in a field where the vast majority of scholarship focuses on individuals and their products; and by highlighting a musical context long neglected by musicologists---the college campus. Ultimately, Powerful Voices is a window on a world of amateur music that has begun to expand its reach internationally, carrying this uniquely American musical form to new global audiences, while playing an important role in the social, cultural, and musical education of countless singers over the last century.
Author: Gail Carriger
Publisher: Little, Brown Books for Young Readers
ISBN: 0316254711
Category : Young Adult Fiction
Languages : en
Pages : 267
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Book Description
Does one need four fully grown foxgloves for decorating a dinner table for six guests? Or is it six foxgloves to kill four fully grown guests? Sophronia's first year at Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality has certainly been rousing! For one thing, finishing school is training her to be a spy (and won't Mumsy be surprised?). Furthermore, Sophronia got mixed up in an intrigue over a stolen device and had a cheese pie thrown at her in a most horrid display of poor manners. Now, as she sneaks around the dirigible school, eavesdropping on the teachers' quarters and making clandestine climbs to the ship's boiler room, she learns that there may be more to a field trip to London than is apparent at first. A conspiracy is afoot--one with dire implications for both supernaturals and humans. Sophronia must rely on her training to discover who is behind the dangerous plot-and survive the London Season with a full dance card. In this bestselling sequel to New York Times bestselling Etiquette & Espionage, class is back in session with more petticoats and poison, tea trays and treason. Gail Carriger's distinctive voice, signature humor, and lush steampunk setting are sure to be the height of fashion this season.
Author: Charles Horner, Jr.
Publisher:
ISBN: 9781732965027
Category :
Languages : en
Pages :
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Book Description
Since just after it's founding in 1871, Asbury Park, New Jersey, has been a "music city". Yet through much of its history, Asbury Park has been a segregated city. While much is known about the musicians who played the seaside resort's beachfront venues, until now, little has been written about the music of the shadow city just across the railroad tracks. Springwood Avenue Harmony details the history of music from Asbury Park's predominantly African American West Side from 1871 through 1945. It includes the genres of Spirituals, Ragtime, Stride Piano, Jazz, Black Vaudeville, Blues, Big Band, Gospel and Pop music. The book examines the social, political, economical and racial climates under which the music developed and evolved. The lives of West Side singers and musicians long forgotten are finally given recognition. Also covered are the churches, theaters, nightclubs and entertainment venues that made up the music scene along Springwood Avenue. The book has close to 200 rare photos/flyers and is drawn from more than 700 documented news clippings, journals, books and interviews.
Author: Deke Sharon
Publisher: Alfred Music
ISBN: 0739090410
Category : Music
Languages : en
Pages : 398
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Book Description
More than any other person, Deke Sharon is responsible for the current success of pop a cappella. Founder of the House Jacks (the original “rock band without instruments”), Deke continues to influence through his work with The Sing-Off, Pitch Perfect, Pitch Perfect 2, and Vocalosity. Combine Deke’s expertise with that of directors Ben Spalding and Brody McDonald, add a foreword by Ben Folds, throw in advice from contributors like Peter Hollens, and you have the most comprehensive volume ever created on the subject of contemporary a cappella singing. Sections include: * Setting the Stage * Getting the Band Together * Arranging * Preparing * Technology * Making a Name * and more!
Author: Joanna Teresa Demers
Publisher: University of Georgia Press
ISBN: 0820330752
Category : Law
Languages : en
Pages : 194
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Book Description
Is music property? Under what circumstances can music be stolen? Such questions lie at the heart of Joanna Demers’s timely look at how overzealous intellectual property (IP) litigation both stifles and stimulates musical creativity. A musicologist, industry consultant, and musician, Demers dissects works that have brought IP issues into the mainstream culture, such as DJ Danger Mouse’s “Grey Album” and Mike Batt’s homage-gone-wrong to John Cage’s silent composition “4’33.” Demers also discusses such artists as Ice Cube, DJ Spooky, and John Oswald, whose creativity is sparked by their defiant circumvention of licensing and copyright issues. Demers is concerned about the fate of transformative appropriation—the creative process by which artists and composers borrow from, and respond to, other musical works. In the United States, only two elements of music are eligible for copyright protection: the master recording and the composition (lyrics and melody) itself. Harmony, rhythm, timbre, and other qualities that make a piece distinctive are virtually unregulated. This two-tiered system had long facilitated transformative appropriation while prohibiting blatant forms of theft. The advent of digital file sharing and the specter of global piracy changed everything, says Demers. Now, record labels and publishers are broadening the scope of IP “infringement” to include allusive borrowing in all forms: sampling, celebrity impersonation—even Girl Scout campfire sing-alongs. Paying exorbitant licensing fees or risking even harsher penalties for unauthorized borrowing have become the only options for some musicians. Others, however, creatively sidestep not only the law but also the very infrastructure of the music industry. Moving easily between techno and classical, between corporate boardrooms and basement recording studios, Demers gives us new ways to look at the tension between IP law, musical meaning and appropriation, and artistic freedom.
