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Author: Peter Quartermain
Publisher: Cambridge University Press
ISBN: 9780521412681
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Disjunctive Poetics examines some of the experimental contemporary writers, including Stein and Zukofsky, whose work forms a counterpoint to the mainstream writing of our time. Peter Quartermain suggests that the explosion of such modern writing is linked to the severe political, social, and economic dislocation of non-English-speaking immigrants who arriving in America at the turn of the century found themselves uprooted from their tradition and disassociated from their culture.
Author: Peter Quartermain
Publisher: Cambridge University Press
ISBN: 9780521412681
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Disjunctive Poetics examines some of the experimental contemporary writers, including Stein and Zukofsky, whose work forms a counterpoint to the mainstream writing of our time. Peter Quartermain suggests that the explosion of such modern writing is linked to the severe political, social, and economic dislocation of non-English-speaking immigrants who arriving in America at the turn of the century found themselves uprooted from their tradition and disassociated from their culture.
Author: Amy Moorman Robbins
Publisher: Rutgers University Press
ISBN: 081357272X
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
American Hybrid Poetics explores the ways in which hybrid poetics—a playful mixing of disparate formal and aesthetic strategies—have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets—Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine—use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions—consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness—these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles.
Author: Louis Armand
Publisher: Northwestern University Press
ISBN: 0810123606
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
Exploring the boundaries of one of the most contested fields of literary study—a field that in fact shares territory with philology, aesthetics, cultural theory, philosophy, and even cybernetics—this volume gathers a body of critical writings that, taken together, broadly delineate a possible poetics of the contemporary. In these essays, the most interesting and distinguished theorists in the field renegotiate the contours of what might constitute "contemporary poetics," ranging from the historical advent of concrete poetry to the current technopoetics of cyberspace. Concerned with a poetics that extends beyond our own time, as a mere marker of present-day literary activity, their work addresses the limits of a writing "practice"—beginning with Stéphane Mallarmé in the late nineteenth century—that engages concretely with what it means to be contemporary. Charles Bernstein's Swiftian satire of generative poetics and the textual apparatus, together with Marjorie Perloff's critical-historical treatment of "writing after" Bernstein and other proponents of language poetry, provides an itinerary of contemporary poetics in terms of both theory and practice. The other essays consider "precursors," recognizable figures within the histories or prehistories of contemporary poetics, from Kafka and Joyce to Wallace Stevens and Kathy Acker; "conjunctions," in which more strictly theoretical and poetical texts enact a concerted engagement with rhetoric, prosody, and the vicissitudes of "intelligibility"; "cursors," which points to the open possibilities of invention, from Augusto de Campos's "concrete poetics" to the "codework" of Alan Sondheim; and "transpositions," defining the limits of poetic invention by way of technology.
Author: Megan Simpson
Publisher: SUNY Press
ISBN: 9780791444467
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Through detailed readings and interviews, this book provides a valuable introduction to feminist language-poets and to some of the most compelling issues in contemporary poetry.
Author: John R. Woznicki
Publisher: Rowman & Littlefield
ISBN: 1611461251
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
The New American Poetry: Fifty Years Later is a collection of critical essays on Donald Allen’s 1960 seminal anthology, The New American Poetry, an anthology that Marjorie Perloff once called “the fountainhead of radical American poetics.” The New American Poetry is referred to in every literary history of post-World War II American poetry. Allen’s anthology has reached its fiftieth anniversary, providing a unique time for reflection and reevaluation of this preeminent collection. As we know, Allen’s anthology was groundbreaking—it was the first to distribute widely the poetry and theoretical positions of poets such as Charles Olson, Allen Ginsberg and the Beats, and it was the first to categorize these poets by the schools (Black Mountain, New York School, San Francisco Renaissance, and the Beats) by which they are known today. Over the course of fifty years, this categorization of poets into schools has become one of the major, if not only way, that The New American Poetry is remembered or valued; one certain goal of this volume, as one reviewer invites, is to “pry The New American Poetry out from the hoary platitudes that have encrusted it.” To this point critics mostly have examined The New American Poetry as an anthology; former treatments of The New American Poetry look at it intently as a whole. Though the almost singularly-focused study of its construction and, less often, reception has lent a great deal of documented, highly visible and debated material in which to consider, we have been left with certain notions about its relevance that have become imbued ultimately in the collective critical consciousness of postmodernity. This volume, however, goes beyond the analysis of construction and reception and achieves something distinctive, extendingthose former treatments by treading on the paths they create. This volume aims to discover another sense of “radical” that Perloff articulated—rather than a radical that departs markedly from the usual, we invite consideration of The New American Poetry that isradical in the sense of root, of harboring something fundamental, something inherent, as we uncover and trace further elements correlated with its widespread influence over the last fifty years.
