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Author: Karl Kraus
Publisher: University of Illinois Press
ISBN: 9780252026485
Category :
Languages : en
Pages : 236
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Book Description
"Through the polemical and satirical magazine Die Fackel (the torch), which he founded in 1899, Kraus launched wicked but unrelentingly witty attacks on literary and media corruption, sexual repression, militarism, and the social hypocrisy of fin-de-siecle Vienna. His barbed aphorisms were an essential part of his running commentary on Viennese culture."--BOOK JACKET.
Author: Karl Kraus
Publisher: University of Illinois Press
ISBN: 9780252026485
Category :
Languages : en
Pages : 236
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Book Description
"Through the polemical and satirical magazine Die Fackel (the torch), which he founded in 1899, Kraus launched wicked but unrelentingly witty attacks on literary and media corruption, sexual repression, militarism, and the social hypocrisy of fin-de-siecle Vienna. His barbed aphorisms were an essential part of his running commentary on Viennese culture."--BOOK JACKET.
Author: John T. Lysaker
Publisher: University of Chicago Press
ISBN: 0226815854
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Lysaker examines the relationship between philosophical thought and the act of writing to explore how this dynamic shapes the field of philosophy. Philosophy’s relation to the act of writing is John T. Lysaker’s main concern in Philosophy, Writing, and the Character of Thought. Whether in Plato, Montaigne, Nietzsche, Wittgenstein, or Derrida, philosophy has come in many forms, and those forms—the concrete shape philosophizing takes in writing—matter. Much more than mere adornment, the style in which a given philosopher writes is often of crucial importance to the point he or she is making, part and parcel of the philosophy itself. Considering how writing influences philosophy, Lysaker explores genres like aphorism, dialogue, and essay, as well as logical-rhetorical operations like the example, irony, and quotation. At the same time, he shows us the effects of these rhetorical devices through his own literary experimentation. In dialogue with such authors as Benjamin, Cavell, Emerson, and Lukács, he aims to revitalize philosophical writing, arguing that philosophy cannot fulfill its intellectual and cultural promise if it keeps to professional articles and academic prose. Instead, philosophy must embrace writing as an essential, creative activity, and deliberately reform how it approaches its subject matter, readership, and the evolving social practices of reading and reflection.
Author: Paul A. Taylor
Publisher: John Wiley & Sons
ISBN: 074565861X
Category : Social Science
Languages : en
Pages : 243
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Book Description
Slavoj Zizek reaches the parts of the media that other theorists cannot. With sources ranging from Thomas Aquinas to Quentin Tarantino and Desperate Housewives to Dostoyevsky, Zizek mixes high theory with low culture more engagingly than any other thinker alive today. His prolific output includes such media friendly content as a TV series (The Pervert's Guide to Cinema) a documentary movie (Zizek!) and a wealth of YouTube clips. A celebrity academic, he walks the media talk. Zizek and the Media provides a systematic and approachable introduction to the main concepts and themes of Zizek's work, and their particular implications for the study of the media. The book: Describes the radical nature of Zizek's media politics Uses Zizekian insights to expose the profound intellectual limitations of conventional approaches to the media Explores the psychoanalytical and philosophical roots of Zizek's work Provides the reader with Zizekian tools to uncover the hidden ideologies of everyday media content; Explains the ultimate seriousness that underlies his numerous jokes. As likely to discuss Homer's Springfield as Ithaca, Zizek is shown to be the ideal guide for today's mediascape.
Author: Dariusz Gafijczuk
Publisher: Routledge
ISBN: 1134492332
Category : History
Languages : en
Pages : 220
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Book Description
This book is an analytic and historical portrait of the volatile decades at the beginning of the 20th century. Engaging with avant-garde art and thought, and concentrating on two of the most controversial and still culturally relevant personalities of Viennese modernism - Sigmund Freud and Arnold Schoenberg - it tells the story of a cultural experiment of unprecedented proportions, an experiment that attempted to redesign the senses and the concept of individual identity. The book describes the shape of this identity through its mutually overlapping artistic and intellectual dimensions, as it explores the relationship between psychoanalysis and music.
Author: Hubert Damisch
Publisher: MIT Press
ISBN: 0262528584
Category : Architecture
Languages : en
Pages : 392
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Book Description
From Noah's Ark to Diller + Scofidio's “Blur” Building, a distinguished art historian maps new ways to think about architecture's origin and development. Trained as an art historian but viewing architecture from the perspective of a “displaced philosopher,” Hubert Damisch in these essays offers a meticulous parsing of language and structure to “think architecture in a different key,” as Anthony Vidler puts it in his introduction. Drawn to architecture because it provides “an open series of structural models,” Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries. He leads the reader from Jean-François Blondel to Eugène Viollet-le-Duc to Mies van der Rohe to Diller + Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius's De Architectura, and the Louvre. In the title essay, Damisch moves easily from Diderot's Encylopédie to Noah's Ark (discussing the provisioning, access, floor plan) to the Pan American Building to Le Corbusier to Ground Zero. Noah's Ark marks the origin of construction, and thus of architecture itself. Diderot's Encylopédie entry on architecture followed his entry on Noah's Ark; architecture could only find its way after the Flood. In these thirteen essays, written over a span of forty years, Damisch takes on other histories and theories of architecture to trace a unique trajectory of architectural structure and thought. The essays are, as Vidler says, “a set of exercises” in thinking about architecture.
