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Author: Kobena Mercer
Publisher: Turner A&r Press
ISBN: 9781899846436
Category : Art
Languages : en
Pages : 0
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Book Description
Exploring cross-cultural scenarios in 20th-century art, this book introduces fresh perspectives on abstraction as a visual signifier of modernity by revealing the multiple directions that abstract art has taken in different international contexts. This groundbreaking collection shows how the heterogeneous qualities of abstraction have been cross-fertilised, from abstract expressionism onwards, by the creative discrepancies that arise when different cultural identities come face to face in the artistic imagination. Discrepant Abstraction is the second volume in the Annotating Art's Histories series. Contributors: Stanley Abe; David Clarke; Mark Cheetham; David Craven; Wilson Harris; Iftikhar Dadi; Kellie Jones; Nathaniel Mackey; Kobena Mercer and Angeline Morrison. Supported by the Getty Foundation.
Author: Kobena Mercer
Publisher: Turner A&r Press
ISBN: 9781899846436
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Exploring cross-cultural scenarios in 20th-century art, this book introduces fresh perspectives on abstraction as a visual signifier of modernity by revealing the multiple directions that abstract art has taken in different international contexts. This groundbreaking collection shows how the heterogeneous qualities of abstraction have been cross-fertilised, from abstract expressionism onwards, by the creative discrepancies that arise when different cultural identities come face to face in the artistic imagination. Discrepant Abstraction is the second volume in the Annotating Art's Histories series. Contributors: Stanley Abe; David Clarke; Mark Cheetham; David Craven; Wilson Harris; Iftikhar Dadi; Kellie Jones; Nathaniel Mackey; Kobena Mercer and Angeline Morrison. Supported by the Getty Foundation.
Author: John McGreal
Publisher: Troubador Publishing Ltd
ISBN: 1788036425
Category : Art
Languages : en
Pages : 282
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Book Description
John McGreal's three new books – It’s Abstraction, Concretely, It’s Figuration, Groundly and It’s Representation, Really – continue the ‘It’ Series published by Matador since 2010. They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. Emerging out of the first books on the Bibliograph published in 2016, initiated with It’s Nothing, Seriously, these new texts retain some of the same structural features. The Bibliographs contain the same focus on repetition and variation in meaning of their dominant motifs of representation, abstraction and figuration which have framed philosophical discourse on epistemology and ontology in aesthetics; their chance placement in each Bibliograph interspersed with one another displaying and enhancing similarities and differences. At the same time these works constitute a development in the aesthetic form of the Bibliograph. In earlier works on Nothing, Absence and Silence, it was just a question of finding and transferring given textual references from their source to construct their Bibliographs, with the focus being on the strategic position of the latter within each book. In these new works, the concern has been with working on the line and shape of the references themselves, with their enhanced spacial form as well as that of each Bibliograph as a whole. In shaping and spacing the referential images, the place of words and letters became as important as their semantic & syntactical role. Expansion and contraction of whole words was used to enhance this process. Under such detailed attention their breakdown into particles of language, into part-words and single letters was a result. The recombination of elements produced new words in a process of restrangement with new sequences of letters having visual rather than semantic value. The play on prefixes of dominant motifs yielded new words as did tmesis. This concern with the form of referential images does not preclude an equal commitment to their content. The aleatory character of textual entries in each Bibliograph encourage the reader to let his or her mind go; to read in a new way on diverse contemporary issues across conventional boundaries in the arts and sciences at several levels of physical, psychical and social reproduction.
Author: Stephanie Lewthwaite
Publisher: University of Oklahoma Press
ISBN: 0806152885
Category : Art
Languages : en
Pages : 363
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Book Description
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University
Author: Gabrielle Jennings
Publisher: Univ of California Press
ISBN: 0520282477
Category : Art
Languages : en
Pages : 310
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Book Description
Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle JenningsÑa video artist herselfÑreveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, Òpictures of nothing,Ó but rather amorphous, ungovernable spaces that encourage contemplation and innovation. In explorations of the work of celebrated artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater, and Jennifer West, alongside emerging artists, this volume presents fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art.
Author: Robert Houle
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 108
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Book Description
Author: Rasheed Araeen
Publisher: Routledge
ISBN: 1000155005
Category : Art
Languages : en
Pages : 259
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Book Description
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. Third Text addresses the complex cultural realities that emerge when different worldviews meet, and the challenge this poses to Eurocentrism and ethnocentric aesthetic criteria.
Author: Saul Nelson
Publisher: Yale University Press
ISBN: 0300272308
Category : Art
Languages : en
Pages : 225
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Book Description
A new history of postwar painting that explores how the desire to look backward shaped some of the period's most radical artmaking This incisive account of modernism's postwar development examines how painters, such as Joan Mitchell, Barnett Newman, and Rose Piper, invoked tradition in order to respond to, participate in, and disrupt the histories of the movement being written at midcentury. Saul Nelson argues that artists' turn to the past, often dismissed as regressive, offers an important counternarrative to the notion of modernism as always pushing forward. To be a modernist, Nelson contends, was to live in doubt--about which aspects of the past were still needed and how they might be put to new use. The story ranges across continents and historical boundaries, from India to Europe and the United States. It encompasses Grace Hartigan's and Mitchell's feminist reworkings of Matisse, the links between the work of Newman and nationalistic nineteenth-century painting, the attempts of Piper to salvage a heritage from the Harlem Renaissance, and F. N. Souza's interrogations of the legacies of colonialism. Never Ending presents a new history of postwar painting in which modernism is reimagined as a practice of retrieval and reinvention, a ceaseless confrontation between tradition and the demands of the present.
Author: Eddie Chambers
Publisher: Bloomsbury Publishing
ISBN: 0857736086
Category : Art
Languages : en
Pages : 307
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Book Description
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Author: Jonathan Harris
Publisher: John Wiley & Sons
ISBN: 1444396994
Category : Art
Languages : en
Pages : 846
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Book Description
In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Globalization and Contemporary Art is the first anthology to consider the role and impact of art and artist in an increasingly borderless world. First major anthology of essays concerned with the impact of globalization on contemporary art Extensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization Unique analysis of the contemporary art market and its operation in a globalized economy
Author: Saloni Mathur
Publisher: Routledge
ISBN: 1351556231
Category : Social Science
Languages : en
Pages : 694
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Book Description
This volume brings together a range of essays that offer a new perspective on the dynamic history of the museum as a cultural institution in South Asia. It traces the museum from its origin as a tool of colonialism and adoption as a vehicle of sovereignty in the nationalist period, till its role in the present, as it reflects the fissured identities of the post-colonial period.
