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Author: Tim Marczenko
Publisher: Schiffer + ORM
ISBN: 1507302347
Category : Body, Mind & Spirit
Languages : en
Pages : 292
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Book Description
A paranormal investigator reveals evidence of mysterious voices that communicate with us—and hair-raising theories about who they are and what they want. For millennia, people have had encounters with voices that seem to come from nowhere. These disembodies voices have haunted and helped us, inspired and scared us. But few have stepped forward to discuss the phenomenon. Now Tim Marczenko reveals true stories from his extensive investigation into real-life encounters with disembodied voices, as well as historical accounts and his own personal experiences. With objectivity and healthy skepticism, Tim explores theories about why these voices exist, where they may be coming from, and what their agendas may be. Are they forgotten woodland deities? Is it an ancient evil from the days of Eden? Is there a single intelligence behind them all . . . or perhaps we shouldn’t look too deeply . . . or else . . .
Author: Tim Marczenko
Publisher: Schiffer + ORM
ISBN: 1507302347
Category : Body, Mind & Spirit
Languages : en
Pages : 292
Get Book Here
Book Description
A paranormal investigator reveals evidence of mysterious voices that communicate with us—and hair-raising theories about who they are and what they want. For millennia, people have had encounters with voices that seem to come from nowhere. These disembodies voices have haunted and helped us, inspired and scared us. But few have stepped forward to discuss the phenomenon. Now Tim Marczenko reveals true stories from his extensive investigation into real-life encounters with disembodied voices, as well as historical accounts and his own personal experiences. With objectivity and healthy skepticism, Tim explores theories about why these voices exist, where they may be coming from, and what their agendas may be. Are they forgotten woodland deities? Is it an ancient evil from the days of Eden? Is there a single intelligence behind them all . . . or perhaps we shouldn’t look too deeply . . . or else . . .
Author: Deborah Wiles
Publisher: Scholastic Inc.
ISBN: 1338356305
Category : Young Adult Fiction
Languages : en
Pages : 129
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Book Description
From two-time National Book Award finalist Deborah Wiles, a masterpiece exploration of one of the darkest moments in our history, when American troops killed four American students protesting the Vietnam War. May 4, 1970. Kent State University. As protestors roil the campus, National Guardsmen are called in. In the chaos of what happens next, shots are fired and four students are killed. To this day, there is still argument of what happened and why. Told in multiple voices from a number of vantage points -- protestor, Guardsman, townie, student -- Deborah Wiles's Kent State gives a moving, terrifying, galvanizing picture of what happened that weekend in Ohio . . . an event that, even 50 years later, still resonates deeply.
Author: Marlene Schäfers
Publisher: University of Chicago Press
ISBN: 0226823059
Category : Music
Languages : en
Pages : 233
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Book Description
"'Raise your voice!' and 'Speak up!' are familiar refrains that assume, all too easily, that all who speak do so for themselves, and that doing so will lead to empowerment, healing, and reconciliation. Marlene Schäfers's Voices that Matter reveals where such assumptions fall short, demonstrating that "raising one's voice" is, in some contexts, an endeavor full of anxieties, struggles, and discontents. In its attention to the voice as form, this book examines not only what voices say, but also how they do so. By focusing on the social labor that voices carry out as they travel, vibrate, and produce sound, Schäfers shows that where new vocal practices arise, they can produce new selves and practices of social relations. Few examples bring this into relief as effectively as the Kurdish context. Written texts have existed mostly on the margins of Kurdish popular culture, whereas oral genres have a long, rich legacy. As Kurdish voices gain increasing moral and political value as metaphors of empowerment, representation, and resistance, these genres are rapidly changing. As she traces the transformations in how Kurdish women relate to and employ their voices, Schäfers illustrates that "gaining voice" is no straightforward path to liberation, especially when one's voice can be selectively appropriated in empty displays of pluralist representation"--
Author: Michele Hilmes
Publisher: U of Minnesota Press
ISBN: 9780816626212
Category : Social Science
Languages : en
Pages : 406
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Book Description
Looks at the history of radio broadcasting as an aspect of American culture, and discusses social tensions, radio formats, and the roles of African Americans and women
Author: Ann C. Hall
Publisher: Cambridge Scholars Publishing
ISBN: 1527563170
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
MAKING THE STAGE is a collection of essays that examines the role of theatre, drama, and performance in contemporary culture, a culture that is growing increasingly technological and isolated--seemingly at odds with the very nature of theatre, a collaborative and sometimes very primitive art form. Through the course of these essays, it is clear that theatre not only survives some of the challenges of the day but even defines discussions, particularly political ones which are prohibited by an increasingly manipulated media. The essays, from a diverse group of theatre scholars, examine the mechanics of theatre, from space to sound to the use of technology, the role of women in creating theatre, the relationship between theatre and literary art forms, the politics of theatre, science and theatre, and the role of performance art. Through them all, it is clear that theatre, drama, and performance continue to speak in significant ways.
Author: Jaimie Baron
Publisher: Routledge
ISBN: 1135077096
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history. The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.
Author: Ruthie Abeliovich
Publisher: SUNY Press
ISBN: 1438474431
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, a valuable tool for understanding historical theater, which preserve performances of modernist interwar Hebrew plays. Seldom used in scholarship, Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. The book shows how these performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, Abeliovich develops a critical framework for the study of sound as a discipline in its own right in theater scholarship. “The author’s focus on historicizing and analyzing sound recordings and radio plays as a means to tackle the pervasive ephemerality problem in theater studies is a novel and valuable approach that represents a significant intervention in the field. These types of sources have had scant attention in theater studies to date, but Abeliovich makes a compelling argument that they belong at the center.” — Debra Caplan, author of Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy
Author: Scott M. Sanders
Publisher:
ISBN: 9780813947327
Category :
Languages : en
Pages : 240
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Book Description
There was much uncertainty about how voice related to body in the early eighteenth century, and this became a major subject of scientific and cultural interest. In Voices from Beyond, Scott Sanders provides an interdisciplinary and transnational study of eighteenth-century conceptions of the human voice. His book examines the diversity of thought about vocal materiality and its roles in philosophical and literary works from the period, uncovering representations of the voice that intertwine physiology with physics, music with moral philosophy, and literary description with performance. Voices from Beyond focuses on the voice as it was constructed in French works, influenced by French vocal sciences as well as British literary and philosophical texts. It considers the writing of Jean-Jacques Rousseau, Denis Diderot, François Baculard d'Arnaud, and Jacques Cazotte in particular, and explores how their texts theorize, represent, and construct three interrelated vocal types: the sentimental, the vitalist, and the uncanny. These authors represented the human voice as an intersectional organ with implications for one's emotional disposition, physical health, cultural identity, gender, and sexuality. Sanders argues that while the conception of sentimental and vitalist voices was anchored to a physiological understanding of vocal organs, this paradoxically led to the development of a disembodied, uncanny voice--one that could imitate the sounds of a good moral fiber while masking a monstrous physiology.
Author: Charles Brockden Brown
Publisher: Hackett Publishing
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
Author: Michele Hilmes
Publisher: Psychology Press
ISBN: 9780415928212
Category : History
Languages : en
Pages : 596
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
