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Author:
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ISBN:
Category : American poetry
Languages : en
Pages : 310
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Book Description
Author:
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 310
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Book Description
Author: Sandra M. Gilbert
Publisher: Yale University Press
ISBN: 9780300066609
Category : Literary Criticism
Languages : en
Pages : 504
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Book Description
How do writers and their readers imagine the future in a turbulent time of sex war and sex change? And how have transformations of gender and genre affected literary representations of "woman," "man," "family," and "society"? This final volume in Gilbert and Gubar's landmark three-part No Man's Land: The Place of the Woman Writer in the Twentieth Century argues that throughout the twentieth century women of letters have found themselves on a confusing cultural front and that most, increasingly aware of the artifice of gender, have dispatched missives recording some form of the "future shock" associated with profound changes in the roles and rules governing sexuality. Divided into two parts, Letters from the Front is chronological in organization, with the first section focusing on such writers of the modernist period as Virginia Woolf, Zora Neale Hurston, Edna St. Vincent Millay, Marianne Moore, and H.D., and the second devoted to authors who came to prominence after the Second World War, including Gwendolyn Brooks, Sylvia Plath, Margaret Atwood, Toni Morrison, and A.S. Byatt. Embroiled in the sex antagonism that Gilbert and Gubar traced in The War of the Words and in the sexual experimentations that they studied in Sexchanges, all these artists struggled to envision the inscription of hitherto untold stories on what H.D. called "the blank pages/of the unwritten volume of the new." Through the works of the first group, Gilbert and Gubar focus in particular on the demise of any single normative definition of the feminine and the rise of masquerades of "femininity" amounting to "female female impersonation." In the writings of the second group, the critics pay special attention to proliferating revisions of the family romance--revisions significantly inflected by differences in race, class, and ethnicity--and to the rise of masquerades of masculinity, or "male male impersonation." Throughout, Gilbert and Gubar discuss the impact on literature of such crucial historical events as the Harlem Renaissance, the Second World War, and the "sexual revolution" of the sixties. What kind of future might such a past engender? Their book concludes with a fantasia on "The Further Adventures of Snow White" in which their bravura retellings of the Grimm fairy tale illustrate ways in which future writing about gender might develop.
Author: Diane P. Freedman
Publisher: SIU Press
ISBN: 9780809319732
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
In this newest addition to Sandra M. Gilbert’s Ad Feminam: Women and Literature series, Diane P. Freedman brings together twelve essays by critics of poetry and women’s writing for a critical reappraisal of the prolific work of Edna St. Vincent Millay. Though finding its occasion in the life of Millay—the centennial of the writer’s birth—this volume refocuses attention on Millay’s art by asking questions central to our present concerns: What in the varied body of Millay’s work speaks to us most forcefully today? Which critical perspectives most illuminate her texts? How might those approaches be challenged, extended, or reoriented? In seeking the answers to such questions, the volume’s contributors illuminate the means by which Millay’s early success has been slighted and misunderstood and examine issues of personality, personae, critical stature, and formal experimentation in Millay’s various genres: lyric poetry, the sonnet, verse drama, fiction, and the personal letter. In 1920, following the publication of A Few Figs from Thistles, Millay was the "It girl" of American poetry. But by the late 1930s, her popularity waned as her critical reputation declined under the reign of high modernism and its critics. In fact, Millay, like others of her generation, had rejected modernist elitism in favor of public engagement, using her powerful public voice to plead for an end to the Sacco-Vanzetti trials as well as for U.S. entry into World War II. Condemned for both her politicizing and her political poetry, she was the first to admit that she and her poetry suffered in the service of public causes. Grouped into four parts, these essays focus on Millay’s relation to modernism, her revisionary perspectives on love, her treatment of time and of the female body, and her use of masquerade and impersonation in life and in art. Throughout, the essayists pose such questions as: Where is Millay’s place in the literary histories of modern writing and in our hearts? How are we to value, interpret, and characterize the various forms and genres in which she wrote? What is the cultural work Millay achieves and reflects? How does she help us redefine modernism? What do Millay’s great gifts enable us to see about genre, the social construction of gender, the definition of modernism, and the role of the poet? Millay’s considerable productivity, the range and virtues of her forms, and her experimentation clearly argue for a wide-ranging reappraisal of her work.
Author: Connie Wiskin
Publisher: Routledge
ISBN: 1315346745
Category : Medical
Languages : en
Pages : 64
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Book Description
This is a unique resource to improve this difficult and highly sensitive area of communication, ideal for both individual use and by groups or in teaching. It offers a visual, interactive training experience, linking with supportive care frameworks. It is accompanied bya DVD which contains filmed scenes illustrating a range of challenging dialogues between health workers and a patient and his family through the journey of his terminal illness. Accompanying booklet highlights communication issues with suggested exercises, reflection points and advice. It is available as individual-use-only product for self-reflective learning, or institutional-use product for tutored learning, both priced to give excellent value.
Author:
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 312
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Book Description
Author: Catherine Keyser
Publisher: Rutgers University Press
ISBN: 0813547865
Category : Language Arts & Disciplines
Languages : en
Pages : 241
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Book Description
"With a sense of humor and style, and a smartness of her own, Keyser takes up the cause and the career of a `smart' set of women writers who made a distinct mark on modern American culture."---Maria DiBattista, author of Fast-Talking Dames --
Author: Geoffrey D. Smith
Publisher: Cambridge University Press
ISBN: 9780521434690
Category : Literary Criticism
Languages : en
Pages : 1064
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Book Description
A 1997 bibliography of American fiction from 1901-1925.
Author: Piers Vitebsky
Publisher: Cambridge University Press
ISBN: 9780521384476
Category : Social Science
Languages : en
Pages : 320
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Book Description
A study of religion, healing and psychology in tribal India, examining the bereavement rituals of the Sora people.
Author: Frederick Winthrop Faxon
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 358
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Book Description
Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
Author: Edna St. Vincent Millay
Publisher: Yale University Press
ISBN: 0300245602
Category :
Languages : en
Pages : 465
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Book Description
An annotated selection of the letters of the Pulitzer Prize-winning poet and playwright Edna St. Vincent Millay, from childhood through the last year of her life Throughout her life, Edna St. Vincent Millay wrote hundreds of letters, which together create a colorful tapestry of her inner life. This selection, based on archival research, represents Millay's correspondence from 1900, when she was eight, until 1950, the last year of her life. Through her letters, readers encounter the vast range of Millay's interests, including world literature, music, and horse racing, as well as her strong commitment to gender equality and social justice. This collection, edited by Timothy F. Jackson, includes previously unpublished correspondence, as well as letters containing early versions of poems, revealing new dimensions in Millay's creative process and influences. It is enriched by Jackson's thoughtful introduction and notes, plus a foreword by Millay's literary executor, Holly Peppe. Millay's observations on her inner life and the world around her--which speak to contemporary concerns as well--add to our understanding of American literature in the first half of the twentieth century.
