Author: Keith Anderson
Publisher: Church Publishing, Inc.
ISBN: 0819229954
Category : Computers
Languages : en
Pages : 255
Book Description
• Expands on author’s popular work in Click 2 Save • Provides both practical and theological perspectives on using media appropriately and pastorally Rapid cultural and technological changes through the last two decades have changed the context for ministry. The development of digital social media and advances in affordable, mobile technologies have dramatically changed the way most people interact with others, communicate, organize, and participate in communities. The Digital Cathedral is a warm embrace of the rich traditions of Christianity, especially the recovery of the premodern sense of cathedral, which encompassed the depth and breadth of daily life within the physical and imaginative landscape of the church. It is for anyone who seeks to effectively minister in a digitally integrated world, and who wishes to embody the networked, relational, and incarnational characteristics of that ministry.
The Digital Cathedral
Author: Keith Anderson
Publisher: Church Publishing, Inc.
ISBN: 0819229954
Category : Computers
Languages : en
Pages : 255
Book Description
• Expands on author’s popular work in Click 2 Save • Provides both practical and theological perspectives on using media appropriately and pastorally Rapid cultural and technological changes through the last two decades have changed the context for ministry. The development of digital social media and advances in affordable, mobile technologies have dramatically changed the way most people interact with others, communicate, organize, and participate in communities. The Digital Cathedral is a warm embrace of the rich traditions of Christianity, especially the recovery of the premodern sense of cathedral, which encompassed the depth and breadth of daily life within the physical and imaginative landscape of the church. It is for anyone who seeks to effectively minister in a digitally integrated world, and who wishes to embody the networked, relational, and incarnational characteristics of that ministry.
Publisher: Church Publishing, Inc.
ISBN: 0819229954
Category : Computers
Languages : en
Pages : 255
Book Description
• Expands on author’s popular work in Click 2 Save • Provides both practical and theological perspectives on using media appropriately and pastorally Rapid cultural and technological changes through the last two decades have changed the context for ministry. The development of digital social media and advances in affordable, mobile technologies have dramatically changed the way most people interact with others, communicate, organize, and participate in communities. The Digital Cathedral is a warm embrace of the rich traditions of Christianity, especially the recovery of the premodern sense of cathedral, which encompassed the depth and breadth of daily life within the physical and imaginative landscape of the church. It is for anyone who seeks to effectively minister in a digitally integrated world, and who wishes to embody the networked, relational, and incarnational characteristics of that ministry.
Digital Cathedrals
Author: Mark P. Mills
Publisher: Encounter Books
ISBN: 1641771119
Category : Political Science
Languages : en
Pages : 54
Book Description
We are now witnessing the build-out of society’s first foundationally new infrastructure in nearly a century: the Cloud. It is an ecosystem of information-digital hardware, at the heart of which resides massive warehouse-scale datacenters unlike anything ever built. Given the resources committed to them and the reverence afforded to the companies that build and own them, datacenters might be called the digital cathedrals of the twenty-first century. The emerging Cloud is as different from the communications infrastructure that preceded it, as air travel was different from automobiles. And, using energy as a metric for scale—since there are only two kinds of infrastructures, energy-producing and energy-using—today’s global Cloud already consumes more energy than all aviation. Yet, as disruptive as the Cloud has already become, we are in fact just at the end of the beginning of what the digital masons are building for the twenty-first century.
Publisher: Encounter Books
ISBN: 1641771119
Category : Political Science
Languages : en
Pages : 54
Book Description
We are now witnessing the build-out of society’s first foundationally new infrastructure in nearly a century: the Cloud. It is an ecosystem of information-digital hardware, at the heart of which resides massive warehouse-scale datacenters unlike anything ever built. Given the resources committed to them and the reverence afforded to the companies that build and own them, datacenters might be called the digital cathedrals of the twenty-first century. The emerging Cloud is as different from the communications infrastructure that preceded it, as air travel was different from automobiles. And, using energy as a metric for scale—since there are only two kinds of infrastructures, energy-producing and energy-using—today’s global Cloud already consumes more energy than all aviation. Yet, as disruptive as the Cloud has already become, we are in fact just at the end of the beginning of what the digital masons are building for the twenty-first century.
Turing's Cathedral
Author: George Dyson
Publisher: Pantheon
ISBN: 0375422773
Category : Science
Languages : en
Pages : 466
Book Description
Documents the innovations of a group of eccentric geniuses who developed computer code in the mid-20th century as part of mathematician Alan Turin's theoretical universal machine idea, exploring how their ideas led to such developments as digital television, modern genetics and the hydrogen bomb.
