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Author: Michaela Ott
Publisher: Springer
ISBN: 3319720147
Category : Philosophy
Languages : en
Pages : 260
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Book Description
This book offers an epistemological critique of the concept of the individual and of individuality. It argues that because of our bio(techno)logical entanglements with non-human others, billions of microorganisms and our multiple (in)voluntary participations in socio(techno)logical processes, we have to conceive of ourselves no longer as individuals, but as dividuations. This dividual character which enforces simultaneous and multidirectional participations in different spheres is also apt for other living beings, for entities such as the nation state, for single cultures, production processes and works of art. The critique of individuality in the book is also elaborated in critical re-readings of classical philosophical texts from Plato up to today; the new concept of dividuation is a modified and semantically enriched version of certain concepts of the French philosophers Gilbert Simondon and Gilles Deleuze.
Author: Michaela Ott
Publisher: Springer
ISBN: 3319720147
Category : Philosophy
Languages : en
Pages : 260
Get Book Here
Book Description
This book offers an epistemological critique of the concept of the individual and of individuality. It argues that because of our bio(techno)logical entanglements with non-human others, billions of microorganisms and our multiple (in)voluntary participations in socio(techno)logical processes, we have to conceive of ourselves no longer as individuals, but as dividuations. This dividual character which enforces simultaneous and multidirectional participations in different spheres is also apt for other living beings, for entities such as the nation state, for single cultures, production processes and works of art. The critique of individuality in the book is also elaborated in critical re-readings of classical philosophical texts from Plato up to today; the new concept of dividuation is a modified and semantically enriched version of certain concepts of the French philosophers Gilbert Simondon and Gilles Deleuze.
Author: Lars Friedrich
Publisher: Springer
ISBN: 3658129069
Category : Social Science
Languages : en
Pages : 168
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Book Description
Under what circumstances do subjects become visible? And how do subjects themselves change and move the circumstances that allow them to appear? Rather than describing medial, architectural, or rhetorical arrangements that are readily available to subjects, or concentrating on the processes of subject constitution without their scenic arrangements, this volume is dedicated to the reciprocal production of both subjects and scenes. From various perspectives, it underlines the abysmal conditions in which subjects arrive on stage and vice versa the stages arrive at their subjects. Through articles that analyze concrete scenes in a highly-focused manner and question the concept of the scene itself, this volume argues that there is not subject without a scene, and no scene without an instance of description. Based on this thesis, this volume investigates antique drama and revolutionary rhetoric, therapeutic and bureaucratic facilities, experiments in fine art and film, and, not least, scenes of theory: rhetorical stages that perform arguments and politics. EditorsDr. Lars Friedrich works at the Institute for German Literature at the University of Frankfurt am Main.Dr. Karin Harrasser is a professor at the Art University in Linz.Dr. Céline Kaiser is a professor at the University of Applied Sciences and Arts in Ottersberg.
Author: David Norman Rodowick
Publisher: Duke University Press
ISBN: 9780822319702
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
An introduction to Deleuze's theory of cinema, from a leading American film theorist.
Author: Michaela Ott
Publisher: Springer Nature
ISBN: 3662658992
Category : Philosophy
Languages : en
Pages : 200
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Book Description
The publication aims to make suggestions for a 'decolonisation of aesthetics' within an Afro-European framework. The texts (whose authors come from different cultural contexts between Germany, France, Senegal, Benin, Nigeria and Tunesia) do not only refer to heterogenous aesthetic practices understood as subversive and decolonial strategies, but also discuss philosophical questions of a renewed (non-in)dividual humanism. The artistic practices analyzed include artistic installations and ensembles as well as actions in urban and rural space, deceptive manœuvres at the borders and their photographic documentation, and many more.
Author: William M. Reynolds
Publisher: Routledge
ISBN: 113470450X
Category : Education
Languages : en
Pages : 268
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Book Description
Expanding Curriculum Theory, Second Edition carries through the major focus of the original volume—to reflect on the influence of Deleuze and Guattari’s concept of "lines of flight" and its application to curriculum theorizing. What is different is that the lines of flight have since shifted and produced expanded understandings of this concept for curriculum theory and for education in general. This edition reflects the impact of events that have contributed to this shift, in particular the (il)logic of school policy changes and reforms in the past decade, and the continued explosion of social media and its effect on the collective understanding of how both "knowledge" and "education" work as forms of repression. The introduction updates the text and puts it into current debates in the field and in the larger socio-economic milieu. New dis/positions are presented that explore central questions circulating within and outside curriculum studies. Exciting scholarship on a range of topics includes notions of desire and commodities, youth culture and violence, new directions in curriculum theory, Eco-Ethical consciousness, new Deleuzian views of normality, the diffusion of technology and lines of flight in transnational curriculum inquiry.
