Dramatic Mirror of the Stage and Motion Pictures PDF Download
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 982
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 982
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Author:
Publisher: De Gruyter Saur
ISBN: 9783598117824
Category : Language Arts & Disciplines
Languages : en
Pages : 118
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Book Description
The Supplement, consisting of an Author Title and a Subject list, contains microforms released between the new editions published annually. It appears six months after the main volumes.
Author: Francesco Casetti
Publisher: Columbia University Press
ISBN: 0231511493
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's most important events, but also because it determined the manner in which they were received. Casetti begins by examining film's nature as a medium in an age obsessed with immediacy, nearness, and accessibility. He considers the myths and rituals cinema constructed on the screen and in the theater and how they provided new images and behaviors that responded to emerging concerns, ideas, and social orders. Film also succeeded in negotiating the different needs of modernity, comparing and uniting conflicting stimuli, providing answers in a world torn apart by conflict, and satisfying a desire for everydayness, as well as lightness, in people's lives. The ability to communicate, the power to inform, and the capacity to negotiate-these are the three factors that defined film's function and outlook and made the medium a relevant and vital art form of its time. So what kind of gaze did film create? Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them. The result was an ever inventive synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle. In this sense, film is the key to reading and understanding the modern experience.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 966
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Author: James Monaco
Publisher: Perigee Trade
ISBN:
Category : Performing Arts
Languages : en
Pages : 616
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Book Description
An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Iris Barry
Publisher:
ISBN: 9780870706837
Category : American cinema
Languages : en
Pages : 0
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Book Description
Essay by Iris Barry.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1364
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1144
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Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 460
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Author:
Publisher:
ISBN:
Category : Journalism
Languages : en
Pages : 1508
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Book Description
