Discours sur la declaration de la volante du Roy, apportée par la Royne mere à son retour dans la ville de Paris le 11 de May 1615 PDF Download
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Languages : fr
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Category :
Languages : fr
Pages : 14
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Languages : fr
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Author: Sir Paul Vinogradoff
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 396
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Author: William R. Newman
Publisher: MIT Press
ISBN: 9780262140751
Category : History
Languages : en
Pages : 472
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A fresh look at the role of astrology and alchemy in Renaissance thinking and everyday life.
Author: Ernest Hatch Wilkins
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
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Biography of the 14th century Italian scholar.
Author: G. B. Boschini Battista Guarini
Publisher:
ISBN: 9781017556551
Category : History
Languages : en
Pages : 0
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Author: Nicolas de Montreux
Publisher:
ISBN: 9782869067127
Category :
Languages : en
Pages : 321
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Now regrettably obscure, Nicolas de Montreux published prolifically in various genres during the 1590s (under the anagrammatic pseudonym of "Olénix du Mont Sacré"). He produced most of his work in Nantes under the patronage of Philippe-Emmanuel de Lorraine, Duke of Mercoeur, when the latter was Governor of Brittany — hence the frequent political cast of his writing, since Mercoeur was the ultimate hold-out for the ultra-Catholic Holy League against Henri IV. Yet Montreux also contributed significantly to the diffusion in France of Italian-inspired romantic pastoral, and his comedy Diane, whose title evokes the Diana of Montemayor, was his major dramatic composition in this vein. First appended to the third volume of his popular Bergeries (Tours, 1594), which otherwise mingle prose and verse, Diane recalls Italian models : Tasso's Aminta, Guarini's Il Pastor Fido, the commedia dell'arte. It displays exuberant theatricality in pushing towards absurdity its inevitable theme — the disruptive power of terrestrial love, which is finally aligned with that which brings harmony to the universe. Magical intervention is the means ; multiple marriages mark the end. The overlap with Shakespeare's romantic comedies, especially A Midsummer Night's Dream (1595-96), offers a special rationale for translating Montreux's work into English. Besides an Introduction exploring the play's contexts and affiliations, the volume includes an annotated edition of the French text, unpublished since Montreux's era.
Author: David Quint
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444
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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.
Author: Arthur Augustus Tilley
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 252
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