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Author: Pierre Assouline
Publisher: Vendome Press
ISBN:
Category : Architecture
Languages : en
Pages : 318
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Book Description
Drawing on unpublished letters and other documents, a leading French historian/biographer traces the life and times of art dealer Durand-Ruel (1831-1921). Ruel supported the careers of most of the major Impressionist artists including Degas, Manet, Monet, Morisot, Pissarro, Renoir, and Sisley. Photos feature the artists and art championed by Ruel.
Author: Pierre Assouline
Publisher: Vendome Press
ISBN:
Category : Architecture
Languages : en
Pages : 318
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Book Description
Drawing on unpublished letters and other documents, a leading French historian/biographer traces the life and times of art dealer Durand-Ruel (1831-1921). Ruel supported the careers of most of the major Impressionist artists including Degas, Manet, Monet, Morisot, Pissarro, Renoir, and Sisley. Photos feature the artists and art championed by Ruel.
Author: Sylvie Patry
Publisher:
ISBN: 9780876332610
Category : Art dealers
Languages : en
Pages : 303
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Book Description
Author: Sylvie Patry
Publisher: National Gallery London
ISBN: 9781857095845
Category : Art dealers
Languages : en
Pages : 0
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Book Description
Published to accompany the exhibition Paul Duran-Ruel: Le Pari de l'Impressionnisme, Musaee de Luxembourg, Pais (Saenat), October 9, 2014 - February 8, 2015; Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market, The National Gallery, London, March 4 - May 31, 2015; Discovering the Impressionists: Paul Durand-Ruel and the New Painting, Philadelphia Museum of Art, June 24 - September 13, 2015.
Author: Martha Kapos
Publisher:
ISBN:
Category : France in art
Languages : en
Pages : 744
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Book Description
The documents in this book -- letters and recorded comments by the artists themselves, as well as selections by notable contemporaries including Baudelaire, Zola, Valery, Mallarme, Huysman, Laforgue and Proust -- show how artists and critics during and in the aftermath of Impressionism did describe themselves: how they responded to tradition, to each other and to the kaleidoscope of the contemporary scene. The ever-expanding interpretation of Impressionism and its legacy within the changing world of twentieth-century art and art criticism is examined through the writings of artists such as Leger, Kandinsky, Masson, Matisse, Bataille, Klee and Hofmann as well as recent critics, philosophers and art historians. Accompanying the texts are 235 color plates of Impressionist and Post-Impressionist masterpieces, and 242 black and white reproductions of historical photographs, original documents, contemporary cartoons, prints and drawings. - Jacket flap.
Author: Sue Roe
Publisher: Harper Collins
ISBN: 0061978965
Category : Biography & Autobiography
Languages : en
Pages : 370
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Book Description
The New York Times–bestselling biography of Manet, Cezanne, Degas, and others—a “revealing group portrait . . . lively, required reading” (People). Though they were often ridiculed or ignored by their contemporaries, their paintings are now revered around the world. Their dazzling works are familiar to even the most casual art lovers—but how well do we know the Impressionists as people? The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Morisot, and Cassatt. Sue Roe’s Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and deeply researched, it casts a brilliant light on this unparalleled society of genius colleagues who lived and worked together for twenty years—and transformed the art world with their breathtaking depictions of ordinary life.
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373891
Category : Art
Languages : en
Pages : 644
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Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Author: Robert L. Herbert
Publisher: Yale University Press
ISBN: 0300050836
Category : Art
Languages : en
Pages : 348
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Book Description
Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings
Author: Anthea Callen
Publisher: Yale University Press
ISBN: 0300084021
Category : Art
Languages : en
Pages : 270
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Book Description
"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.
Author: Carol Sabbeth
Publisher: Chicago Review Press
ISBN: 1613740484
Category : Art
Languages : en
Pages : 153
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Book Description
Discusses the nineteenth-century French art movement known as Impressionism, focusing on the works of Monet, Renoir, Degas, Cassatt, Cezanne, Gauguin, and Seurat. Includes related projects and activities.
Author: Susan Behrends Frank
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Luminous works by Childe Hassam, Ernest Lawson, Maurice Prendergast, John Henry Twachtman, are among the 100 seminal works featured in this book showcasing 27 artists. As members of the first generation of American painters to absorb the technique, brighter palette, and subject matter of Impressionism from their French counterparts, these artists transformed the heroic American landscape into a modern idiom, in atmospheric park and beach scenes, urban views, and charming interiors, with particular interest in optical effects, light, and the seasons. This book provides a vivid summary of the movement, starting with its roots in earlier American art and its relationship to French Impressionism. It charts the response of many of these American artists to one of the most beloved movements in 19th century painting. All of the masterworks are here, in full color, from Hassam's sun-drenced gardens to Twachtman's snowy landscapes. It is a celebration of the Impressionist style and it's fresh interpretatiuon of America's landscapes
