Discursos leidos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública PDF Download
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Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 29
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 29
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Book Description
Author: Andrew Ginger
Publisher: Susquehanna University Press
ISBN: 9781575911137
Category : Art
Languages : en
Pages : 378
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Book Description
Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. The crucial moment is usually considered the emergence of Edouard Manet in mid-nineteenth-century France, and the features of French developments have been seen as defining terms in the theory of modernity. However, recent art and cultural history have often spoken of plural modernities, distinct from the pattern set in France. For the first time, this study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. It argues that this happened in a way that is critically at odds with many fundamental theoretical suppositions about modernity.
Author:
Publisher: University of Wales Press
ISBN: 1783168609
Category : Art
Languages : en
Pages : 414
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Book Description
The only volume on the work of Vicente Carducho in English Analysis of the Dialogues on Painting by international experts Contributors are art historians or hispanists, offering a multi-disciplinary approach
Author: Noël Maureen Valis
Publisher: Bucknell University Press
ISBN: 9780838750827
Category :
Languages : en
Pages : 232
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Book Description
Offers detailed analyses and reconstructions of Picon's eight novels. Of special significance to modern readers are his conceptions of Spanish history and character, patriotism, and women and sex -- conceptions that for their day may be considered advanced.
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Book Description
Author: University of California, Berkeley. Library
Publisher:
ISBN:
Category : Latin America
Languages : en
Pages : 868
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Book Description
Author: Hispanic Society of America. Library
Publisher:
ISBN:
Category : Brazilian literature
Languages : en
Pages : 1022
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Book Description
Author: Oscar E. Vázquez
Publisher: Penn State Press
ISBN: 9780271043951
Category : Antiques & Collectibles
Languages : en
Pages : 350
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Book Description
The pace and scale of the exchange of cultural goods of all sorts&—paintings, furniture, even ladies' fans&—increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing &"art&" were soon formed. Oscar V&ázquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate art's economic and symbolic worth at all levels of Spanish society. Drawing upon sources that range from newspaper reviews to notarial documents, V&ázquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe, as well as art historians and cultural theorists.
Author: Edmundo Murray
Publisher: Springer Nature
ISBN: 3031271602
Category : Art
Languages : en
Pages : 227
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Book Description
This is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and institutions encouraged smooth diplomacy and fluent international negotiations in the fields of labour, trade and human rights. On occasions hidden, removed and forgotten, and then recovered and restored, the history of the artworks in the Centre William Rappard represents the confrontation between art as diplomatic device and aesthetic experience, between representation and represented, between censorship and free expression. Even before its opening in 1926, the building started receiving works from the International Labour Organization member governments. Some pieces, such as the Geneva Window by Harry Clarke, never arrived in Geneva since it was censored by the Irish government. The Spanish Pygmalion by Eduardo Chicharro y Agüera was latter covered for its female nudity and remained hidden during decades. Later in the 1970s the secretariat of the General Agreement on Tariffs and Trade occupied the building and requested the removal of other major works. This was reversed in the 2010s by its successor the World Trade Organization, when many artworks were rediscovered, restored and placed in their original locations. However, new values in the world scene contributed to further changes in the building art, including the removal of Claude Namy’s caricature In GATT We Trust from public view in 2019. Art in the Centre William Rappard continues to speak to the viewer after waves of positive reception, censorship and recovery.
Author: Henk Heijkoop
Publisher: BRILL
ISBN: 9004138226
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
This bibliography - intended to be as complete as possible - provides information on written material in 22 languages about "muwassa?" and "zajal" (poetical strophic forms in al-Andalus during the Middle Ages) and the "kharja" (final segment of "muwassa?" and some "zajals"), and about their popularity in East and West.
