The Sounds of Early Cinema

The Sounds of Early Cinema PDF Author: Richard Abel
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350

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Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.

The Sounds of Early Cinema

The Sounds of Early Cinema PDF Author: Richard Abel
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350

Get Book Here

Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.

Édith Piaf

Édith Piaf PDF Author: David Looseley
Publisher: Oxford University Press
ISBN: 1781382573
Category : Biography & Autobiography
Languages : en
Pages : 264

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Book Description
The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.

Wooden Eyes

Wooden Eyes PDF Author: Carlo Ginzburg
Publisher: Columbia University Press
ISBN: 9780231119603
Category : History
Languages : en
Pages : 310

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Book Description
Ginzburg, "the preeminent Italian historian of his generation [who] helped create the genre of microhistory" ("New York Times"), ruminates on how perspective affects what we see and understand. 26 illustrations.

Fantomas in America

Fantomas in America PDF Author: David White
Publisher: Hollywoodcomics.Com Llc
ISBN: 9781934543078
Category : Fiction
Languages : en
Pages : 392

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Book Description
Everyone thought that the Lord of Terror known as Fantomas had perished aboard the Titanic in April 1912, but they were wrong! Fantomas returns in 1917 New York, on the eve of America entering the Great War. His diabolical plot: to capture Professor Harrington, the only man to know the secret of Eldorado and gold-making. His goal: to rule the New World. His method: to spread terror! The only man who stands in his way: Detective Frederick Dickson. This original Fantomas novel by David White is inspired from the long-lost 1920 American Fantomas serial written by Edward Sedwick & George Eshenfelder for the Fox Film Corporation. It is illustrated with 50 rare stills and advertising art from the serial.

Surrealism and Architecture

Surrealism and Architecture PDF Author: Thomas Mical
Publisher: Psychology Press
ISBN: 9780415325202
Category : Architecture
Languages : en
Pages : 380

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Book Description
Twenty-one essays examining the relationship of surrealist thought to architectural theory and practice.

The Soul of Film Theory

The Soul of Film Theory PDF Author: Sarah Cooper
Publisher: Palgrave Macmillan
ISBN: 9780230365131
Category : Body, Mind & Spirit
Languages : en
Pages : 224

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Book Description
In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory – from Hugo Münsterberg through French Impressionism to writings of the Weimar Republic – to the mid-twentieth century work of Henri Agel and Amédée Ayfre, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science.

Slippery As Sin

Slippery As Sin PDF Author: Pierre Souvestre
Publisher:
ISBN: 9780996659925
Category : Fiction
Languages : en
Pages : 240

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Book Description
Intrepid journalist Jerome Fandor picks up the trail of FantOmas in London, but before he can relay the details to Inspector Juve in Paris, the Lord of Terror pounces. Meanwhile a certain Dr. Garrick, suspected of the murder of his missing wife, flees with his mistress aboard an ocean liner, with Detective Shepard of the "Council of Five" (Scotland Yard's top agents) in pursuit. Madame Garrick, presumed dead, is in France and could exonerate her estranged husband, but only Juve knows the terrible secret of her true identity. "From the imaginative standpoint FantOmas is one of the richest works that exist." --Guillaume Apollinaire "Absurd and magnificent lyricism." --Jean Cocteau

The Lord of Terror

The Lord of Terror PDF Author: Marcel Allain
Publisher:
ISBN:
Category : Detectives
Languages : en
Pages : 370

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Book Description


The Pariahs of Yesterday

The Pariahs of Yesterday PDF Author: Leslie Page Moch
Publisher: Duke University Press
ISBN: 0822351838
Category : History
Languages : en
Pages : 270

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Book Description
This work looks at the surge of Bretons who left their homes in Western France in the latter half of the 19th century to live and work in Paris. Portrayed as backward, ignorant peasants they found no welcome until after WWII. Moch positions her work within immigration theory, connecting migration studies to theories about state projects of assimilation and about cultures of inclusion and exclusion.

A Knight at the Movies

A Knight at the Movies PDF Author: John Aberth
Publisher: Routledge
ISBN: 1135257264
Category : History
Languages : en
Pages : 348

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Book Description
Imagining the Middle Ages is an unprecedented examination of the historical content of films depicting the medieval period from the 11th to the 15th centuries. Historians increasingly feel the need to weigh in on popular depictions of the past, since so much of the public's knowledge of history comes from popular mediums. Aberth dissects how each film interpreted the period, offering estimations of the historical accuracy of the works and demonstrating how they project their own contemporary era's obsessions and fears onto the past.