Reading by Design PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Reading by Design PDF full book. Access full book title Reading by Design by Pauline Reid. Download full books in PDF and EPUB format.
Author: Pauline Reid
Publisher: University of Toronto Press
ISBN: 1487511639
Category : Literary Criticism
Languages : en
Pages : 300
Get Book Here
Book Description
Renaissance readers perceived the print book as both a thing and a medium - a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth- and seventeenth-century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books’ design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight.
Author: Pauline Reid
Publisher: University of Toronto Press
ISBN: 1487511639
Category : Literary Criticism
Languages : en
Pages : 300
Get Book Here
Book Description
Renaissance readers perceived the print book as both a thing and a medium - a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth- and seventeenth-century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books’ design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight.
Author: Carole Levin
Publisher: Routledge
ISBN: 1315440709
Category : Literary Criticism
Languages : en
Pages : 903
Get Book Here
Book Description
From the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women of power and agency found in these pages are indeed worth knowing, and this volume will introduce many female figures to even the most established scholars in early modern studies. Rather than using the conventional alphabetical format of the standard biographical encyclopedia, this volume is divided into categories of women. Since many women will fit in more than one category, each woman is placed in the category that best exemplifies her life, and is cross referenced in other appropriate sections. This structure makes the book an interesting read for seasoned scholars of early modern women, while students need not already be familiar with these subjects in order to benefit from the text. Another unusual feature of this reference work is that each entry begins with some incident from the woman’s life that is particularly exciting or significant. Some entries are very brief while others are extensive. Each includes a source listing. The book is well illustrated and liberally sprinkled with quotations of the time either by or about the women in the text.
Author: Nicole Moore
Publisher: Univ. of Queensland Press
ISBN: 0702247723
Category : History
Languages : en
Pages : 480
Get Book Here
Book Description
A history of book censorship in Australia; what we couldn't read, didn't read, didn't know, and why we didn't. For much of the twentieth century, Australia banned more books and more serious books than most other English-speaking or Western countries, from the Kama Sutra through to Huxley's Brave New World and Joyce's Ulysses.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410343286
Category : Literary Criticism
Languages : en
Pages : 30
Get Book Here
Book Description
Author: Christopher Baker
Publisher: Bloomsbury Publishing USA
ISBN: 0313013608
Category : Science
Languages : en
Pages : 487
Get Book Here
Book Description
This book—the sixth volume in The Great Cultural Eras of the Western World series—provides information on more than 400 individuals who created and played a role in the era's intellectual and cultural activity. The book's focus is on cultural figures—those whose inventions and discoveries contributed to the scientific revolution, those whose line of reasoning contributed to secularism, groundbreaking artists like Rembrandt, lesser known painters, and contributors to art and music. As the momentum of the Renaissance peaked in 1600, the Western World was poised to move from the Early Modern to the Modern Era. The Thirty Years War ended in 1648 and religion was no longer a cause for military conflict. Europe grew more secularized. Organized scientific research led to groundbreaking discoveries, such as the earth's magnetic field, Kepler's first two laws of motion, and the slide rule. In the arts, Baroque painting, music, and literature evolved. A new Europe was emerging. This book is a useful basic reference for students and laymen, with entries specifically designed for ready reference.
Author: William Hone
Publisher: Wayne State University Press
ISBN: 9780814330609
Category : History
Languages : en
Pages : 476
Get Book Here
Book Description
Illustrated with over sixty woodcuts by Hone's frequent collaborator, George Cruikshank, this book reveals the writer's commitment to such issues as parliamentary reform, religious liberty, reform of asylums, and freedom of the press, while conveying the many dimensions of his humane personality.".
Author: Thomas Aiello
Publisher: LSU Press
ISBN: 0807175986
Category : Biography & Autobiography
Languages : en
Pages : 229
Get Book Here
Book Description
At approximately seven o’clock in the evening on May 7, 1950, Gordon Malherbe Hillman filled an empty bottle with water, capped it, and walked into his mother’s room in the pair’s fifth-floor suite at Boston’s luxurious Copley Plaza Hotel. He then edged up behind the semi-invalid woman and bludgeoned her to death. Hotel staff had planned to evict the two the following day after several weeks of unpaid rent. Mounting debts had finally broken the fifty-year-old Hillman, a now-struggling author of mixed success, but it had not always been that way, as Thomas Aiello shows in his study of the life and work of this forgotten midcentury figure. As a youth, Hillman attended the prestigious Noble and Greenough School near Boston. Pursuing a career as a writer, he published several dozen pieces of short fiction and a critically acclaimed novel, Fortune’s Cup (1941). Hollywood studios purchased the rights to two of his stories and made them into films, The Great Man Votes (1939) and Here I Am a Stranger (1940). But Hillman remained, for the most part, a middling magazine writer like the majority of fiction authors working during the Depression. Although most did not resort to acts of manic violence, Hillman’s tenuous position in literary circles, along with his gradual descent into financial ruin, proved a far more common tale than the stories of literary success often pored over by critics and historians of this period. In The Trouble in Room 519: Money, Matricide, and Marginal Fiction in the Early Twentieth Century, Aiello weaves a compelling true crime narrative into his exploration of the economics of magazine fiction and the strains placed on authors by the publishing industry prior to World War II. Examining Hillman’s writing as exemplary of Depression-era popular fiction, Aiello includes eight stories written by Hillman and originally published in prominent midcentury American magazines, including Collier’s, Liberty, and McCall’s, to provide additional context and insight into this trying time and tragic life.