Author: Bob Perelman
Publisher: Princeton University Press
ISBN: 0691225001
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Language writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process for the readers. Reading this kind of writing, however, may not come easily in a culture where poetry is treated as property of a special class. It is this barrier that Bob Perelman seeks to break down in this fascinating and comprehensive account of the language writing movement. A leading language writer himself, Perelman offers insights into the history of the movement and discusses the political and theoretical implications of the writing. He provides detailed readings of work by Lyn Hejinian, Ron Silliman, and Charles Bernstein, among many others, and compares it to a wide range of other contemporary and modern American poetry. A variety of issues are addressed in the following chapters: "The Marginalization of Poetry," "Language Writing and Literary History," "Here and Now on Paper," "Parataxis and Narrative: The New Sentence in Theory and Practice," "Write the Power," "Building a More Powerful Vocabulary: Bruce Andrews and the World (Trade Center)," "This Page Is My Page, This Page Is Your Page: Gender and Mapping," "An Alphabet of Literary Criticism," and "A False Account of Talking with Frank O'Hara and Roland Barthes in Philadelphia."
Author: Matthew G. Jenkins
Publisher: University of Iowa Press
ISBN: 1587297280
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Since at least the time of Plato’s Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the “new” ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers the works of Objectivists, Black Mountain poets, and Language poets in light of their full potential to reshape this ancient relationship. American experimental poetry is usually read in either political or moral terms. Poetic Obligation, by contrast, considers the poems of Louis Zukofsky, Charles Reznikoff, George Oppen, Edward Dorn, Robert Duncan, Susan Howe, and Lyn Hejinian in terms of the philosophical notion of ethical obligation to the Other in language. Jenkins's historical trajectory enables him to consider the full breadth of ethical topics that have driven theoretical debate since the end of World War II. This original approach establishes an ethical lineage in the works of twentieth-century experimental poets, creating a way to reconcile the breach between poetry and the issue of ethics in literature at large. With implications for a host of social issues, including ethnicity and immigration, economic inequities, and human rights, Jenkins's imaginative reconciliation of poetry and ethics will provide stimulating reading for teachers and scholars of American literature as well as advocates and devotees of poetry in general. Poetic Obligation marshals ample evidence that poetry matters and continues to speak to the important issues of our day.
Author: Eliza Richards
Publisher: Cambridge University Press
ISBN: 9780521832816
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry.
Author: John W. Maerhofer
Publisher: Cambridge Scholars Publishing
ISBN: 1443812277
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
How has political revolution figured into the development of avant-garde cultural production? Is the vanguard an antiquated concept or does its influence still resonate in the 21st century? Focusing closely on the convergence of aesthetics and politics that materialized in the early part of the twentieth century, this study offers a re-interpretation of the historical avant-garde from 1917 to 1962, a turbulent period in intellectual history which marked the apex, crisis, and decline of vanguardist authority. Moving from the impact of the Bolshevik Revolution to the anti-imperialist and decolonizing movements in the Third World, to the emergence of neo-vanguardism in the wake of postmodernity, this study opens the way for understanding the transformation of vanguardist cultural paradigms from a global perspective, the implications of which also reveal its relevance and application to the contemporary period.
Author: W. Scott Howard
Publisher: University of Iowa Press
ISBN: 1609385926
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
"Poetics and Praxis 'After' Objectivism includes an introduction, ten chapters, and a roundtable afterward--all of which have been written specifically for this volume. The collection examines late twentieth- and early twenty-first-century poetic praxis within and against the dynamic, disparate legacy of Objectivism and the Objectivists. This is the first volume in the field to study this vital legacy through current poetic praxis, renewing the complexities of the past in terms of the difficulties of the present. The book's scope investigates the continuing relevance of the Objectivist ethos to poetic praxis in our time, examining and exemplifying generative intersections of creativity and critique" --