Publisher: Pantheon
ISBN: 0375422773
Category : Science
Languages : en
Pages : 466
Book Description
Documents the innovations of a group of eccentric geniuses who developed computer code in the mid-20th century as part of mathematician Alan Turin's theoretical universal machine idea, exploring how their ideas led to such developments as digital television, modern genetics and the hydrogen bomb.
The Digital Cathedral
Author: Keith Anderson
Publisher: Church Publishing, Inc.
ISBN: 0819229962
Category : Religion
Languages : en
Pages : 255
Book Description
Provides both practical and theological perspectives on using media appropriately and pastorally. Rapid cultural and technological changes through the last two decades have changed the context for ministry. The development of digital social media and advances in affordable, mobile technologies have dramatically changed the way most people interact with others, communicate, organize, and participate in communities. The Digital Cathedral is a warm embrace of the rich traditions of Christianity, especially the recovery of the pre-modern sense of cathedral, which encompassed the depth and breadth of daily life within the physical and imaginative landscape of the church. It is for anyone who seeks to effectively minister in a digitally-integrated world, and who wishes to embody the networked, relational, and incarnational characteristics of that ministry.
Publisher: Church Publishing, Inc.
ISBN: 0819229962
Category : Religion
Languages : en
Pages : 255
Book Description
Provides both practical and theological perspectives on using media appropriately and pastorally. Rapid cultural and technological changes through the last two decades have changed the context for ministry. The development of digital social media and advances in affordable, mobile technologies have dramatically changed the way most people interact with others, communicate, organize, and participate in communities. The Digital Cathedral is a warm embrace of the rich traditions of Christianity, especially the recovery of the pre-modern sense of cathedral, which encompassed the depth and breadth of daily life within the physical and imaginative landscape of the church. It is for anyone who seeks to effectively minister in a digitally-integrated world, and who wishes to embody the networked, relational, and incarnational characteristics of that ministry.
Digital Analysis of Vaults in English Medieval Architecture
Author: Alexandrina Buchanan
Publisher: Routledge
ISBN: 1351011278
Category : Architecture
Languages : en
Pages : 350
Book Description
Medieval churches are one of the most remarkable creative and technical achievements in architectural history. The complex vaults spanning their vast interiors have fascinated both visitors and worshippers alike for over 900 years, prompting many to ask: ‘How did they do that?’ Yet very few original texts or drawings survive to explain the processes behind their design or construction. This book presents a ground-breaking new approach for analysing medieval vaulting using advanced digital technologies. Focusing on the intricately patterned rib vaulting of thirteenth and fourteenth century England, the authors re-examine a series of key sites within the history of Romanesque and Gothic Architecture, using extensive digital surveys to examine the geometries of the vaults and provide new insights into the design and construction practices of medieval masons. From the simple surfaces of eleventh-century groin vaults to the gravity-defying pendant vaults of the sixteenth century, they explore a wide range of questions including: How were medieval vaults conceived and constructed? How were ideas transferred between sites? What factors led to innovations? How can digital methods be used to enhance our understanding of medieval architectural design? Featuring over 200 high quality illustrations that bring the material and the methods used to life, Digital Analysis of Vaults in English Medieval Architecture is ideal reading for students, researchers and anyone with an interest in medieval architecture, construction history, architectural history and design, medieval geometry or digital heritage.
Publisher: Routledge
ISBN: 1351011278
Category : Architecture
Languages : en
Pages : 350
Book Description
Medieval churches are one of the most remarkable creative and technical achievements in architectural history. The complex vaults spanning their vast interiors have fascinated both visitors and worshippers alike for over 900 years, prompting many to ask: ‘How did they do that?’ Yet very few original texts or drawings survive to explain the processes behind their design or construction. This book presents a ground-breaking new approach for analysing medieval vaulting using advanced digital technologies. Focusing on the intricately patterned rib vaulting of thirteenth and fourteenth century England, the authors re-examine a series of key sites within the history of Romanesque and Gothic Architecture, using extensive digital surveys to examine the geometries of the vaults and provide new insights into the design and construction practices of medieval masons. From the simple surfaces of eleventh-century groin vaults to the gravity-defying pendant vaults of the sixteenth century, they explore a wide range of questions including: How were medieval vaults conceived and constructed? How were ideas transferred between sites? What factors led to innovations? How can digital methods be used to enhance our understanding of medieval architectural design? Featuring over 200 high quality illustrations that bring the material and the methods used to life, Digital Analysis of Vaults in English Medieval Architecture is ideal reading for students, researchers and anyone with an interest in medieval architecture, construction history, architectural history and design, medieval geometry or digital heritage.
