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Author: Bill C. Malone
Publisher: U of Nebraska Press
ISBN: 9780252026782
Category : Music
Languages : en
Pages : 440
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Book Description
Don't Get above Your Raisin' examines the close relationship between "America's truest music" and the working-class culture that has constituted its principal source, nurtured its development, and provided its most dedicated supporters.
Author: Bill C. Malone
Publisher: U of Nebraska Press
ISBN: 9780252026782
Category : Music
Languages : en
Pages : 440
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Book Description
Don't Get above Your Raisin' examines the close relationship between "America's truest music" and the working-class culture that has constituted its principal source, nurtured its development, and provided its most dedicated supporters.
Author: W. K. McNeil
Publisher: Psychology Press
ISBN: 9780415941792
Category : Music
Languages : en
Pages : 520
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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Leigh H. Edwards
Publisher: Indiana University Press
ISBN: 0253220610
Category : Music
Languages : en
Pages : 514
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Book Description
Throughout his career, Johnny Cash has been depicted—and has depicted himself—as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodies irresolvable contradictions of American identity that reflect foundational issues in the American experience, such as the tensions between freedom and patriotism, individual rights and nationalism, the sacred and the profane. She illustrates how this model of ambivalence is a vital paradigm for American popular music, and for American identity in general. Making use of sources such as Cash's autobiographies, lyrics, music, liner notes, and interviews, Edwards pays equal attention to depictions of Cash by others, such as Vivian Cash's publication of his letters to her, documentaries and music journalism about him, Walk the Line, and fan club materials found in the archives at the Country Music Foundation in Nashville, to create a full portrait of Cash and his significance as a cultural icon.
Author: Edward Sinclair
Publisher: iUniverse
ISBN: 0595405819
Category : Body, Mind & Spirit
Languages : en
Pages : 262
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Book Description
From the Preface to I'm Faithful, But I'm Not Religious: "Some of my opinions have some basis. Most are my opinions just because they are my opinions, and I'm not particularly concerned with whether or not they have any basis." that having been said, Ed Sinclair offers opinions on just about anything and everything. For example: "Doing silly things only becomes problematic when doing so ceases to be a tribute to a good memory and, instead, becomes religiously institutionalized, routinized, regulated. I've said it before, and I'll say it again-religion has no place among the spiritually faithful. At least, that's my opinion."
Author: Heath Carpenter
Publisher: University of Georgia Press
ISBN: 0820355593
Category : Music
Languages : en
Pages : 242
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Book Description
Texas-born T Bone Burnett is an award-winning musician, songwriter, and producer with over forty years of experience in the entertainment industry. In The Philosopher King, Heath Carpenter evaluates and positions Burnett as a major cultural catalyst by grounding his work, and that of others abiding by a similar "roots" ethic, in the American South. Carpenter examines select artistic productions created by Burnett to understand what they communicate about the South and southern identity. He also extends his analysis to artists, producers, and cultural tastemakers who operate by an ethic and aesthetic similar to Burnett's, examining the interests behind the preservationist/heritage movement in contemporary roots music and how this community contributes to ongoing conversations regarding modern southern identity. The Philosopher King explores these artistic connections, the culture in which they reside, and most specifically the role T Bone Burnett plays in a contemporary cultural movement that seeks to represent a traditional American music ethos in distinctly Southern terms. Carpenter looks at films, songs, soundtracks, studio albums, fashion, and performances, each loaded with symbols, archetypes, and themes that illuminate the intersection between past and present issues of identity. By weaving together ethnographic interviews with cultural analysis, Carpenter investigates how relevant social issues are being negotiated, how complicated discussions of history, tradition, and heritage feed the ethic, and how the American South as a perceived distinct region factors into the equation.
Author: Alanna Nash
Publisher: Cooper Square Press
ISBN: 146166084X
Category : Music
Languages : en
Pages : 578
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Book Description
Interviews with 27 country stars reveal the range of personalities and viewpoints that make up today's country music scene. Journalist Alanna Nash speaks in candid interviews with performers about Nashville's music industry, changes in the country audience over the past thirty years, and their own releationships to their music. Nash's interviews showcase the diversity of the performers (from college-educated professionals to ex-convicts) and their audiences. Interviewees include Tammy Wynette, Merle Haggard, Brenda Lee, Reba McEntire, Loretta Lynn, Dolly Parton, Conway Twitty, Naomi and Wynonna Judd, Bill Monroe, Steve Earle, Emmylou Harris, Hank Williams Jr., Chet Atkins, and Willie Nelson.
