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Author: Louis Menand
Publisher: Oxford University Press
ISBN: 0199774714
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
When Discovering Modernism was first published, it shed new and welcome light on the birth of Modernism. This reissue of Menand's classic intellectual history of T.S. Eliot and the singular role he played in the rise of literary modernism features an updated Afterword by the author, as well as a detailed critical appraisal of the progression of Eliot's career as a poet and critic. The new Afterword was adapted from Menand's critically lauded essay on Eliot in The Cambridge History of Literary Criticism, Volume Seven: Modernism and the New Criticism. Menand shows how Eliot's early views on literary value and authenticity, and his later repudiation of those views, reflect the profound changes regarding the understanding of literature and its significance that occurred in the early part of the twentieth century. It will prove an eye-opening study for readers with an interest in the writings of T.S. Eliot and other luminaries of the Modernist era.
Author: Louis Menand
Publisher: Oxford University Press
ISBN: 0199774714
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
When Discovering Modernism was first published, it shed new and welcome light on the birth of Modernism. This reissue of Menand's classic intellectual history of T.S. Eliot and the singular role he played in the rise of literary modernism features an updated Afterword by the author, as well as a detailed critical appraisal of the progression of Eliot's career as a poet and critic. The new Afterword was adapted from Menand's critically lauded essay on Eliot in The Cambridge History of Literary Criticism, Volume Seven: Modernism and the New Criticism. Menand shows how Eliot's early views on literary value and authenticity, and his later repudiation of those views, reflect the profound changes regarding the understanding of literature and its significance that occurred in the early part of the twentieth century. It will prove an eye-opening study for readers with an interest in the writings of T.S. Eliot and other luminaries of the Modernist era.
Author: Jonathan David Fineberg
Publisher: Princeton University Press
ISBN: 9780691086828
Category : Art
Languages : en
Pages : 306
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Book Description
This book brings together thirteen distinguished critics and scholars to explore children's art and its profound but rarely documented influence on the evolution of modern art. It shows that children's art and childhood have inspired major works of art, served as central metaphors for artistic spontaneity and honesty, and provided a window into the fundamental human qualities explored by modern artists. The volume complements editor Jonathan Fineberg's groundbreaking new book, The Innocent Eye (Princeton, 1997), in which he showed how many of the greatest masters of modern art collected and were directly influenced by children's drawings. Contributors here both expand on Fineberg's themes and take the study of children's art in new directions. They examine, for example, the influence of child art on such artists as Kandinsky, Klee, Larionov, and Miró; the diverse styles of children's art; the influence of Romantic ideas on perceptions of children's art; the conception of giftedness versus education in children's drawings; and the relationship between children's art and primitivism. The book offers unique glimpses into the working processes of great modern artists, presenting, for example, Dora Vallier's personal recollections of Miró and his creative process, and new documentation about the works of the Russian avant-garde. The essays draw on art theory, psychology, and the close study of individual works of art and written texts. Discovering Child Art will appeal to a wide range of readers, including art historians, psychologists, and art educators. Contributors to the book are Troels Andersen, Rudolf Arnheim, John Carlin, Marcel Franciscono, Ernst Gombrich, Christopher Green, Josef Helfenstein, Werner Hofmann, Yuri Molok, G. G. Pospelov, Richard Shiff, Dora Vallier, and Barbara Würwag.
Author: John Attridge
Publisher: Routledge
ISBN: 1317117549
Category : Literary Criticism
Languages : en
Pages : 409
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Book Description
With the twentieth century came a new awareness of just how much an individual was obliged to accept on trust, and this heightened awareness of social trust in turn prompted new kinds of anxiety about fraudulence and deception. Beginning with the premise that the traditional liberal concept of trust as a ’bond of society’ entered a period of crisis around the turn of the twentieth century, this collection examines the profound influence of this shift on a wide range of modernist writers, including James Joyce, Marcel Proust, Gertrude Stein, Ezra Pound, Wyndham Lewis, H.D., Ford Madox Ford, Samuel Beckett, Ralph Ellison and Wallace Stevens. In examining the importance of trust and fraudulence during the period, the contributors take up a diverse set of topics related to reception, the institutions of modernism, the history of authorship, the nature of representation, authenticity, genre, social order and politics. Taken as a whole, Incredible Modernism provides concrete historical coordinates for the study of twentieth-century trust, while also arguing that a problem of trust is central to the institutions and formal innovations of modernism itself.
