Réfutation d'un discours [de J.J. Rousseau] qui a remporté le prix de l'Académie de Dijon sur cette question proposée par la même Académie PDF Download
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Author: Gautier
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Languages : fr
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![Réfutation d'un discours [de J.J. Rousseau] qui a remporté le prix de l'Académie de Dijon sur cette question proposée par la même Académie PDF](https://books.google.com/books/content/images/frontcover/XE8vuAAACAAJ?fife=w80-h100)
Author: Gautier
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Languages : fr
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Languages : en
Pages : 140
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Author: Jean-Jacques Rousseau
Publisher: Contra Mundum Press
ISBN: 9781940625133
Category : Drama
Languages : en
Pages : 128
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Book Description
Narcissus, or The Lover of Himself is a play of staggering mediocrity. Jean-Jacques Rousseau, better known as a social thinker than as a playwright, claims to have written it as a young man of eighteen, some twenty years before it was performed for King Louis XV on December 18, 1752. It flopped and never saw the stage again in Rousseau's lifetime. In his preface to the play, penned after its failed production, Rousseau avows that he kept himself from publishing it for as long as he held onto some regard for his reputation as an author. This is a fairly measured judgment, for a work the caliber of Narcissus would certainly not bolster Rousseau's status. The plot, characters, language, and comedic elements come off as weak or incomplete. Hence, the reader (or spectator) could understandably question the play's merits, and the need to publish it. But had Narcissus never been, neither would its preface. This afterthought, two decades in the making, becomes, in many ways, a much more interesting opening act to the comedy that follows. It is rich in philosophy and criticism, madly buzzing with paranoia, and surprisingly convincing in its proposition that the arts and sciences, the pursuit of knowledge, the cultivation of letters, and all the trappings of civilization are destructive forces, harmful to man's morality. It is an apology for having experimented with writing literature in his foolish youth and, at the same time, a justification for the existence of his art. The preface, in which he writes, "I must, despite my reluctance, speak of myself," is fully narcissistic. Peering over Rousseau's shoulder, we, too, see his reflection: a man with reason on his side, standing against his enemies, his age, and, indeed, the world. Daniel Boden's translation of Narcissus and its preface is true to the voice, times, and incongruities of Rousseau. In the afterword that crowns this edition, Simon Critchley situates the play and preface in their historical context, makes connections to other works by Rousseau, comments on the philosophy put forward in the preface, reflects on what brings the classics to the stage, and proposes, quite simply, that theater is narcissism.
Author: Jean-Jacques Rousseau
Publisher: UPNE
ISBN: 9781584653530
Category : Performing Arts
Languages : en
Pages : 442
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Book Description
These two thinkers confront the issues surrounding public support for the arts through d'Alembert's original proposal, Rousseau's attack, and the first English translation of d'Alembert's response as well as correspondence relating to the exchange."
Author: Patrick Riley
Publisher: Cambridge University Press
ISBN: 9780521576154
Category : Literary Criticism
Languages : en
Pages : 474
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Book Description
Universally regarded as the greatest French political theorist and philosopher of education of the Enlightenment, and probably the greatest French social theorist tout court, Rousseau was an important forerunner of the French Revolution, though his thought was too nuanced and subtle ever to serve as mere ideology. This 2001 volume systematically surveys the full range of Rousseau's activities in politics and education, psychology, anthropology, religion, music and theater.
Author: Jean Starobinski
Publisher: Harvard University Press
ISBN: 9780674076471
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
It is the task of art, he contends, to make the most of these conventions, to use the very disguises of civilization to counter the barbarism they mask. Tracing this idea through seventeenth- and eighteenth-century French literature, Starobinski charts the historical and intellectual limits of criticism itself.".
Author: Julia Simon
Publisher: Penn State Press
ISBN: 027106272X
Category : Philosophy
Languages : en
Pages : 254
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Book Description
Renowned for his influence as a political philosopher, a writer, and an autobiographer, Jean-Jacques Rousseau is known also for his lifelong interest in music. He composed operas and other musical pieces, invented a system of numbered musical notation, engaged in public debates about music, and wrote at length about musical theory. Critical analysis of Rousseau’s work in music has been principally the domain of musicologists, rarely involving the work of scholars of political theory or literary studies. In Rousseau Among the Moderns, Julia Simon puts forth fresh interpretations of The Social Contract, the Discourse on the Origin of Inequality, and the Confessions, as well as other texts. She links Rousseau’s understanding of key concepts in music, such as tuning, harmony, melody, and form, to the crucial problem of the individual’s relationship to the social order. The choice of music as the privileged aesthetic object enables Rousseau to gain insight into the role of the aesthetic realm in relation to the social and political body in ways often associated with later thinkers. Simon argues that much of Rousseau’s “modernism” resides in the unique role that he assigns to music in forging communal relations.
Author: Robert Wokler
Publisher: OUP Oxford
ISBN: 0191604429
Category : Political Science
Languages : en
Pages : 188
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Book Description
One of the most profound thinkers of modern history, Jean-Jacques Rousseau (1712-78) was a central figure of the European Enlightenment. He was also its most formidable critic, condemning the political, economic, theological, and sexual trappings of civilization along lines that would excite the enthusiasm of romantic individualists and radical revolutionaries alike. In this study of Rousseau's life and works Robert Wokler shows how his philosophy of history, his theories of music and politics, his fiction, educational and religious writings, and even his botany, were all inspired by visionary ideals of mankind's self-realization in a condition of unfettered freedom. He explains how, in regressing to classical republicanism, ancient mythology, direct communion with God, and solitude, Rousseau anticipated some post-modernist rejections of the Enlightenment as well. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: John Brown
Publisher:
ISBN:
Category : Anesthesia
Languages : en
Pages : 78
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Book Description
Contains a vivid description of a mastectomy as it may have been witnessed by the physician-author in the pre-anesthetic clinics of his famous surgical teacher, James Syme. Rab is the devoted pet of a man whose wife dies following surgery; he dies shortly afterwards; Rab refuses to eat, becomes hostile, and is killed.
Author: Claire Colebrook
Publisher: Routledge
ISBN: 1317592646
Category : Philosophy
Languages : en
Pages : 178
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Book Description
Jacques Derrida: Key Concepts presents a broad overview and engagement with the full range of Derrida's work - from the early phenomenological thinking to his preoccupations with key themes, such as technology, psychoanalysis, friendship, Marxism, racism and sexism, to his ethico-political writings and his deconstruction of democracy. Presenting both an examination of the key concepts central to his thinking and a broader study of how that thinking shifted over a lifetime, the book offers the reader a clear, systematic and fresh examination of the astounding breadth of Derrida's philosophy.
