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Author: Michael A. Hoskin
Publisher:
ISBN:
Category : History
Languages : en
Pages : 280
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Book Description
This study of archaeoastronomy looks at more than 2,500 communal tombs and sanctuaries from around the Mediterranean. After a brief discussion of Hoskin's aims and the methodology for his fieldwork, individual chapters focus on evidence from particular regions: Malta, Gozo, the Balearics, Iberia, southern France, Corsica and Sardinia, Sicily and Pantelleria, Tunisia, Algeria and Morocco. The author concludes that in most of these regions the monuments faced sunrise, or more generally the sun when it was rising or climbing in the sky. Along the Mediterranean coast of France, however, there is a reverse sunset custom; in North Africa tombs faced downhill and in a Minoan cemetery on Crete all the tombs faced moonrise and look towards a mountain on whose peak was a sanctuary probably sacred to a lunar god. 264p, b/w figs and photos throughout, tables (Ocarina Books 2001) ` adorned with dozens of beautiful photographs, technical diagrams, and an extraordinary Corpus Mensurarum.....a living masterpiece in the field of archaeoastronomy ' - Juan Antonio Belmonte, Instituto de Astroficia de Canarias `
Author: Michael A. Hoskin
Publisher:
ISBN:
Category : History
Languages : en
Pages : 280
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Book Description
This study of archaeoastronomy looks at more than 2,500 communal tombs and sanctuaries from around the Mediterranean. After a brief discussion of Hoskin's aims and the methodology for his fieldwork, individual chapters focus on evidence from particular regions: Malta, Gozo, the Balearics, Iberia, southern France, Corsica and Sardinia, Sicily and Pantelleria, Tunisia, Algeria and Morocco. The author concludes that in most of these regions the monuments faced sunrise, or more generally the sun when it was rising or climbing in the sky. Along the Mediterranean coast of France, however, there is a reverse sunset custom; in North Africa tombs faced downhill and in a Minoan cemetery on Crete all the tombs faced moonrise and look towards a mountain on whose peak was a sanctuary probably sacred to a lunar god. 264p, b/w figs and photos throughout, tables (Ocarina Books 2001) ` adorned with dozens of beautiful photographs, technical diagrams, and an extraordinary Corpus Mensurarum.....a living masterpiece in the field of archaeoastronomy ' - Juan Antonio Belmonte, Instituto de Astroficia de Canarias `
Author: Georges Louis Leclerc comte de Buffon
Publisher:
ISBN:
Category : Natural history
Languages : en
Pages : 496
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Book Description
Author: E. A. Edmonds
Publisher: Stationery Office Books (TSO)
ISBN:
Category : Geology
Languages : en
Pages : 188
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Book Description
Author: Robert Morkot
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 360
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Book Description
In the 9th century BC, a powerful kingdom arose in northern Sudan (Kush). Conquering Egypt, its kings ruled the Nile Valley, from the Mediterranean as far as Khartoum, for half a century. This was a period of dramatic historical events, dominated by the expansion of the Assyrian Empire into Syria and Palestine. The Nubians supported the kings of Israel against Assyria, but even Egypt itself was invaded. Allied with the Assyrians, the Libyan princes of Sais succeeded in ousting the Nubians and reuniting Egypt under their own rule. Despite these constant wars, this was also a period of artistic renaissance, attested by many building works in Egypt and Sudan, by a striking series of portrait sculptures, and the splendid burial treasures of the royal family. Withdrawal from Egypt did not mark the end of the Kushite state, which continued for nearly 1000 years.
Author: Siculus Diodorus
Publisher: Hassell Street Press
ISBN: 9781014335333
Category :
Languages : en
Pages : 260
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Dympna Callaghan
Publisher: Routledge
ISBN: 1134633122
Category : Literary Collections
Languages : en
Pages : 234
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Book Description
Shakespeare Without Women is a controversial study of female impersonation, and the connections between dramatic and political representation in Shakespeare's plays. In this original and challenging book, Callaghan argues that Shakespeare did not include women, and that his transvestite actors did not represent women, and were not, furthermore, meant to do so. All Shakespeare's actors were, of historical necessity, (white) males which meant that the portrayal of women and racial others posed unique problems for his theatre. What is important, Shakespeare Without Women claims, is not to bemoan the absence of women, Africans, or the Irish, but to determine what such absences meant in their historical context and why they matter today. Callaghan focuses in the implications of absence and exclusion in several of Shakespeare's works: * the exclusion of the female body fromTwelfth Night * the impersonation of the female voice in the original performances of the plays * racial impersonation in Othello * echoes of removal of the Gaelic Irish in The Tempest * the absence of women on stage and in public life as shown in A Midsummer Night's Dream.
Author: Natasha Korda
Publisher: University of Pennsylvania Press
ISBN: 9780812236637
Category : Drama
Languages : en
Pages : 304
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Book Description
Drawing evidence from legal documents, economic treatises, domestic manuals, marriage sermons, household inventories, and wills to explore the realities and dramatic representations of women's domestic roles, Natasha Korda departs from traditional accounts of the commodification of women, which maintain that throughout history women have been "trafficked" as passive objects of exchange between men."--BOOK JACKET.
Author: Margreta de Grazia
Publisher: Cambridge University Press
ISBN: 9780521455893
Category : History
Languages : en
Pages : 422
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Book Description
This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations.
Author: Thomas Rymer
Publisher:
ISBN:
Category : Rhetoric
Languages : en
Pages : 222
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Book Description
Author: Peter Erickson
Publisher: University of Pennsylvania Press
ISBN: 9780812217346
Category : Art
Languages : en
Pages : 418
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Book Description
An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body—including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women "present" in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts—and the acts of creating, collecting, and admiring them—are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.