Author: Lise Jaillant
Publisher: Edinburgh University Press
ISBN: 1474417256
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
We often think of Mrs Dalloway or A Portrait of the Artist as a Young Man as difficult books, originally published in small print runs for a handful of readers. But from the mid-1920s, these texts and others were available in cheap format across Europe. Uniform series of reprints such as the Travellers' Library, the Phoenix Library, Tauchnitz and Albatross sold modernism to a wide audience - thus transforming a little-read "e;highbrow"e; movement into a popular phenomenon. The expansion of the readership for modernism was not only vertical (from "e;high"e; to "e;low"e;) but also spatial - since publisher's series were distributed within and outside metropolitan centres in Britain, continental Europe and elsewhere. Many non-English native speakers discovered texts by Joyce, Woolf and others in the original language - a fact that has rarely been mentioned in histories of modernism. Drawing on extensive work in neglected archives, Cheap Modernism will be of interest to all those who want to know how the new literature became a global commercial hit.
Author: Lisi Schoenbach
Publisher: Oxford University Press
ISBN: 0190207345
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Pragmatic Modernism traces an alternative strain of modernism influenced by pragmatist philosophy and characterized by its commitment to gradualism, continuity, and habit rather than spectacular events and radical rupture. Through original readings of Gertrude Stein, Henry James, Marcel Proust, and Oliver Wendell Holmes, Jr., this study rediscovers an overlooked cultural and social matrix and suggests an expanded range of responses to modernity.
Author: Anne Quéma
Publisher: Bucknell University Press
ISBN: 9780838753927
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
"Lewis's political writings present ambiguities: his stated belief in the autonomy of art from life is contradicted by other statements he made and by his critical analyses of writers; and his political writings blur any a priori generic distinction between art and non-art. Given this blurring between art and life, artistic genre and non-artistic genre, Quema claims that Lewis's political texts present characteristics usually attributed to avant-gardism. However, this radicalism has to be balanced against Lewis's conservatism. Thus his political writings can be read as allegories with two pragmatic aims: to organize the life of the polis from an artistic standpoint and to persuade the reader to adhere to authoritarian politics."--BOOK JACKET.
Author: Megan Quigley
Publisher: Bloomsbury Publishing
ISBN: 1350173940
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Over a dozen new volumes of T. S. Eliot's poetry, prose, and letters have been published in the past decade. This collection presents unabashedly fresh approaches to Eliot, while simultaneously guiding readers through the new materials that are available for the first time outside of restricted archives. Eliot, the figurehead of literary modernism, continues to be someone whom critics love to hate (Misogynist! Reactionary! Anti-Semite!) and readers love to devour (Profound! Revolutionary! Resonant!). Why does one artist elicit such different responses? Eliot Now collects new and established voices in Eliot studies, integrating contemporary critical approaches with careful attention to the newly published materials. Whether grappling with the controversial new two-volume Poems, narrating the experience of opening Eliot's letters in the Emily Hale papers (until 2020 the “most famous sealed archive in the world”), or rereading his works through ecocritical or trans studies lenses, Eliot Now shows how this most effusively celebrated and heatedly criticized 20th-century writer continues to change the way we read literature in the 21st century. The collection concludes with six award-winning contemporary poets considering the influence of The Waste Land on poetry today.
Author: Jesse Zuba
Publisher: Princeton University Press
ISBN: 0691164479
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
An illuminating look at the poetic debut in twentieth-century American literary culture "We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand. Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.
Author: Robert Macfarlane
Publisher: Oxford University Press
ISBN: 0199296502
Category : History
Languages : en
Pages : 257
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Book Description
'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways.Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also providedmany important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple andelegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.
Author: Anita Norich
Publisher: Stanford University Press
ISBN: 9780804756907
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
This book considers some of the most famous Yiddish writers in America, the controversies their works aroused—in Yiddish and English—during the Holocaust, and the ways in which reading them contributes to a revision of American Jewish cultural development.
