Diversité et industries culturelles PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Diversité et industries culturelles PDF full book. Access full book title Diversité et industries culturelles by Yolande Combes. Download full books in PDF and EPUB format.
Author: Yolande Combes
Publisher: Editions L'Harmattan
ISBN: 229646131X
Category : Art
Languages : fr
Pages : 304
Get Book Here
Book Description
Peu de travaux tentent d'aborder la question de la diversité à partir d'une analyse des logiques d'industrialisation et de marchandisation à l'oeuvre au sein des industries culturelles (presse et information, édition, musique enregistrée, cinéma et audiovisuel). Les discours sur la diversité culturelle sont au coeur de la contribution des industries culturelles à la construction des rapports sociaux et politiques.
Author: Yolande Combes
Publisher: Editions L'Harmattan
ISBN: 229646131X
Category : Art
Languages : fr
Pages : 304
Get Book Here
Book Description
Peu de travaux tentent d'aborder la question de la diversité à partir d'une analyse des logiques d'industrialisation et de marchandisation à l'oeuvre au sein des industries culturelles (presse et information, édition, musique enregistrée, cinéma et audiovisuel). Les discours sur la diversité culturelle sont au coeur de la contribution des industries culturelles à la construction des rapports sociaux et politiques.
Author: Kate Oakley
Publisher: Routledge
ISBN: 1317533984
Category : Performing Arts
Languages : en
Pages : 593
Get Book Here
Book Description
The Routledge Companion to the Cultural Industries is collection of contemporary scholarship on the cultural industries and seeks to re-assert the importance of cultural production and consumption against the purely economic imperatives of the ‘creative industries’. Across 43 chapters drawn from a wide range of geographic and disciplinary perspectives, this comprehensive volume offers a critical and empirically-informed examination of the contemporary cultural industries. A range of cultural industries are explored, from videogames to art galleries, all the time focussing on the culture that is being produced and its wider symbolic and socio-cultural meaning. Individual chapters consider their industrial structure, the policy that governs them, their geography, the labour that produces them, and the meaning they offer to consumers and participants. The collection also explores the historical dimension of cultural industry debates providing context for new readers, as well as critical orientation for those more familiar with the subject. Questions of industry structure, labour, place, international development, consumption and regulation are all explored in terms of their historical trajectory and potential future direction. By assessing the current challenges facing the cultural industries this collection of contemporary scholarship provides students and researchers with an essential guide to key ideas, issues, concepts and debates in the field.
Author: Luis A. Albornoz
Publisher: Routledge
ISBN: 042976426X
Category : Business & Economics
Languages : en
Pages : 367
Get Book Here
Book Description
This book reflects critically on issues of diversity, access, and the expansion of digital technologies in audio-visual industries, particularly in terms of economics and policies. It brings together specialists in cultural diversity and media industries, presenting an international and interdisciplinary collection of essays that draw from different fields of studies – notably Communication, Economics, Political Science and Law. Among the topics discussed are: the principle of diversity as a goal of cultural and communication policies, the assessment of the UNESCO Convention on Cultural Diversity, free trade agreements and the conception of cultural goods and services they advance, the challenges faced by the production, circulation and consumption of cultural content through the Internet, the role algorithms play in the organization and functioning of online platforms, Netflix and the hegemony of global media. The approach is a critical understanding of audio-visual diversity, that aims to transcend specific issues like media ownership, ideas portrayed or modes of consumption as such, to focus on a more balanced distribution of communicative power. This volume is an essential read for scholars and researchers in Communication Studies, Economy of Culture, International Relations and International Law, as well as policy makers, journalists specialized in media and culture, and managers of public and private institutions involved in the development of cultural and communication policies. Postgraduate students will find it a key reference point.
Author: Gaëtan Tremblay
Publisher: Presses Université Laval
ISBN: 9782763779829
Category : America
Languages : en
Pages : 706
Get Book Here
Book Description
"Rencontre inspirée par la nécessité de préserver la diversité culturelle du monde, dans les Amériques en particulier, tout en favorisant les échanges multilatéraux dans la réciprocité, elle a rassemblé des personnes convaincues que la vitalité culturelle et sa libre expression sont essentielles à la vie démocratique, au pluralisme, à la paix entre les peuples."--
Author: Michael Filimowicz
Publisher: Routledge
ISBN: 1000575829
Category : Social Science
Languages : en
Pages : 78
Get Book Here
Book Description
Systemic Bias: Algorithms and Society looks at issues of computational bias in the contexts of cultural works, metaphors of magic and mathematics in tech culture, and workplace psychometrics. The output of computational models is directly tied not only to their inputs but to the relationships and assumptions embedded in their model design, many of which are of a social and cultural, rather than physical and mathematical, nature. How do human biases make their way into these data models, and what new strategies have been proposed to overcome bias in computed products? Scholars and students from many backgrounds, as well as policy makers, journalists, and the general reading public will find a multidisciplinary approach to inquiry into algorithmic bias encompassing research from Communication, Art, and New Media.