Between what we say and what we think: Where is mediatization?
Author: Jairo Ferreira
Publisher: FACOS-UFSM
ISBN:
Category : Art
Languages : en
Pages : 366
Book Description
Publisher: FACOS-UFSM
ISBN:
Category : Art
Languages : en
Pages : 366
Book Description
The Decadent Society
Author: Ross Douthat
Publisher: Avid Reader Press / Simon & Schuster
ISBN: 1476785252
Category : Political Science
Languages : en
Pages : 272
Book Description
From the New York Times columnist and bestselling author of Bad Religion, a “clever and stimulating” (The New York Times Book Review) portrait of how our turbulent age is defined by dark forces seemingly beyond our control. The era of the coronavirus has tested America, and our leaders and institutions have conspicuously failed. That failure shouldn’t be surprising: Beneath social-media frenzy and reality-television politics, our era’s deep truths are elite incompetence, cultural exhaustion, and the flight from reality into fantasy. Casting a cold eye on these trends, The Decadent Society explains what happens when a powerful society ceases advancing—how the combination of wealth and technological proficiency with economic stagnation, political stalemate, and demographic decline creates a unique civilizational crisis. Ranging from the futility of our ideological debates to the repetitions of our pop culture, from the decline of sex and childbearing to the escapism of drug use, Ross Douthat argues that our age is defined by disappointment—by the feeling that all the frontiers are closed, that the paths forward lead only to the grave. Correcting both optimism and despair, Douthat provides an enlightening explanation of how we got here, how long our frustrations might last, and how, in renaissance or catastrophe, our decadence might ultimately end.
Publisher: Avid Reader Press / Simon & Schuster
ISBN: 1476785252
Category : Political Science
Languages : en
Pages : 272
Book Description
From the New York Times columnist and bestselling author of Bad Religion, a “clever and stimulating” (The New York Times Book Review) portrait of how our turbulent age is defined by dark forces seemingly beyond our control. The era of the coronavirus has tested America, and our leaders and institutions have conspicuously failed. That failure shouldn’t be surprising: Beneath social-media frenzy and reality-television politics, our era’s deep truths are elite incompetence, cultural exhaustion, and the flight from reality into fantasy. Casting a cold eye on these trends, The Decadent Society explains what happens when a powerful society ceases advancing—how the combination of wealth and technological proficiency with economic stagnation, political stalemate, and demographic decline creates a unique civilizational crisis. Ranging from the futility of our ideological debates to the repetitions of our pop culture, from the decline of sex and childbearing to the escapism of drug use, Ross Douthat argues that our age is defined by disappointment—by the feeling that all the frontiers are closed, that the paths forward lead only to the grave. Correcting both optimism and despair, Douthat provides an enlightening explanation of how we got here, how long our frustrations might last, and how, in renaissance or catastrophe, our decadence might ultimately end.
Printed Physics
Author: Ludger Hovestadt
Publisher: Birkhäuser
ISBN: 399043540X
Category : Architecture
Languages : en
Pages : 232
Book Description
Edited by Ludger Hovestadt and Vera Bühlmann Applied Virtuality is a book series which is edited by Ludger Hovestadt, ITA Institute of Technology in Architecture, ETH Zürich, Switzerland and Vera Bühlmann, Technical University Vienna, Institute for Architectural Theory. Based on the thesis that technology changes character over time, the series aims and scopes are to reflect that change by describing and analyzing the most recent explorations and innovations in technology, as well as their implications for a more philosophically comprehensive understanding of technics in our contemporary symbolical, information saturated, climatic environments. The overall interest thereby is to (1) affirm the mightiness of the generic without embracing homogeneity as a necessary consequence, (2) to affirm calculation, computation and automatization without embracing the reduction of human intellect to mechanisation without arcane ésprit, and (3) to oppose in principle the contemporary attitude that tends towards a certain “intellectual chicness” that seems to rather narcissistically celebrate itself in a strangely detached competition for “critical divination” of soon-to-be-expected cultural doom and decay. With the birth of abstract/symbolic/universal algebra in the late 19th century, many scholars associate a fundamental crisis that affects human culture at large. We owe all of our contemporary electric and information-based infrastructures for living to these developments in mathematics, and it is no coincidence that we tend to find the symptoms that point to the manifestation of this crisis in the changes this new form of technics imposes on the people who begin to rely on it. This crisis is classically conceived as a crisis of intuition (Hans Hahn, Edmund Husserl et cetera). But from a more appreciative stance towards the sheer unlikeliness and fantastic power of intellection which is at work everywhere in the reality of such media-ized living environments, we might just as well see in this characterization an anxious (even if all-too understandable) misconception of the critical developments we are experiencing. From this stance, the sheer prominence of this misconception today indicates what appears like a certain fatigue of thinking, perhaps an