Author: United States. Supreme Court
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 872
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Book Description
Author: Élisabeth Roudinesco
Publisher: Harvard University Press
ISBN: 0674974514
Category : Biography & Autobiography
Languages : en
Pages : 593
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Book Description
Élisabeth Roudinesco offers a bold and modern reinterpretation of the iconic founder of psychoanalysis. Based on new archival sources, this is Freud’s biography for the twenty-first century—a critical appraisal, at once sympathetic and impartial, of a genius greatly admired and yet greatly misunderstood in his own time and in ours. Roudinesco traces Freud’s life from his upbringing as the eldest of eight siblings in a prosperous Jewish-Austrian household to his final days in London, a refugee of the Nazis’ annexation of his homeland. She recreates the milieu of fin de siècle Vienna in the waning days of the Habsburg Empire—an era of extraordinary artistic innovation, given luster by such luminaries as Gustav Klimt, Stefan Zweig, and Gustav Mahler. In the midst of it all, at the modest residence of Berggasse 19, Freud pursued his clinical investigation of nervous disorders, blazing a path into the unplumbed recesses of human consciousness and desire. Yet this revolutionary who was overthrowing cherished notions of human rationality and sexuality was, in his politics and personal habits, in many ways conservative, Roudinesco shows. In his chauvinistic attitudes toward women, and in his stubborn refusal to acknowledge the growing threat of Hitler until it was nearly too late, even the analytically-minded Freud had his blind spots. Alert to his intellectual complexity—the numerous tensions in his character and thought that remained unresolved—Roudinesco ultimately views Freud less as a scientific thinker than as the master interpreter of civilization and culture.
Author: James C. Klagge
Publisher: Routledge
ISBN: 100045522X
Category : Philosophy
Languages : en
Pages : 382
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Book Description
Ludwig Wittgenstein’s brief Tractatus Logico-Philosophicus (1922) is one of the most important philosophical works of the twentieth century, yet it offers little orientation for the reader. The first-time reader is left wondering what it could be about, and the scholar is left with little guidance for interpretation. In Tractatus in Context, James C. Klagge presents the vital background necessary for appreciating Wittgenstein’s gnomic masterpiece. Tractatus in Context contains the early reactions to the Tractatus, including the initial reviews written in 1922-1924. And while we can’t talk with Wittgenstein, we can do the next best thing—hear what he had to say about the Tractatus. Klagge thus presents what Wittgenstein thought about germane issues leading up to his writing the book, in discussions and correspondence with others about his ideas, and what he had to say about the Tractatus after it was written—in letters, lectures and conversations. It offers, you might say, Wittgenstein’s own commentary on the book. Key Features: Illuminates what is at stake in the Tractatus, by providing the views of others that engaged Wittgenstein as he was writing it. Includes Wittgenstein’s earlier thoughts on ideas in the book as recorded in his notebooks, letters, and conversations as well as his later, retrospective comments on those ideas. Draws on new or little-known sources, such as Wittgenstein’s coded notebooks, Hermine’s notes, Frege’s letters, Hänsel’s diary, Ramsey’s notes, and Skinner’s dictations. Draws connections between the background context and specific passages in the Tractatus, using a proposition-by-proposition commentary.
Author: Jan Mieszkowski
Publisher: University of Chicago Press
ISBN: 022661719X
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
There are few forms in which so much authority has been invested with so little reflection as the sentence. Though a fundamental unit of discourse, it has rarely been an explicit object of inquiry, often taking a back seat to concepts such as the word, trope, line, or stanza. To understand what is at stake in thinking—or not thinking—about the sentence, Jan Mieszkowski looks at the difficulties confronting nineteenth- and twentieth-century authors when they try to explain what a sentence is and what it can do. From Romantic debates about the power of the stand-alone sentence, to the realist obsession with precision and revision, to modernist experiments with ungovernable forms, Mieszkowski explores the hidden allegiances behind our ever-changing stylistic ideals. By showing how an investment in superior writing has always been an ethical and a political as well as an aesthetic commitment, Crises of the Sentence offers a new perspective on our love-hate relationship with this fundamental compositional category.
Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 450
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Book Description
