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Author: Don Taylor
Publisher: Routledge
ISBN: 1136789960
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Directing Plays explores both the theory and practice of directing plays, with particular emphasis on textual interpretation. Don Taylor guides the student through the complex process of choosing a play, the working partnership of director, playwright and designer, the delicate matter of casting a play, the rehearsal process and everything which needs to happen before the production is up and running.
Author: Michael McCaffery
Publisher: Schirmer Trade Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 136
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Book Description
This highly successful series has been revised and reprinted in new, exciting covers. The five titles work together to create all you need to know about how to present a production. Each expertly written book contains many creative ideas as well as essential information. Copyright © Libri GmbH. All rights reserved.
Author: Francis Hodge
Publisher: CRC Press
ISBN: 1317351029
Category : Performing Arts
Languages : en
Pages : 407
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Book Description
Play Directing describes the various roles a director plays, from selection and analysis of the play, to working with actors and designers to bring the production to life. The authors emphasize that the role of the director as an artist-leader collaborating with actors and designers who look to the director for partnership in achieving their fullest, most creative expressions. The text emphasizes how the study of directing provides an intensive look at the structure of plays and acting, and of the process of design of scenery, costume, lighting, and sound that together make a produced play.
Author: Avra Sidiropoulou
Publisher: Routledge
ISBN: 1351839284
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Directions for Directing: Theatre and Method lays out contemporary concepts of directing practice and examines specific techniques of approaching scripts, actors, and the stage. Addressed to both young and experienced directors but also to the broader community of theatre practitioners, scholars, and dedicated theatre goers, the book sheds light on the director’s multiplicity of roles throughout the life of a play – from the moment of its conception to opening night – and explores the director’s processes of inspiration, interpretation, communication, and leadership. From organizing auditions and making casting choices to decoding complex dramaturgical texts and motivating actors, Directions for Directing offers practical advice and features detailed workbook sections on how to navigate such a fascinating discipline. A companion website explores the work of international practitioners of different backgrounds who operate within various institutions, companies, and budgets, providing readers with a wide range of perspectives and methodologies.
Author: Joe Deer
Publisher: Routledge
ISBN: 1136246703
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
This comprehensive guide, from the author of Acting in Musical Theatre, will equip aspiring directors with all of the skills that they will need in order to guide a production from beginning to end. From the very first conception and collaborations with crew and cast, through rehearsals and technical production all the way to the final performance, Joe Deer covers the full range. Deer’s accessible and compellingly practical approach uses proven, repeatable methods for addressing all aspects of a production. The focus at every stage is on working with others, using insights from experienced, successful directors to tackle common problems and devise solutions. Each section uses the same structure, to stimulate creative thinking: Timetables: detailed instructions on what to do and when, to provide a flexible organization template Prompts and Investigations: addressing conceptual questions about style, characterization and design Skills Workshops: Exercises and ‘how-to’ guides to essential skills Essential Forms and Formats: Including staging notation, script annotation and rehearsal checklists Case Studies: Well-known productions show how to apply each chapter’s ideas Directing in Musical Theatre not only provides all of the essential skills, but explains when and how to put them to use; how to think like a director.
Author: Don Taylor
Publisher: Routledge
ISBN: 1136789960
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Directing Plays explores both the theory and practice of directing plays, with particular emphasis on textual interpretation. Don Taylor guides the student through the complex process of choosing a play, the working partnership of director, playwright and designer, the delicate matter of casting a play, the rehearsal process and everything which needs to happen before the production is up and running.
Author: Leon C. Miller
Publisher: Dramatic Publishing
ISBN: 9780871293664
Category : Performing Arts
Languages : en
Pages : 78
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Book Description
Author: Stephen Unwin
Publisher: Nick Hern Books
ISBN: 1854597795
Category : Drama
Languages : en
Pages : 256
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Book Description
A hands-on, step-by-step guide to directing plays--by one of Britain's leading theatre directors.
Author: Jim Patterson
Publisher: Waveland Press
ISBN: 1478626860
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
Flexible and concise, Stage Directing details the seven steps that make up the directing process: selecting a work, analyzing and researching the playscript, conceiving the production, casting, beginning rehearsals, polishing rehearsals, and giving and receiving criticism. Each step is highlighted with valuable directing tips, as well as examples from modern and contemporary playscripts and productions. Exercises, objectives, and key terms put directing precepts to a practical test, revealing what is significant about each phase of the process. Over eighty charts, graphs, and photographs unite to exemplify the text. With a fresh voice and an engaging writing style, Patterson provides insightful questions, suggestions, and illustrations that define and invoke contemplation about the role of the director. Three original short plays provide the opportunity for hands-on analysis and the application of practical concepts. In a final essay, Patterson highlights the function and growing artistry of the director in the modern and postmodern theatre by concisely examining the history of the director.
Author: Gill Foreman
Publisher: A&C Black
ISBN: 1408142201
Category : Performing Arts
Languages : en
Pages : 161
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Book Description
Live theatre is an exciting, challenging profession - but how is professional theatre actually made? What are the roles and what does each person do? Which pathways lead into the profession? What skills are necessary to each role and how does the job differ according to the size of theatre or company? Written by the Acting Head of the Young People's Programme at the Royal Shakespeare Co. and former Director of Education at the Bristol Old Vic, this is a book for new entrants in the theatre industry needing a behind-the-scenes glimpse into how theatre is made. It covers each role including director, designer, sound and lighting, front of house, playwright and many more. Each chapter looks in detail at what each role entails, the main people who it involves working alongside and the skills required. Interviews with a number of key practitioners for each role provide authoritative and clear advice and insight for the reader. The book features interviews with all of the following and many more besides: Nick Hytner (National Theatre), Simon Reade (Bristol Old Vic), Mike Shepperd (founder and performer, Kneehigh), Emma Rice (Artistic Director, Kneehigh), Rachel Kavanaugh (Birmingham Rep), Tim Crouch (Writer/Director/Performer), Anne Tipton (Director), Stephen Jeffries (Playwright), David Edgar (Playwright) and Jack Bradley (Literary Manager).
Author: Robert Knopf
Publisher: Taylor & Francis
ISBN: 1317326563
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction
