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Author: Chris D Saunders
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
5 Classical Guitar transcriptions of Domenico Scarlatti Sonatas. Standard Notation and Tablature.K1, K27, K53, K208, K322
Author: Chris D Saunders
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
5 Classical Guitar transcriptions of Domenico Scarlatti Sonatas. Standard Notation and Tablature.K1, K27, K53, K208, K322
Author: Domenico Scarlatti
Publisher:
ISBN: 9781860969485
Category : Guitar
Languages : en
Pages : 24
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Book Description
This collection of arrangements for solo guitar is an ideal introduction to Scarlatti's music. The ten varied pieces were carefully chosen for their musical character and technical suitability at intermediate and advanced levels. Core repertoire for Grades 68 of ABRSM's Guitar syllabus. Includes idiomatic adaptations, with original ornamentation.
Author: Fabio Zanon
Publisher: Mel Bay Publications
ISBN: 1619113066
Category : Music
Languages : en
Pages : 101
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Book Description
An exact contemporary of Bach and Handel, Domenico Scarlatti was already a celebrated composer in Italy by the time he moved to Portugal. Later he traveled to Spain, where he worked as a harpsichord instructor for Princess Maria Barbara. The lessons he wrote for her are among the most imaginative and unpredictable pieces from the whole baroque period. His music translates very well to the guitar, an instrument where his style is completely at home. This set of 30 sonatas transcribed by acclaimed guitarist Fabio Zanon includes new transcriptions of all-time favorites and some rarer ones as well.
Author: Domenico Scarlatti
Publisher: Clear Note Publications
ISBN: 1625591926
Category : Music
Languages : en
Pages : 103
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Book Description
The Sonatas of Domenico Scarlatti (1685-1757) are so common to the guitarist’s repertoire that one could easily assume that they were written originally for the instrument. In fact, despite the prodigious output of this composer, Scarlatti never composed for guitar. This is a bit surprising considering he spent much of his adult life on the Iberian Peninsula where the guitar (chitarra spagnola) was, at that time, enjoying considerable popularity. The following sonatas are transcriptions of a small portion of the 555 sonatas which Scarlatti composed for the keyboard. These works were most likely composed after 1720 when Scarlatti left his native Italy to take a post as chapelmaster at the court of King João V of Portugal. One of his duties in this appointment was to tutor the daughter of the King, Maria Barbara, who would eventually become Queen of Spain. Scarlatti would follow her to Seville and then to Madrid. Maria Barbara was known as an accomplished harpsichordist, and it is quite possible that these sonatas were the product of her close relationship with the composer. The first known catalogue of Scarlatti’s sonatas was compiled by Alessandro Longo (1864-1945). Though it remains an important historical document, this publication [D. Scarlatti, Opere Complete per Clavicembalo, (a cura di A. Longo) 10 vol. e 1 supplemento (Ricordi, Milano, 1906/10)] is largely considered antiquated by modern historians. Longo purposely regrouped the sonatas into suites and, in some cases, changed tempo indications and harmonies. A more commonly accepted catalogue of the Sonatas of Scarlatti was assembled by Ralph Kirkpatrick (1911-1984). His catalogue [Ralph Kirkpatrick, Domenico Scarlatti (Princeton University Press, Princeton, 1953)] attempted to order the sonatas chronologically and provided insight into how the works were grouped: often in pairs, sometimes in groups of 3 or 4 and some with multiple movements contained within. The following transcriptions were adapted from facsimile editions taken from the Biblioteca Nazionale in Venezia, and the Biblioteca Palatina in Parma and compiled by Kirkpatrick [Domenico Scarlatti, Complete Keyboard Works (edited by Ralph Kirkpatrick) 18 vol. (Johnson Reprint Corporation, New York and London, 1972)]. Each work is identified by both Kirkpatrick’s (K.) and Longo’s (L.) catalog numbers. Within these sonatas lay a wealth of creativity and variety. Although most of them fall into the category of binary form, there exists great diversity in tone, tempo, and internal construction. Beyond the generic title Sonata, Scarlatti makes little use of the term as a unifying factor for his collection. Some works are to be played slowly and lyrically and thus have indications as Larghetto and Adagio e Cantabile, while others are meant to be played rapidly, having tempo indications as Allegro, Vivo, and Allegrissimo. Additionally, Scarlatti models some of his sonatas after common dance forms of his day titling some as Minuetto or Gavotta. Examples of all the above appear in this collection. Moreover, Scarlatti’s mastery of the keyboard and, in some cases, his disregard of common voice-leading and harmonic practices, have produced works of unique diversity with striking harmonies, sudden and unusual modulations, and passages of uncommon texture and virtuosity.