exhaustion-through-overwhelming of our collective power to imagine. We mean no offence by saying this. Let us illustrate more concretely: John Orton maintains in his book Semiconductors and the Information Revolution: Magic Crystals That Made IT Happen, that “as a human achievement,” semiconductors ought to “rank alongside the Beethoven Symphonies, Concord, Impressionism, medieval cathedrals and Burgundy wines and we should be equally proud of it” (2009, p. 2). Why is it, indeed, that this demand feels odd? Of course this lack of appreciating our current form of technics is owed partially to its abstractness and the degree of expertise it seems to demand from us. But has this not been the case for any of the abovementioned artifacts we all meanwhile hold as precious and dear? We hope to find the right dosage of irony and humor that seems so necessary for theorizing technics, arts, intellection in a manner that seeks to escape (1) the servile irresponsibility that attaches to programs of mechanization, as well as (2) the narrow-mindedness and missionary commitment that attaches to ideological doctrine and programmatic. By celebrating moments of intellectual quickness, with our interest in theory and abstraction, we pursue a genuinely comparatistic approach. We regard artifacts as theoretical objects, constituted by the intelligible codes and symbolic grammaticality that give them consistency. But we don’t see the reality of artifacts in the white spectrum of these codes and symbols; rather, we see their reality in that which is enciphered thereby. The ambitions of a comparatistic approach to theory strive towards an alphabetization and literacy of these codes.
Publisher: Birkhäuser
ISBN: 399043540X
Category : Architecture
Languages : en
Pages : 232
Book Description
Edited by Ludger Hovestadt and Vera Bühlmann Applied Virtuality is a book series which is edited by Ludger Hovestadt, ITA Institute of Technology in Architecture, ETH Zürich, Switzerland and Vera Bühlmann, Technical University Vienna, Institute for Architectural Theory. Based on the thesis that technology changes character over time, the series aims and scopes are to reflect that change by describing and analyzing the most recent explorations and innovations in technology, as well as their implications for a more philosophically comprehensive understanding of technics in our contemporary symbolical, information saturated, climatic environments. The overall interest thereby is to (1) affirm the mightiness of the generic without embracing homogeneity as a necessary consequence, (2) to affirm calculation, computation and automatization without embracing the reduction of human intellect to mechanisation without arcane ésprit, and (3) to oppose in principle the contemporary attitude that tends towards a certain “intellectual chicness” that seems to rather narcissistically celebrate itself in a strangely detached competition for “critical divination” of soon-to-be-expected cultural doom and decay. With the birth of abstract/symbolic/universal algebra in the late 19th century, many scholars associate a fundamental crisis that affects human culture at large. We owe all of our contemporary electric and information-based infrastructures for living to these developments in mathematics, and it is no coincidence that we tend to find the symptoms that point to the manifestation of this crisis in the changes this new form of technics imposes on the people who begin to rely on it. This crisis is classically conceived as a crisis of intuition (Hans Hahn, Edmund Husserl et cetera). But from a more appreciative stance towards the sheer unlikeliness and fantastic power of intellection which is at work everywhere in the reality of such media-ized living environments, we might just as well see in this characterization an anxious (even if all-too understandable) misconception of the critical developments we are experiencing. From this stance, the sheer prominence of this misconception today indicates what appears like a certain fatigue of thinking, perhaps an exhaustion-through-overwhelming of our collective power to imagine. We mean no offence by saying this. Let us illustrate more concretely: John Orton maintains in his book Semiconductors and the Information Revolution: Magic Crystals That Made IT Happen, that “as a human achievement,” semiconductors ought to “rank alongside the Beethoven Symphonies, Concord, Impressionism, medieval cathedrals and Burgundy wines and we should be equally proud of it” (2009, p. 2). Why is it, indeed, that this demand feels odd? Of course this lack of appreciating our current form of technics is owed partially to its abstractness and the degree of expertise it seems to demand from us. But has this not been the case for any of the abovementioned artifacts we all meanwhile hold as precious and dear? We hope to find the right dosage of irony and humor that seems so necessary for theorizing technics, arts, intellection in a manner that seeks to escape (1) the servile irresponsibility that attaches to programs of mechanization, as well as (2) the narrow-mindedness and missionary commitment that attaches to ideological doctrine and programmatic. By celebrating moments of intellectual quickness, with our interest in theory and abstraction, we pursue a genuinely comparatistic approach. We regard artifacts as theoretical objects, constituted by the intelligible codes and symbolic grammaticality that give them consistency. But we don’t see the reality of artifacts in the white spectrum of these codes and symbols; rather, we see their reality in that which is enciphered thereby. The ambitions of a comparatistic approach to theory strive towards an alphabetization and literacy of these codes.