Author: James N. Gregory
Publisher: Univ of North Carolina Press
ISBN: 0807876852
Category : Social Science
Languages : en
Pages : 464
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Book Description
Between 1900 and the 1970s, twenty million southerners migrated north and west. Weaving together for the first time the histories of these black and white migrants, James Gregory traces their paths and experiences in a comprehensive new study that demonstrates how this regional diaspora reshaped America by "southernizing" communities and transforming important cultural and political institutions. Challenging the image of the migrants as helpless and poor, Gregory shows how both black and white southerners used their new surroundings to become agents of change. Combining personal stories with cultural, political, and demographic analysis, he argues that the migrants helped create both the modern civil rights movement and modern conservatism. They spurred changes in American religion, notably modern evangelical Protestantism, and in popular culture, including the development of blues, jazz, and country music. In a sweeping account that pioneers new understandings of the impact of mass migrations, Gregory recasts the history of twentieth-century America. He demonstrates that the southern diaspora was crucial to transformations in the relationship between American regions, in the politics of race and class, and in the roles of religion, the media, and culture.
Author: Nadine Hubbs
Publisher: UNC Press Books
ISBN: 0807872547
Category : History
Languages : en
Pages :
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Book Description
In 2004 Gretchen Wilson exploded onto the country music scene with 'Redneck Woman.' The blockbuster single led to the early release of her first CD and propelled it to triple platinum sales." Gretchen Wilson celebrates a new kind Virile Woman on the country music scene—but this subtle gender analysis reveals much more than immediately meets the eye. This article appears in the 2011 Music issue of Southern Cultures. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
Author: LeRoy Ashby
Publisher: University Press of Kentucky
ISBN: 0813171326
Category : Social Science
Languages : en
Pages : 686
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Book Description
With Amusement for All is a sweeping interpretative history of American popular culture. Providing deep insights into various individuals, events, and movements, LeRoy Ashby explores the development and influence of popular culture -- from minstrel shows to hip-hop, from the penny press to pulp magazines, from the NBA to NASCAR, and much in between. By placing the evolution of popular amusement in historical context, Ashby illuminates the complex ways in which popular culture both reflects and transforms American society. He demonstrates a recurring pattern in democratic culture by showing how groups and individuals on the cultural and social periphery have profoundly altered the nature of mainstream entertainment. The mainstream has repeatedly co-opted and sanitized marginal trends in a process that continues to shift the limits of acceptability. Ashby describes how social control and notions of public morality often vie with the bold, erotic, and sensational as entrepreneurs finesse the vagaries of the market and shape public appetites. Ashby argues that popular culture is indeed a democratic art, as it entertains the masses, provides opportunities for powerless and disadvantaged individuals to succeed, and responds to changing public hopes, fears, and desires. However, it has also served to reinforce prejudices, leading to discrimination and violence. Accordingly, the study of popular culture reveals the often dubious contours of the American dream. With Amusement for All never loses sight of pop culture's primary goal: the buying and selling of fun. Ironically, although popular culture has drawn an enormous variety of amusements from grassroots origins, the biggest winners are most often sprawling corporations with little connection to a movement's original innovators.
Author: Harry L. Watson
Publisher: UNC Press Books
ISBN: 0807868426
Category : History
Languages : en
Pages : 217
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Book Description
The Music Issue eBook includes a FREE CD and: The tell-all letter from a teenage girl who kissed—and kissed—Elvis Presley How corruption and greed made the Jacksonville music scene Gretchen Wilson, country music's "Redneck Woman" The invaluable social spaces of African American record stores Bobby Rush, "bluesman-plus" Where Opryland resides in hearts, minds, and souls Backstage with the Avett Brothers, Doc Watson, Tift Merritt, Southern Culture on the Skids, the Carolina Chocolate Drops, Johnny Cash, and more great artists. We'll send you the Music Issue's special CD, at no extra cost. Loving, Leaving, Liquor, and the Lord is packed with tracks from the Avett Brothers, Doc and Merle Watson, Archers of Loaf, and many more amazing Southern musicians--old and new. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
