Author: Rico Franses
Publisher: Cambridge University Press
ISBN: 1108418597
Category : Art
Languages : en
Pages : 263

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Book Description
Explores the complex relationship between art and religious belief in this important genre of painting.

Author: Nancy P. Sevcenko
Publisher: Taylor & Francis
ISBN: 1000950670
Category : History
Languages : en
Pages : 380

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Book Description
The studies in this volume all deal with images and texts that relate to the veneration of the saints in Byzantium after the 9th century. Some papers are devoted to the church calendar and the annual commemorations of hundreds of saints through liturgical poetry and sequences of isolated images in fresco, icon painting and illuminated manuscripts. Others are concerned with the longer and rarer, narrative cycles devoted to the life of a single saint, cycles found mainly in fresco and on the so-called vita icons that first appear in the East in the late 12th century. Additional studies deal with the developing role of icons in liturgical ceremonies, and with images of a saint being approached by a supplicant or patron. A final section is devoted to places made holy by the saints, and to their holy relics.

Author: Andreas Stylianou
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192

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Author: Chrysovalantis Kyriacou
Publisher: Lexington Books
ISBN: 1498551165
Category : History
Languages : en
Pages : 355

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Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of noncoercive resistance to domination, and of identity preservation and adaptation. Orthodox Cyprus under the Latins, 1191–1571 readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island’s largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world.

Author: Henry Maguire
Publisher: Taylor & Francis
ISBN: 1000949893
Category : Music
Languages : en
Pages : 442

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Book Description
The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.

Author: Maria Alessia Rossi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110695618
Category : Literary Criticism
Languages : en
Pages : 452

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Book Description
This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approaches, have reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. The comparative and interdisciplinary framework of this volume provides a holistic view of the visual culture of these regions by addressing issues of transmission and appropriation, as well as notions of cross-cultural contact, while putting on the global map of art history the eclectic artistic production of Eastern Europe.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 446

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Author: Dion C. Smythe
Publisher: Routledge
ISBN: 1351897799
Category : History
Languages : en
Pages : 370

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Book Description
March 1998 saw Byzantinists gathering together at the University of Sussex in Brighton, for the annual symposium held by the Society for the Promotion of Byzantine Studies. Their aim was to consider the question of the 'Byzantine outsider'. Some categories of outsiders appear clear and simple: those marked out by class, race, sex, religion. But these categories are not universals. Today, historians of all periods are examining the ways in which we analyse the divisions in our societies, which can determine how we look at societies in the past. There is no consensus on who forms the 'outsider class' in modern society; it should come as no surprise that there was no consensus in Byzantium as to who the outsiders were, what they had done to deserve that status, and what the result of their attaining it should have been. The papers in this collection, drawn from the large number presented at the XXXII Spring Symposium, continue the debate about the idea of the 'Byzantine outsider'. The scholars within - theologians, historians, literary critics and art historians - present differing approaches to different aspects of the problem. The volume does not aim to have the 'last word', but rather to provoke debate and to open the field. Any examination of society that uses the concept of the outsider has implicitly within it a concept of the 'insider'. By looking at those on the margins it becomes easier to see who were - or at least thought they were - on the inside.

Author: Evanthia Baboula
Publisher: BRILL
ISBN: 9004457143
Category : Art
Languages : en
Pages : 317

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Book Description
Honouring Erica Cruikshank Dodd, Art and Material Culture in the Byzantine and Islamic Worlds analyzes aspects of the constructed narratives and reconstructed realities of the visual-material record of diverse Mediterranean faith communities from medieval into contemporary times.

Author: Vasileios Marinis
Publisher: Cambridge University Press
ISBN: 1107040167
Category : Architecture
Languages : en
Pages : 263

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Book Description
This book examines the interchange of architecture and ritual in the Middle and Late Byzantine churches of Constantinople (ninth to fifteenth centuries). It employs archaeological and archival data, hagiographic and historical sources, liturgical texts and commentaries, and monastic typika and testaments to integrate the architecture of the medieval churches of Constantinople with liturgical and extra-liturgical practices and their continuously evolving social and cultural context. The book argues against the approach that has dominated Byzantine studies: that of functional determinism, the view that architectural form always follows liturgical function. Instead, proceeding chapter by chapter through the spaces of the Byzantine church, it investigates how architecture responded to the exigencies of the rituals, and how church spaces eventually acquired new uses. The church building is described in the context of the culture and people whose needs it was continually adapted to serve. Rather than viewing churches as frozen in time (usually the time when the last brick was laid), this study argues that they were social constructs and so were never finished, but continually evolving.