Author: Mauro Carbone
Publisher: Springer Nature
ISBN: 3031308166
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
This book shows that screens don’t just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment. By combining a series of historical-genealogical reconstructions going back to prehistoric times with the analysis of present and near-future technologies, the authors show that screens have always incorporated not only the hiding/showing functions but also the protecting/exposing ones, as the Covid-19 pandemic retaught us. The intertwining of these functions allows the authors to criticize the mainstream ideas of images as inseparable from screens, of words as opposed to images, and of what they call “Transparency 2.0” ideology, which currently dominates our socio-political life. Moreover, they show how wearable technologies don’t approximate us to a presumed disappearance of screens but seem to draw a circular pathway back to using our bodies as screens. This raises new relational, ethical, and political questions, which this book helps to illuminate.
Author: Bernd Bösel
Publisher: BoD – Books on Demand
ISBN: 3957961653
Category : Social Science
Languages : en
Pages : 246
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Book Description
Has the Affective Turn itself turned sour? Two seemingly contradictory developments serve as starting points for this volume. First, technologies from affective computing to social robotics focus on the recognition and modulation of human affectivity. Affect gets measured, calculated, controlled. Second, we witness a deeply concerning rise in hate speech, cybermobbing, and incitement to violence via social media. Affect gets mobilized, fomented, unleashed. Politics has become affective to such an extent that we need to rethink our regimes of affect organization. Media and Affect Studies now have to prove that they can cope with the return of the affective real.
Author: Ramón Reichert
Publisher: transcript Verlag
ISBN: 3839438217
Category : Social Science
Languages : en
Pages : 273
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Book Description
»Digital Culture & Society« is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for critical analysis and inquiries into digital media theory and provides a publication environment for interdisciplinary research approaches, contemporary theory developments and methodological innovation. This issue, edited by Anna Lisa Ramella, Asko Lehmuskallio, Tristan Thielmann and Pablo Abend, discusses the mobility of people, data and devices from the perspective of digital mobile practices. As the authors of various empirical case studies show, these need to be studied both situationally, and on the move. With contributions by Marion Schulze, Jamie Coates, Geoffrey Hobbis, Samuel Gerald Collins, among others, and an interview with Heather Horst, David Morley, and Noel B. Salazar.
Author: Shane Denson
Publisher: Duke University Press
ISBN: 1478012412
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.
Author: Arjun Appadurai
Publisher: University of Chicago Press
ISBN: 022631877X
Category : Business & Economics
Languages : en
Pages : 189
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Book Description
In this short but ambitious book, Arjun Appadurai argues that the failure of the financial system in 2007-08 in the United States was primarily a failure of language. This argument does not deny that greed, ignorance, weak regulation, and irresponsible risk-taking were important factors in the collapse. But the new role of language in the marketplace, for Appadurai, is the condition of possibility for all these more easily identifiable flaws. Attempts to rectify the social pathologies of contemporary finance must address that failure of language. "Banking on Words "focuses on derivatives as the distinctive innovation of our financial era. Derivatives are written promises concerning the uncertain future prices of financial assets and the substance of these contracts is expressed in terms of money. The recent failure of derivatives markets was systematic and should be understood as failed promises. While it is well-known that derivatives pile risk on risk with little basis in real production and trade, Appadurai reveals this process in a fresh light from which some policy conclusions may be drawn. While critical of derivative finance s present social infrastructure and supporting ideology, Appadurai acknowledges its capacity for creating vast new forms of wealth and asks the crucial question: if we want access to that wealth, what kind of social arrangements would we need to make sure that it benefits all of society rather than reinforcing a system that benefits the few who are already well off? His bold answer involves not the repair of the force of promises but rather the repair and reconstruction of the idea of the individual to enable new sorts of solidarity between dividuals, agents whose very partiality may allow for new aggregations of aspiration, interest and affiliation. This amounts to nothing less than a new ideology of sociality."