Godwired
Author: Rachel Wagner
Publisher: Routledge
ISBN: 1136512136
Category : Religion
Languages : en
Pages : 294
Book Description
Godwired offers an engaging exploration of religious practice in the digital age. It considers how virtual experiences, like stories, games and rituals, are forms of world-building or "cosmos construction" that serve as a means of making sense of our own world. Such creative and interactive activity is, arguably, patently religious. This book examines: the nature of sacred space in virtual contexts technology as a vehicle for sacred texts who we are when we go online what rituals have in common with games and how they work online what happens to community when people worship online how religious "worlds" and virtual "worlds" nurture similar desires. Rachel Wagner suggests that whilst our engagement with virtual reality can be viewed as a form of religious activity, today’s virtual religion marks a radical departure from traditional religious practice – it is ephemeral, transient, rapid, disposable, hyper-individualized, hybrid, and in an ongoing state of flux.
Publisher: Routledge
ISBN: 1136512136
Category : Religion
Languages : en
Pages : 294
Book Description
Godwired offers an engaging exploration of religious practice in the digital age. It considers how virtual experiences, like stories, games and rituals, are forms of world-building or "cosmos construction" that serve as a means of making sense of our own world. Such creative and interactive activity is, arguably, patently religious. This book examines: the nature of sacred space in virtual contexts technology as a vehicle for sacred texts who we are when we go online what rituals have in common with games and how they work online what happens to community when people worship online how religious "worlds" and virtual "worlds" nurture similar desires. Rachel Wagner suggests that whilst our engagement with virtual reality can be viewed as a form of religious activity, today’s virtual religion marks a radical departure from traditional religious practice – it is ephemeral, transient, rapid, disposable, hyper-individualized, hybrid, and in an ongoing state of flux.
Apocalyptic AI: Visions of Heaven in Robotics, Artificial Intelligence, and Virtual Reality
Author: Robert M. Geraci
Publisher: Oxford University Press, USA
ISBN: 019997893X
Category : Religion
Languages : en
Pages : 246
Book Description
Apocalyptic AI, the hope that we might one day upload our minds into machines or cyberspace and live forever, is a surprisingly wide-spread and influential idea, affecting everything from the world view of online gamers to government research funding and philosophical thought. In Apocalyptic AI, Robert Geraci offers the first serious account of this "cyber-theology" and the people who promote it. Drawing on interviews with roboticists and AI researchers and with devotees of the online game Second Life, among others, Geraci illuminates the ideas of such advocates of Apocalyptic AI as Hans Moravec and Ray Kurzweil. He reveals that the rhetoric of Apocalyptic AI is strikingly similar to that of the apocalyptic traditions of Judaism and Christianity. In both systems, the believer is trapped in a dualistic universe and expects a resolution in which he or she will be translated to a transcendent new world and live forever in a glorified new body. Equally important, Geraci shows how this worldview shapes our culture. Apocalyptic AI has become a powerful force in modern culture. In this superb volume, he shines a light on this belief system, revealing what it is and how it is changing society.
Publisher: Oxford University Press, USA
ISBN: 019997893X
Category : Religion
Languages : en
Pages : 246
Book Description
Apocalyptic AI, the hope that we might one day upload our minds into machines or cyberspace and live forever, is a surprisingly wide-spread and influential idea, affecting everything from the world view of online gamers to government research funding and philosophical thought. In Apocalyptic AI, Robert Geraci offers the first serious account of this "cyber-theology" and the people who promote it. Drawing on interviews with roboticists and AI researchers and with devotees of the online game Second Life, among others, Geraci illuminates the ideas of such advocates of Apocalyptic AI as Hans Moravec and Ray Kurzweil. He reveals that the rhetoric of Apocalyptic AI is strikingly similar to that of the apocalyptic traditions of Judaism and Christianity. In both systems, the believer is trapped in a dualistic universe and expects a resolution in which he or she will be translated to a transcendent new world and live forever in a glorified new body. Equally important, Geraci shows how this worldview shapes our culture. Apocalyptic AI has become a powerful force in modern culture. In this superb volume, he shines a light on this belief system, revealing what it is and how it is changing society.