Author: Andrew Zissos
Publisher: John Wiley & Sons
ISBN: 1444336002
Category : Literary Criticism
Languages : en
Pages : 624
Get Book Here
Book Description
A Companion to the Flavian Age of Imperial Rome provides a systematic and comprehensive examination of the political, economic, social, and cultural nuances of the Flavian Age (69–96 CE). Includes contributions from over two dozen Classical Studies scholars organized into six thematic sections Illustrates how economic, social, and cultural forces interacted to create a variety of social worlds within a composite Roman empire Concludes with a series of appendices that provide detailed chronological and demographic information and an extensive glossary of terms Examines the Flavian Age more broadly and inclusively than ever before incorporating coverage of often neglected groups, such as women and non-Romans within the Empire
Author: Richard Bradford
Publisher: John Wiley & Sons
ISBN: 1119653061
Category : Literary Criticism
Languages : en
Pages : 911
Get Book Here
Book Description
THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.
Author: Georges Letissier
Publisher: Cambridge Scholars Publishing
ISBN: 1443816140
Category : Literary Criticism
Languages : en
Pages : 250
Get Book Here
Book Description
This volume comprises sixteen essays, preceded by an introductory chapter focusing on the diverse modalities of textual, and more widely, artistic transfer. Whereas the first Rewriting-Reprising volume (coord. by C. Maisonnat, J. Paccaud-Huguet & A. Ramel) underscored the crucial issue of origins, the second purports to address the specificities of hypertextual, and hyperartistic (Genette, 1982) practices. Its common denominator is therefore second degree literature and art. A first section, titled “Pastiche, Parody, Genre and Gender,” delineates what amounts to a poetics of rewriting/reprising, by investigating a whole range of authorial stances, from homage – through a symphonic play of intertexts – to varying degrees of textual deviance, or dissidence. Some genres, like the fairy tale or the Gothic, through their very malleability, are indeed more apt to lend themselves to rewriting/reprising. However, hypertextuality is not merely ornamental, or purely aesthetic; its subversive potential is perceptible notably through its many attempts at emancipating the genre from the ideological fetters of gender. Over the past two decades, Victorian literature and culture has become an inescapable field of investigations to any study on intertextuality in the English-speaking world. In a second part, diversity has been preferred to any single, specific angle to approach the Victorian/neo-Victorian tropism. The purpose is to provide as complete a spectrum as is reasonably possible in such a volume. The practice of rewriting in the Victorian age is thus studied alongside contemporary appropriations of the Victorian canon. The question is raised of whether literary fetishism may not result in a form of counterfeit classicism, while the more challenging neo-Victorian rewritings would make a claim for the need to choose one’s literary heritage and ancestors. This is where the post-colonial agenda comes in. Precisely, the third part investigates the question of rewriting-reprising as a way of writing back. The myth of Frankenstein’s creature bent on wreaking vengeance on his creator is of course seminal as it offers a myth of transgression which, in its turn, becomes a “foundation myth.” Not only are post-colonial responses to their (disclaimed) parent-texts highly theory-informed, but they also evince an awareness of such contemporary issues which are direct consequences of the colonial past. In the last section of this volume, the scope of what comes within the range of intertextuality per se is widened to cover artistic dialogism. In the exchanges between theatrical texts, reprise may be construed as a metaphor standing for the pleasure inherent in the process of recreation. The interaction between embedded paintings and the embedding canvas offers yet another variation on the reprise motif, as does the meta-aesthetic discourse of the critic on the work of art. What begins as mere repetition is soon colored by the personal inflections of the interpreter. In operatic performances, updating a classical text to make it suitable to contemporary audiences, and in close harmony with the role assigned to music, is liable to spur on the creativity of recreation.
