Documents concernant le film "le Club des requins"

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 8

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Documents concernant le film "le Club des requins"

Documents concernant le film Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 8

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Book Description


Documents concernant le film "le Requin", 1930

Documents concernant le film Author:
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Languages : fr
Pages :

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Documents concernant le film "les Requins du pétrole", 1933

Documents concernant le film Author:
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ISBN:
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Languages : fr
Pages : 14

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Documents concernant le film "le Club des Trois", 1926

Documents concernant le film Author:
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Languages : fr
Pages : 6

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Documents concernant le film "le Club des extravagants", 1922

Documents concernant le film Author:
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Languages : fr
Pages : 8

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Documents concernant le film "le Club des casse-cou", 1934

Documents concernant le film Author:
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Languages : fr
Pages : 16

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Godard On Godard

Godard On Godard PDF Author: Jean-luc Godard
Publisher: Da Capo Press
ISBN: 9780306802591
Category : Performing Arts
Languages : en
Pages : 300

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Book Description
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.

Sharks of the World

Sharks of the World PDF Author: Leonard J. V. Compagno
Publisher: Food & Agriculture Org.
ISBN: 9789251045435
Category : Nature
Languages : en
Pages : 288

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Book Description
An extensively rewritten, revised and updated version of the original FAO Catalogue of Sharks of the World. This volume reviews all 15 families, 25 genera and 57 species of living bullhead, mackerel and carpet sharks, including certain well-established but currently undescribed species, mainly from Australia.

The Greatest Guitar Songbook

The Greatest Guitar Songbook PDF Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1458426238
Category : Music
Languages : en
Pages : 400

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Book Description
(Guitar Collection). This comprehensive collection for all guitarists includes 100 songs in genres from jazz standards, to pop/rock favorites, Motown masterpieces and movie music, to traditional tunes, country numbers and classical pieces. Notation styles include: note-for-note transcriptions (Blue on Black * Give Me One Reason * Sweet Child O' Mine * Wild Thing); Easy Guitar with Notes & TAB (Building a Mystery * Circle of Life * Day Tripper * Fur Elise * Misty * Torn * Walk This Way); Easy Guitar (Boot Scootin' Boogie * I Shot the Sheriff * My Favorite Things * Unchained Melody); Chord Melody Guitar (Alman * Bourree * Estudio); Fingerstyle Guitar (Amazing Grace * Greensleeves * My Heart Will Go On); and Guitar Riffs (Angie * Brown Eyed Girl * Here Comes the Sun * Layla * My Girl); and more!

Alain Resnais

Alain Resnais PDF Author: Emma Wilson
Publisher: Manchester University Press
ISBN: 1526141140
Category : Performing Arts
Languages : en
Pages : 225

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Book Description
Alain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais' films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond. Yet it also offers a highly personal and detailed engagement with individual images and scenes in Resnais' films. A passionate and partial defence of Resnais' work, old and new, this volume stands apart in its attention to the more tangible and moving pleasures of his films, their pathos, rigour and visual beauty.