A New Pocket-dictionary of the English and German Languages with a Pronunciation of the English Part in German Characters PDF Download
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Author: Frank Williams
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
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Book Description
Author: Frank Williams
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
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Book Description
Author: George J. Adler
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1400
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Book Description
Author: Elaine R. Sisman
Publisher: Princeton University Press
ISBN: 1400831822
Category : Music
Languages : en
Pages : 489
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Book Description
Joseph Haydn's symphonies and string quartets are staples of the concert repertory, yet many aspects of this founding genius of the Viennese Classical style are only beginning to be explored. From local Kapellmeister to international icon, Haydn achieved success by developing a musical language aimed at both the connoisseurs and amateurs of the emerging musical public. In this volume, the first collection of essays in English devoted to this composer, a group of leading musicologists examines Haydn's works in relation to the aesthetic and cultural crosscurrents of his time. Haydn and His World opens with an examination of the contexts of the composer's late oratorios: James Webster connects the Creation with the sublime--the eighteenth-century term for artistic experience of overwhelming power--and Leon Botstein explores the reception of Haydn's Seasons in terms of the changing views of programmatic music in the nineteenth century. Essays on Haydn's instrumental music include Mary Hunter on London chamber music as models of private and public performance, fortepianist Tom Beghin on rhetorical aspects of the Piano Sonata in D Major, XVI:42, Mark Evan Bonds on the real meaning behind contemporary comparisons of symphonies to the Pindaric ode, and Elaine R. Sisman on Haydn's Shakespeare, Haydn as Shakespeare, and "originality." Finally, Rebecca Green draws on primary sources to place one of Haydn's Goldoni operas at the center of the Eszterháza operatic culture of the 1770s. The book also includes two extensive late-eighteenth-century discussions, translated into English for the first time, of music and musicians in Haydn's milieu, as well as a fascinating reconstruction of the contents of Haydn's library, which shows him fully conversant with the intellectual and artistic trends of the era.
Author: Hilary Brown
Publisher: Camden House
ISBN: 1571135103
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
By focusing on Luise Gottsched's extraordinary volume and range of translations, Hilary Brown sheds an entirely new light on Gottsched and her oeuvre. Critics have paid increasing attention to the oeuvre of Luise Gottsched (1713-62), Germany's first prominent woman of letters, but have neglected her lifelong work of translation, which encompassed over fifty volumes and an extraordinary range, from drama and poetry to philosophy, history, archaeology, even theoretical physics. This first comprehensive overview of Gottsched's translations places them in the context of eighteenth-century intellectual, literary, and cultural history, showing that they were part of an ambitious, progressive program undertaken with her famous husband to shape German culture during the Enlightenment. In doing so it casts Gottsched and her work in an entirely new light. Including chapters on all the main subject areas and genres from which Gottsched translated, it also explores the relationship between her translations and her original works, demonstrating that translation was central to her oeuvre. A bibliography of Gottsched's translations and source texts concludes the volume. Not only a major new addition to a growing body of research on the Gottscheds, the book will also be valuable reading for scholars interested more broadly in women's writing, the history of translation, and the literature and culture of the German (and European) Enlightenment. Hilary Brown is Lecturer at the University of Birmingham, UK.
Author: George Alexander Kennedy
Publisher: Cambridge University Press
ISBN: 9780521300094
Category : Literary Criticism
Languages : en
Pages : 978
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Book Description
This comprehensive 1997 account of eighteenth-century literary criticism is now available in paperback.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 554
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Book Description
Author: Newton Ivory Lucas
Publisher:
ISBN:
Category :
Languages : en
Pages : 1020
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Book Description
Author: Matthias Konzett
Publisher: Routledge
ISBN: 113594122X
Category : Literary Criticism
Languages : en
Pages : 1159
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Book Description
Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.
Author: Friedhelm Radandt
Publisher: Routledge
ISBN: 1000768309
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Originally published in 1977, this volume traces the development of literary forms and themes and of movements and schools, during the overtly philosophical age. It begins with the prominent poets of the 1720s and 1730s: Brockes, Hagedorn and Haller. It charts the many attempts at formulating poetic theory, particularly those of Gottsched, Bodmer and Breitnger. Emphasis is placed on the dramatic writings of J. E. Schlegel, Gellert and Ch. F. Weisse. Young Goethe’s creativity in all genres, Lenz’ and Klinger’s fascination with the stage and the lyric poetry of the Göttinger Hain explains the effectiveness of the Sturm und Drang.
