Documentary Film in India PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Documentary Film in India PDF full book. Access full book title Documentary Film in India by Giulia Battaglia. Download full books in PDF and EPUB format.
Author: Giulia Battaglia
Publisher: Routledge
ISBN: 1351375636
Category : Social Science
Languages : en
Pages : 425
Get Book Here
Book Description
This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.
Author: Giulia Battaglia
Publisher: Routledge
ISBN: 1351375636
Category : Social Science
Languages : en
Pages : 425
Get Book Here
Book Description
This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.
Author: Shweta Kishore
Publisher: Edinburgh University Press
ISBN: 1474433081
Category : Performing Arts
Languages : en
Pages : 209
Get Book Here
Book Description
Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a'tactical practice', contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system.
Author: Aparna Sharma
Publisher: Springer
ISBN: 1137395443
Category : Performing Arts
Languages : en
Pages : 274
Get Book Here
Book Description
This book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.
Author: K. P. Jayasankar
Publisher: Sage Publications Pvt. Limited
ISBN: 9789353881597
Category :
Languages : en
Pages : 276
Get Book Here
Book Description
An engaging read on independent documentary filmmaking in India
Author: Peter Sutoris
Publisher:
ISBN: 9781849045711
Category : Community development
Languages : en
Pages : 0
Get Book Here
Book Description
Visions of Development examines the Indian state's postcolonial development ideology between Independence in 1947 and the Emergency of 1975-77. Sutoris pioneers a novel methodology for the study of development thought and its cinematic representations, analysing films made by the Films Division of India between 1948 and 1975. By comparing these documentaries to late-colonial films on 'progress', his book highlights continuities with and departures from colonial notions of development in modern India. It is the first scholarly volume to be published on the history of Indian documentary film. Of the approximately 250 documentaries analysed by Peter Sutoris, many of which have never been discussed in the existing literature, most are concerned with economic planning and industrialisation, large dams, family planning, schemes aimed at the integration of tribal peoples (Adivasis) into society, and civic education. Almost all films analysed in this volume are available for free online viewing through the website of the Films Division. Links are provided on the companion website www.visionsofdevelopment.com.
Author: Ian Aitken
Publisher: Edinburgh University Press
ISBN: 1474407226
Category : Performing Arts
Languages : en
Pages : 309
Get Book Here
Book Description
Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.
Author: Barry Hampe
Publisher: Macmillan
ISBN: 9780805081817
Category : Performing Arts
Languages : en
Pages : 468
Get Book Here
Book Description
Outlines each step in creating documentaries, from conception to final film, and offers advice on capturing human behavior and recreating past events, with advice on how to get started in the field, a section on researching and developing a project, and current resources.
Author: Bhagwan Das Garga
Publisher: Penguin India
ISBN: 9780670081189
Category : Documentary films
Languages : en
Pages : 214
Get Book Here
Book Description
The Screening Of Six Films Of The Lumiere Brothers At Watson S Hotel, Bombay, On 7 July 1896 Marked The Beginning Of India S Engagement With The Moving Picture. It Also Laid The Foundation Of A Remarkable Body Of Non-Fiction Cinematic Work. B.D. Garga S From Raj To Swaraj: The Non-Fiction Film In India Traces The Century-Old History Of Newsreels And Documentaries In The Country. Beginning With An Account Of The Early Works Of People Like Hiralal Sen, J.F. Madan And Harishchandra Bhatwadekar Who Pioneered The Newsreel, Garga Goes On To Describe What Were Among The First Non-Fiction Films Jyotish Sarkar S Coverage Of The Anti-Partition Demonstration In Calcutta, 1905, And Charles Urban S Spectacular Film On The 1911 Delhi Durbar. Garga Also Chronicles The Landmark Events In The Development Of Non-Fiction Films In India: The Propaganda Films During The First And Second World Wars, The Passing Of The Cinematograph Act In 1918 And The Establishment Of The Censor Board, Lowell Thomas S Journey Across The Country To Film Romantic India, Louis De Rochemont S Controversial Coverage Of Police Repression In 1930, The Series Of The March Of Time Films On India, The Founding Of The Film Advisory Board And The Pioneering Efforts Of The Information Films Of India, And The Extraordinary Coverage Of Communal Riots During The Partition In 1947. Post-Independence, The Author Throws Light On The Role Of The Films Division And On The Work Of Mohan Bhavnani, Jean Bhownagary And Paul Zils, Who Created A Sound Base For Future Film-Makers. He Also Looks At The Powerful Body Of Works By Women Directors Like Suhasini Mulay, Deepa Dhanraj And Sumitra Bhave, Among Others, Which Courageously Addresses A Number Of Contentious Social And Political Issues. Critically Examining The Factors That Have Stunted The Development Of Documentaries In The Country, Garga Lauds The Efforts Of Film-Makers Like Anand Patwardhan To Keep The Movement Going In The Face Of Myriad Distribution, Logistical And Financial Hurdles. A Ground-Breaking Study By One Of India S Most Respected Film Historians, From Raj To Swaraj Not Only Explodes Many Existing Myths But Also Reveals Astonishing New Details About A Genre Of Films That Has Been Overshadowed By The Razzmatazz Surrounding Its More Glamorous Counterpart, The Masala Fiction Film.
Author: Bhagwan Das Garga
Publisher:
ISBN:
Category : Film posters
Languages : en
Pages : 328
Get Book Here
Book Description
`So Many Cinemas` Is A Kaleidoscopic And Captivating Overview Of The History Of Cinema In India, Authored By The Eminent Documentary Film Maker, B D Garga, Who Is Reputed As A Pioneering Historian And Commentator Of Indian Films. The Book Has A Comprehensively Researched Text Of Over A Hundred Thousand Words, Enhanced By Touches Of Satire And Humour. It Is Sumptuously Illustrated With Over 400 Rare Photographs, Working Stills, Post Cards, Advertisements, Film Booklets And Other Film Memorabilia, Most Of Which Are From The Author`S Enviable Personal Collection.
Author: Panna Shah
Publisher: Praeger
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
Get Book Here
Book Description
Panna Shah has set out to make a social study of the growth of the film industry in India through statistical and psychological research. The book gives an historical, sociological and economic survey of India's film industry.