Author: Guillaume Michel
Publisher:
ISBN:
Category : Commercial policy
Languages : fr
Pages : 262
Get Book Here
Book Description
Author: Enrico Eraldo Bertacchini
Publisher: Edward Elgar Publishing
ISBN: 1781000069
Category : Social Science
Languages : en
Pages : 273
Get Book Here
Book Description
'The concept of the commons as a shared resource capable of yielding collective benefits to people is a well-established one in the social sciences, but its extension to jointly-owned cultural resources is relatively new. This pioneering book explores the idea of a cultural commons as it can be applied in a wide range of areas, including landscapes, art and design, gastronomy, heritage, the performing arts and the online world. Although the book's chapters are written mainly from the perspective of cultural economics, the scope of the volume is truly interdisciplinary. the book is more than just a comprehensive introduction to the topic. It is also a source of original ideas that will act as a stimulus to further research in the field.' – David Throsby, Macquarie University, Australia This compelling book offers a fresh and novel approach to study cultural and artistic expression from the perspective of 'the commons'. It demonstrates how identifying cultures as shared resources is useful in eliciting the main factors and social dilemmas affecting the production and evolution of cultural expression. Adopting the unifying perspective of 'the cultural commons', the chapters provide in-depth analysis of a wide range of cultural resources, including traditional cultural expression, heritage, gastronomy and cultural content in virtual worlds. Taking an interdisciplinary perspective and gathering contributions from economic, sociological and legal fields, this timely book proposes a new and complementary research agenda. Scholars and postgraduate students of cultural economics, cultural studies, and sociology of culture will find this authoritative and essential book invaluable.
Author: Helmut K Anheier
Publisher: SAGE
ISBN: 1446202615
Category : Social Science
Languages : en
Pages : 689
Get Book Here
Book Description
The world′s cultures and their forms of creation, presentation and preservation are deeply affected by globalization in ways that are inadequately documented and understood. The Cultures and Globalization series is designed to fill this void in our knowledge. In this series, leading experts and emerging scholars track cultural trends connected to globalization throughout the world, resulting in a powerful analytic tool-kit that encompasses the transnational flows and scapes of contemporary cultures. Each volume presents data on cultural phenomena through colourful, innovative information graphics to give a quantitative portrait of the cultural dimensions and contours of globalization. This second volume The Cultural Economy analyses the dynamic relationship in which culture is part of the process of economic change that in turn changes the conditions of culture. It brings together perspectives from different disciplines to examine such critical issues as: • the production of cultural goods and services and the patterns of economic globalization • the relationship between the commodification of the cultural economy and the aesthetic realm • current and emerging organizational forms for the investment, production, distribution and consumption of cultural goods and services • the complex relations between creators, producers, distributors and consumers of culture • the policy implications of a globalizing cultural economy By demonstrating empirically how the cultural industries interact with globalization, this volume will provide students of contemporary culture with a unique, indispensable reference tool.
Author: Philippe Le Guern
Publisher: Routledge
ISBN: 1317050010
Category : Music
Languages : en
Pages : 325
Get Book Here
Book Description
The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on French music, but apart from the widespread use of elements of 'French theory' in British and American research, the 'Anglo-saxon' world has remained largely ignorant of particular traditions of the study of popular music in France and specific theoretical debates or organizational principles of the making and consuming of French musics. French, British and American research into popular music has thus coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries and the perspectives on its study adopted by their colleagues. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.
Author: Tiziano Bonini
Publisher: Cambridge Scholars Publishing
ISBN: 1527525686
Category : Social Science
Languages : en
Pages : 230
Get Book Here
Book Description
This volume gathers together revised versions of the papers presented at the ECREA Radio Research Section Conference held in Lublin, Poland, in September 2017. The book highlights what radio actually is – a medium created to connect different places at a distance. Subtle but pervasive, simple but graceful, radio builds affective relations, either between listeners and the world or between listeners themselves. The word “relations” is plural. It suggests the idea that radio is both an economic activity – related to technology, production, working routines and business – and a cultural industry – related to aesthetics, art, social interaction, education and politics. Since relations are relevantly human, we can explore how radio appeals to personal commitment and can reinforce a sense of community too. The unique value of this book lies both in erudite essays of Seán Street and Enrico Menduni, world-famous figures of radio research, and in perspectives sketched by brilliant young radio practitioners and researchers. The diverse views on radio communications from authors across the different regions of the world including Brazil, Canada, Italy, Poland, France, Hungary, Spain and the UK collected here will certainly inspire radio researchers, media historians, sociologists and journalism students.
