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Author: Joachim Poeschke
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 506
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Book Description
Text on the latest research. While his central focus is on the work of Donatello, he also illuminates the beginnings of Renaissance sculpture in Florence, its further development in Tuscany and the rest of Italy, the new artistic goals and their theoretical formulation, and the relationships between patron and artist, convention and artistic freedom. The invaluable documentary section includes all the work of Donatello, as well as that of Ghiberti. Other important.
Author: Joachim Poeschke
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 506
Get Book Here
Book Description
Text on the latest research. While his central focus is on the work of Donatello, he also illuminates the beginnings of Renaissance sculpture in Florence, its further development in Tuscany and the rest of Italy, the new artistic goals and their theoretical formulation, and the relationships between patron and artist, convention and artistic freedom. The invaluable documentary section includes all the work of Donatello, as well as that of Ghiberti. Other important.
Author: A. Victor Coonin
Publisher: Reaktion Books
ISBN: 1789141672
Category : Art
Languages : en
Pages : 289
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Book Description
The Italian sculptor known as Donatello helped to forge a new kind of art—one that came to define the Renaissance. His work was progressive, challenging, and even controversial. Using a variety of novel sculptural techniques and innovative interpretations, Donatello uniquely depicted themes involving human sexuality, violence, spirituality, and beauty. But to really understand Donatello, one needs to understand his changing world, marked by the transition from Medieval to Renaissance style and to an art that was more personal and representative of the modern self. Donatello was not just a man of his times, he helped shape the spirit of the times he lived in and profoundly influenced those that came after. In this beautifully illustrated book—the first thorough biography of Donatello in twenty-five years—A. Victor Coonin describes the full extent of Donatello’s revolutionary contributions, revealing how his work heralded the emergence of modern art.
Author: Claudia Lazzaro
Publisher: Cornell University Press
ISBN: 9780801489211
Category : Art
Languages : en
Pages : 308
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Book Description
Focuses on the appropriation of visual elements of the classical, medieval, and Renaissance past in Mussolini's Italy.
Author: Peta Motture
Publisher: Yale University Press
ISBN: 0300090803
Category : Art
Languages : en
Pages : 340
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Book Description
Author: David Lindsay Earl of Crawford
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 352
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Book Description
Author: Peter Scammell
Publisher: Xlibris Corporation
ISBN: 1503503089
Category : Fiction
Languages : en
Pages : 238
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Book Description
A 530-year-old Florentine manuscript and drawn sketches resurface in the Baltic Seaport of Lubeck. Fine arts lecturer Elizabeth Harrington is asked by a former student to assist his family in the task of authenticating these renaissance writings and drawings currently in their possession. Harrington enlists the help of her mentor and work colleague, the Professor. As the manuscript is translated from its original Latin and light is cast on the mystery of the ancient text and drawings, Harrington and her mentor realise the importance of this discovery. They discover that the manuscript and drawings are a renaissance puzzle in the finest tradition of renaissance intrigue, power, and art. Elizabeth Harrington explores the renaissance worlda world that still exercises considerable influence over our modern lives. As the puzzle unravels, the identity of Donatellos Golden Boy becomes clearer. Yet there are those who would reach from their ancient graves to suppress this secret . . .
Author: Timothy Verdon
Publisher: Giles
ISBN: 9781907804564
Category : ARCHITECTURE
Languages : en
Pages : 0
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Book Description
A major survey on both the art and decoration of Sta. Maria del Fiore in Florence, and early Renaissance art.
Author: John L'Heureux
Publisher: House of Stratus
ISBN: 1938231481
Category : Fiction
Languages : en
Pages : 367
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Book Description
While creating his famous bronze of David and Goliath, Donatello’s passion for his beautiful model and part time rent boy, Agnolo, ignites a dangerous jealousy that ultimately leads to murder. Luca, the complex and conflicted assistant, will sacrifice all to save Donatello, even his master’s friend--the great patron of art, Cosimo de’ Medici.
