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Author: Tommaso Sabbatini
Publisher: Oxford University Press
ISBN: 0198930925
Category : Music
Languages : en
Pages : 266
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Book Description
Music, the Market, and the Marvellous examines féerie, the French fairy play, in the last third of the nineteenth century. It is among the first book-length studies on the genre, the first in a language other than French, and the first from a musicological perspective. Sabbatini demonstrates that, contrary to conventional wisdom, féerie was still thriving during the fin de siècle, giving rise to innovations such as composerly féerie and scientific féerie. The plays, the theatre industry, and urban geography are discussed together, as befits a commercial genre where the marvellous was shaped by the market. Recovering this forgotten ^—^ but once hugely influential ^—^ repertoire provides an occasion to rethink generic taxonomies of Parisian theatre and the ontology of nineteenth-century 'popular' theatre.
Author: Tommaso Sabbatini
Publisher: Oxford University Press
ISBN: 0198930925
Category : Music
Languages : en
Pages : 266
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Book Description
Music, the Market, and the Marvellous examines féerie, the French fairy play, in the last third of the nineteenth century. It is among the first book-length studies on the genre, the first in a language other than French, and the first from a musicological perspective. Sabbatini demonstrates that, contrary to conventional wisdom, féerie was still thriving during the fin de siècle, giving rise to innovations such as composerly féerie and scientific féerie. The plays, the theatre industry, and urban geography are discussed together, as befits a commercial genre where the marvellous was shaped by the market. Recovering this forgotten ^—^ but once hugely influential ^—^ repertoire provides an occasion to rethink generic taxonomies of Parisian theatre and the ontology of nineteenth-century 'popular' theatre.
Author: Robert F. Storey
Publisher: Princeton University Press
ISBN: 1400854822
Category : Performing Arts
Languages : en
Pages : 409
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Book Description
This book, a companion to the author's Pierrot: A Critical History of a Mask (Princeton, 1978), provides a detailed history of nineteenth-century French pantomime, from the feeries of Jean-Gaspard Deburau at the Theatre des Funambules to the cabaret entertainments of Georges Wague at the height of la Belle Epoque. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Tommaso Sabbatini (Music historian)
Publisher: Oxford University Press
ISBN: 0198930933
Category : Musical theater
Languages : en
Pages : 266
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Book Description
Music, the market, and the marvellous" examines 'féerie', the French fairy play, in the last third of the nineteenth century. It is among the first book-length studies on the genre, the first in a language other than French, and the first from a musicological perspective. Sabbatini demonstrates that, contrary to conventional wisdom, 'féerie' was still thriving during the fin de siècle, giving rise to innovations such as composerly 'féerie' and scientific 'féerie'. The plays, the theatre industry, and urban geography are discussed together, as befits a commercial genre where the marvellous was shaped by the market. Recovering this forgotten - but once hugely influential - repertoire provides an occasion to rethink generic taxonomies of Parisian theatre and the ontology of nineteenth-century 'popular' theatre.
Author:
Publisher: BoD – Books on Demand
ISBN: 3385057388
Category :
Languages : en
Pages : 582
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1048
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: Myra Nan Rosenfeld
Publisher: Musee Des Beaux-Arts de Montreal
ISBN:
Category : Art
Languages : en
Pages : 422
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Book Description
Author: Alejandro Enrique Planchart
Publisher: Routledge
ISBN: 1351940724
Category : Music
Languages : en
Pages : 439
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Book Description
After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
Author: Amy L. Hubbell
Publisher: Cambridge Scholars Publishing
ISBN: 1443853321
Category : Literary Collections
Languages : en
Pages : 375
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Book Description
The Unspeakable: Representations of Trauma in Francophone Literature and Art is situated at the crossroads of language, culture and genre; it contends that suffering transcends time, space and cultural specificity. Even when extreme trauma is silenced, it often still emerges in surprising and painful ways. This volume draws together examples from throughout the Francophone world, including countries such as Algeria, Morocco, Lebanon, Rwanda, Cameroon, Congo, Côte d’Ivoire, Haiti, New Caledonia, Quebec and France, and across genres such as autobiography, poetry, theater, film, fiction and visual art to provide a cohesive analysis of the representation of trauma. In addition to the survivors’ expression of trauma, the witnesses and receivers are also taken into account. By gathering studies that explore diverse bodily and psychological traumas through tropes such as repetition, silence and working-through, it tackles ethical responsibility and interrogates how expressive forms evoke a terrible reality through the use of imagination. The aim of this volume is not to question if suffering is representable, but rather to examine to what extent art surpasses its own limitations and goes straight to its essence. The Unspeakable hopes to provide models for the cultural translation of trauma, because, when represented and released from silence and isolation, trauma can give way to the arduous process of healing.
Author: Philip Gilbert Hamerton
Publisher:
ISBN:
Category :
Languages : en
Pages : 836
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Book Description
