Doghouse Roses PDF Download
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Author: Steve Earle
Publisher: Harvill Secker
ISBN: 9780436276057
Category :
Languages : en
Pages : 207
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Book Description
Author: Steve Earle
Publisher: Harvill Secker
ISBN: 9780436276057
Category :
Languages : en
Pages : 207
Get Book Here
Book Description
Author: Steve Earle
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
A songwriter's songwriter, Steve Earle is a country music sensation who now takes his writing gift to another medium. His debut collection of short fiction reflects the many facets of the man and his hard-fought struggles.
Author: Steve Earle
Publisher: Turtleback Books
ISBN: 9781417717071
Category : Fiction
Languages : en
Pages :
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Book Description
With the publication of his first collection of short stories, "Doghouse Roses, " singer, songwriter, and activist Earle reflects the many facets of his life and his hard-fought struggles--the defeats, and the eventual triumphs he has experienced during a career spanning three decades.
Author: Steve Earle
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618219247
Category : Fiction
Languages : en
Pages : 228
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Book Description
With the publication of his first collection of short stories, "Doghouse Roses, " singer, songwriter, and activist Earle reflects the many facets of his life and his hard-fought struggles--the defeats, and the eventual triumphs he has experienced during a career spanning three decades.
Author:
Publisher:
ISBN:
Category : Short stories
Languages : en
Pages : 990
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.
Author:
Publisher: BRILL
ISBN: 9004500685
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
The volume explores the various intersections and interconnections of the self and popular music in fiction; it examines questions of musical taste and identity construction across decades, spaces, social groups, and cultural contexts, covering a wide range of literary and musical genres.
Author: Patrick Huber
Publisher: Oxford University Press
ISBN: 0199349894
Category : Music
Languages : en
Pages : 353
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Book Description
When Hank Williams died on New Year's Day 1953 at the age of twenty-nine, his passing appeared to bring an abrupt end to a saga of rags-to-riches success and anguished self-destruction. As it turned out, however, an equally gripping story was only just beginning, as Williams's meteoric rise to stardom, extraordinary musical achievements, turbulent personal life, and mysterious death all combined to make him an endlessly intriguing historical figure. For more than sixty years, an ever-lengthening parade of journalists, family and friends, musical contemporaries, biographers, historians and scholars, ordinary fans, and novelists have attempted to capture in words the man, the artist, and the legend. The Hank Williams Reader, the first book of its kind devoted to this giant of American music, collects more than sixty of the most compelling, insightful, and historically significant of these writings. Among them are many pieces that have never been reprinted or that are published here for the first time. The selections cover a broad assortment of themes and perspectives, ranging from heartfelt reminiscences by Williams's relatives and shocking tabloid exposés to thoughtful meditations by fellow artists and penetrating essays by prominent scholars and critics. Over time, writers have sought to explain Williams in a variety of ways, and in tracing these shifting interpretations, this anthology chronicles his cultural transfiguration from star-crossed hillbilly singer-songwriter to enduring American icon. The Hank Williams Reader also features a lengthy interpretive introduction and the most extensive bibliography of Williams-related writings ever published.
Author: David McGee
Publisher: Hal Leonard Corporation
ISBN: 9780879308421
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
"Along the way we see the growth of Earle's political consciousness and his courage in tackling thorny topics such as "American Taliban" John Walker Lindh (in the song "John Walker's Blues"), his opposition to the death penalty, and his recent appearance in support of Iraq war protester Cindy Sheehan. Author David McGee also examines the early '70s east Texas singer-songwriter scene - where Earle met his future mentors Guy Clark and Townes Van Zandt - and the rise of the New Traditionalist and Americana movements.".
Author: Brian T. Atkinson
Publisher: Texas A&M University Press
ISBN: 1623497787
Category : Music
Languages : en
Pages : 272
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Book Description
Texas singer-songwriter Hayes Carll declared, “Ray would be at the top of the list if I were gonna read about somebody’s life.” In The Messenger: The Songwriting Legacy of Ray Wylie Hubbard, author, journalist, and music producer Brian T. Atkinson demonstrates why Carll and so many others hold Ray Wylie Hubbard in such high regard. Atkinson takes readers into and beyond the seedy bar in Red River, New Mexico, where the incident occurred that inspired Hubbard’s most famous song, “Redneck Mother.” Hubbard tells the stories, and Atkinson enlists other musicians to expound on the nature of his abiding influence as songwriter, musician, and unflinching teller of uncomfortable truths. Featuring interviews with well-known artists such as Eric Church, Steve Earle, Kinky Friedman, Chris Robinson, and Jerry Jeff Walker, and also mining the insights of up-and-comers such as Elizabeth Cook, Jaren Johnston, Ben Kweller, Aaron Lee Tasjan, and Paul Thorn, The Messenger makes clear why so many musicians across a wide spectrum admire Ray Wylie Hubbard. Readers will also learn why “Redneck Mother,” the song that put Hubbard on the map for most listeners, is also a curse, of sorts, in its diminution of both his spiritual depth as a lyricist and his multidimensional musical reach. As Hubbard himself says, “The song probably should have never been written, let alone recorded, let alone recorded again.. . . the most important part of songwriting is right after you write a song, ask yourself, ‘Can I sing this for twenty-five years?’” Atkinson’s work makes a convincing case that Ray Wylie Hubbard’s truest and most lasting contributions will long outlive him. And, with a couple of good breaks, they may even outlive “Redneck Mother.”