Author: Karl Wolff
Publisher: Clear Note Publications
ISBN: 1625592213
Category : Music
Languages : en
Pages : 23
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Book Description
1. March - George Frederick Handel 2. Sonata in A Minor - John Christopher Pepusch 3. A Ground in Gamut - Henry Purcell 4. An Air - George Frederick Handel 5. Fughetta - George Frederick Handel 6. Menuet - Johann Heinrich Buttsted 7. Sonata in D Minor - Domenico Scarlatti 8. Sonata in A Major - Domenico Scarlatti 9. Prelude and Fugue No. 1 from the Well Tempered Klavier - Johann Sebastian Bach This anthology is a collection of solo guitar transcriptions ranging from intermediate to concert level. Many of the pieces are by some of the best known composers of the baroque era like George Frederick Handel and Johann Sebastian Bach. There are also some unique gems by lesser known composers that merit playing because of their very musical and memorable nature. Among the advanced pieces are Bach's Prelude and Fugue No. 1 from the Well Tempered Clavier and an exquisite Air by Handel. Though very different these two pieces in particular exemplifying the sophistication of baroque contrapuntal writing. The collection also includes charming examples of the Minuet, Sonata, Theme and Variations forms of the baroque era by Scarlatti, Purcell, Buttsted and Pepusch. This is a unique collection to savor over many years, full of pieces that will delight and challenge any guitarist.
Author: Chris Saunders
Publisher: CreateSpace
ISBN: 9781503374775
Category :
Languages : en
Pages : 24
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Book Description
Scarlatti, Domenico K1-K27 for solo Classical Guitar
Author: Alfred Mirovitch
Publisher: Edward B. Marks Music Company
ISBN: 9780793529131
Category : Music
Languages : en
Pages : 0
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Book Description
Piano Publications
Author: Domenico Scarlatti
Publisher: Alfred Music
ISBN: 1457428210
Category : Music
Languages : en
Pages : 66
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Book Description
Split into two volumes (item 29 and 107), this edition concentrates on areas of performance practice such as dynamics, expressive character, fingering, ornamentation, phrasing, rhythmic treatment and tempo. This collection has been compiled for intermediate to moderately advanced students, and to assist the teacher and performer, utilizes four levels of grading (early intermediate, intermediate, late intermediate and early advanced.)
Author: Stephen Siktberg
Publisher: Mel Bay Publications
ISBN: 1619112272
Category : Music
Languages : en
Pages : 85
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Book Description
For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. the book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland's music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. the pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfying results. Standard notation only. Includes FREE downloadable companion audio files.
Author: Domenico Scarlatti
Publisher: Createspace Independent Publishing Platform
ISBN: 9781515202622
Category :
Languages : en
Pages : 24
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Book Description
The music of Domenico Scarlatti made easy for solo classical guitar. Notated in standard notation and tablature. Includes: Sonata No. 32: "Aria" * Sonata No. 34: "Larghetto" * Sonata No. 40: "Minuet" * Sonata No. 42: "Minuet" * Sonata No. 73: "Minuet I" * Sonata No. 73: "Minuet II" * Sonata No. 78: "Minuet" * Sonata No. 176: "Allegrissimo" * Sonata No. 351: "Andante"