Author: Isabella Stewart Gardner Museum Boston, Mass
Publisher:
ISBN: 9781907372704
Category : Drawing, Italian
Languages : en
Pages : 0
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Book Description
The self-portrait of Baccio Bandinelli shows the sculptor pointing to an object that he has placed on a kind of pedestal. Among the most remarkable aspects of this object is that it is not a sculpture but a design in red chalk, a medium that few other Renaissance sculptors used. Bandinelli was particularly proud of his skills as a draughtsman, and he produced hundreds of drawings, many of them as striking and unusual as the one his portrait depicts. His talent and productivity set him apart from other sculptors of his day, most of whom left little evidence of having worked extensively on paper. This publication, which accompanies an important exhibition at the Isabella Stewart Gardner Museum, puts Bandinelli's portrait in context by looking broadly at the practice of drawing by Renaissance sculptors, including such luminaries as Donatello, Verrocchio, Michelangelo, Cellini and Giambologna. The book surveys two centuries of material, considering rough sketches and more finished sheets, isolated studies and sequences of ideas. Comparing designs on paper to related three-dimensional works by the same artists, the book directly confronts the question of the importance drawing held for sculptors in the period. The authors, who include specialists in the history of sculpture and drawing, among other fields, pose new questions about the creative process and the relation between the arts in Renaissance Italy. A focus of the book will be Bandinellis own drawings and the development of his practice across his career and his experimentation with different media. The broader question considered, however, is when, how and why sculptors drew. Every Renaissance sculptor who set out to make a work in metal or stone would first have made a series of preparatory models in wax, clay and/or stucco. Drawing was not an essential practice for sculptors in the way it was for painters, and indeed, most surviving sculptors drawings are not preparatory studies for works they subsequently executed in three dimensions. When sculptors did draw, it often indicated something about the artists training or about his ambitions. Among the most accomplished draftsmen were artists like Pollaiuolo, Verrocchio and Cellini, who had come to sculpture by way of goldsmithery, a profession that required proficiency in ornamental design. Artists who sought to become architects, meanwhile the likes of Michelangelo, Giambologna and Ammanati similarly needed to learn to draw, since architects had to provide plans, elevations and other drawings to assistants and clients and had to imagine the place of individual figures within a larger multi-media ensemble. Certain kinds of projects, moreover fountains and tombs, for example required drawings to a degree that others did not. Sections on the Renaissance goldsmith-sculptor and sculptor-architect will allow comparison of the place drawing had in various artists careers.
Author: Jules Lubbock
Publisher: Yale University Press
ISBN: 9780300117271
Category : Art
Languages : en
Pages : 380
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Book Description
Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. In this book, Jules Lubbock examines some of the most famous of these pictorial narratives by artists of the caliber of Giovanni Pisano, Duccio, Giotto, Ghiberti, Brunelleschi, Donatello and Masaccio. He explains how these artists portrayed the major biblical events, such as: the Sacrifice of Isaac, the Annunciation, the Feast of Herod and the Trial and Passion of Jesus, so as to be easily recognizable and, at the same time, to capture our attention and imagination for long enough to enable us to search for deeper meanings. He provides evidence showing that the Church favoured the production of images that lent themselves to being read and interpreted in this way, and he describes the works themselves to demonstrate how the pleasurable activity of deciphering these meanings can work in practice. This book is richly illustrated, and many of its photographs have been specially taken to show how the paintings and relief sculptures appear in the settings, for which they were originally designed. Seen from these viewpoints, they become more readily intelligible. Likewise, the starting point and the originality of Lubbock's interpretations lies in his accepting that these works of art were primarily designed to help people to reflect upon the ethical and religious significance of the biblical stories. The early Renaissance artists developed their highly innovative techniques to further these objectives, not as ends in themselves. Thus, the book aims to appeal to students, scholars and the general public, who are interested in Renaissance art and to those with a religious interest in biblical imagery.
