Richard Bentley's Dissertations Upon the Epistles of Phalaris, Themistocles, Socrates, Euripides and Upon the Fables of Aesop Edited with an Introduction and Notes by Wilhem Wagner PDF Download
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Author: Richard Bentley
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
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Book Description
Author: Richard Bentley
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
Get Book Here
Book Description
Author: Richard Bentley
Publisher:
ISBN:
Category : Aesop's fables
Languages : en
Pages : 674
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Book Description
Author: Richard Bentley
Publisher:
ISBN:
Category : Aesop's fables
Languages : en
Pages : 696
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Book Description
Author: Richard Bentley
Publisher:
ISBN:
Category : Epistles of Phalaris
Languages : en
Pages : 658
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Book Description
Author: Richard Bentley
Publisher:
ISBN:
Category : Aesop's fables
Languages : en
Pages : 418
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Book Description
Author: Bentley
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
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Book Description
Author: Richard Bentley
Publisher:
ISBN:
Category :
Languages : en
Pages : 466
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Book Description
Author: Richard Bentley
Publisher:
ISBN:
Category : Aesop's fables
Languages : en
Pages : 160
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Book Description
Author: Henry Power
Publisher: OUP Oxford
ISBN: 0191035823
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Epic into Novel looks at Henry Fielding's adaptation of classical epic in the context of what he called the 'Trade of . . . authoring'. Fielding was always keen to stress that his novels were modelled on classical literature. Equally, he was fascinated by—and wrote at length about—the fact that they were objects to be consumed. He recognised that he wrote in an age when an author had to consider himself 'as one who keeps a public Ordinary, at which all persons are welcome for their Money.' In describing his work, he alludes both to Homeric epic and to contemporary cookery books. This tension in Fielding's work has gone unexplored, a tension between his commitment to a classical tradition and his immersion in a print culture in which books were consumable commodities. This interest in the place of the ancients in a world of consumerism was inherited from the previous generation of satirists. The 'Scriblerians'—among them Jonathan Swift, John Gay, and Alexander Pope—repeatedly suggest in their work that classical values are at odds with modern tastes and appetites. Fielding, who had idolised these writers as a young man, developed many of their satiric routines in his own writing. But Fielding broke from Swift, Gay, and Pope in creating a version of epic designed to appeal to modern consumers. Henry Power provides new readings of works by Swift, Gay, and Pope, and of Fielding's major novels. He examines Fielding's engagement with various Scriblerian themes—primarily the consumption of literature, but also the professionalisation of scholarship, and the status of the author—and shows ultimately that Fielding broke with the Scriblerians in acknowledging and celebrating the influence of the marketplace on his work.
Author: Diego Lanza
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110730383
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
An updated history of classical philology had long been a desideratum of scholars of the ancient world. The volume edited by Diego Lanza and Gherardo Ugolini is structured in three parts. In the first one (“Towards a science of antiquity”) the approach of Anglo-Saxon philology (R. Bentley) and the institutionalization of the discipline in the German academic world (C.G. Heyne and F.A. Wolf) are described. In the second part (“The illusion of the archetype. Classical Studies in the Germany of the 19th Century”) the theoretical contributions and main methodological disputes that followed are analysed (K. Lachmann, J.G. Hermann, A. Boeckh, F. Nietzsche and U. von Wilamowitz-Moellendorff). The last part (“The classical philology of the 20th century”) treats the redefinition of classical studies after the Great War in Germany (W. Jaeger) and in Italy (G. Pasquali). In this context, the contributions of papyrology and of the new images of antiquity that have emerged in the works of writers, narrators, and translators of our time have been considered. This part finishes with the presentation of some of the most influential scholars of the last decades (B. Snell, E.R. Dodds, J.-P. Vernant, B. Gentili, N. Loraux).
