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Author: Peter Branscombe
Publisher: Cambridge University Press
ISBN: 9780521319164
Category : Music
Languages : en
Pages : 268
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Book Description
Few operas have had more written about them than The Magic Flute, yet few are as often exposed to misguided comment - or to idiosyncratic productions. This book sets out to provide a straightforward account of Mozart's last opera, exposing the half-truths and legends that have proliferated since its first production in 1791. In the first chapter a hitherto unsuspected source for the opening scene is presented and Branscombe reveals the complex relationship between the stories, essays and stage-works on which the plot is based. The second chapter studies the intellectual background, with special attention to Freemasonry. A detailed synopsis follows, then the history of the composition, based on documentary evidence and, in the case of the autograph score, the paper-types used. Chapter 5 examines the identity of the librettist and the qualities of his work, and chapter 6 is a detailed study (by Erik Smith) of Mozart's music and more generally of his late style. Chapter 7 covers the first performance, the cast, early reception, and then the rapid growth in the opera's fame; an outline history of productions concludes the chapter. Anthony Besch discusses the nature of the challenge to the director presented by Die Zauberflöte and suggests how the problems can be overcome. The book contains illustrations, a synopsis, bibliography and discography and will be of interest to music students, scholars and opera-goers.
Author: Peter Branscombe
Publisher: Cambridge University Press
ISBN: 9780521319164
Category : Music
Languages : en
Pages : 268
Get Book Here
Book Description
Few operas have had more written about them than The Magic Flute, yet few are as often exposed to misguided comment - or to idiosyncratic productions. This book sets out to provide a straightforward account of Mozart's last opera, exposing the half-truths and legends that have proliferated since its first production in 1791. In the first chapter a hitherto unsuspected source for the opening scene is presented and Branscombe reveals the complex relationship between the stories, essays and stage-works on which the plot is based. The second chapter studies the intellectual background, with special attention to Freemasonry. A detailed synopsis follows, then the history of the composition, based on documentary evidence and, in the case of the autograph score, the paper-types used. Chapter 5 examines the identity of the librettist and the qualities of his work, and chapter 6 is a detailed study (by Erik Smith) of Mozart's music and more generally of his late style. Chapter 7 covers the first performance, the cast, early reception, and then the rapid growth in the opera's fame; an outline history of productions concludes the chapter. Anthony Besch discusses the nature of the challenge to the director presented by Die Zauberflöte and suggests how the problems can be overcome. The book contains illustrations, a synopsis, bibliography and discography and will be of interest to music students, scholars and opera-goers.
Author:
Publisher: Chronicle Books
ISBN: 9780811810036
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Enter a magical world of monster serpents, mysterious ladies, and flying machines where giant flowers and butterflies the size of birds abound. It is here, amidst a lush wood and within a dark labyrinthine castle that an unforgettable cast of characters gathers and a magical story of good versus evil unfolds. Readers will thrill as Prince Tamino strives to save Princess Pamina from the wicked Queen of the Night and the Chancellor Monostatos. Accompanied by Papageno, the birdcatcher, and a magic flute to ward off evil, Tamino and Pamina must overcome thundering waterfalls and walls of fire to save their kingdom from darkness and live happily ever after. Illustrated with the glorious paintings of Peter Malone, this enchanting retelling of Mozart's famous opera paired with an audio CD is sure to delight lovers of fairytales and music alike.
Author: Wolfgang Amadeus Mozart
Publisher: Opera Journeys Publishing
ISBN: 0977145506
Category : Music
Languages : de
Pages : 132
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Book Description
A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457482175
Category : Music
Languages : en
Pages : 172
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Book Description
Expertly arranged vocal score from "The Magic Flute (Die Zauberflöte)," An Opera in Two Acts with German and English text.
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 60
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 68
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Book Description
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 1102009202
Category :
Languages : en
Pages : 33
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Book Description
Author: Tjeu van den Berk
Publisher: BRILL
ISBN: 9004496548
Category : Religion
Languages : en
Pages : 744
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Book Description
This volume demonstrates for the first time that Mozart's opera Die Zauberflöte is an enactment of the alchemical opus magnum, in the form of a chemical wedding. Towards the end of the 18th century, alchemy was still a prominent mystical current within the Order of Freemasons of which Mozart and his librettists were members. The central part focuses on the opera's alchemical structure, whereas the historical and mythological backgrounds are also dealt with extensively. The book comes with 3 CD's offering a rendition of the integral opera, in contrast to the common practice of leaving out major parts of the libretto. The Magic Flute is a fascinating journey of discovery, an initiation into Initiation. With complete original libretto and over 100 pictures.
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
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Book Description
Author: Kristi Brown-Montesano
Publisher: Univ of California Press
ISBN: 0520385799
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.
