Author: Octave Mirbeau
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 277
Book Description
The novel presents itself as the diary of Mademoiselle Célestine R., a chambermaid. Her first employer fetishizes her boots, and she later discovers the elderly man dead, with one of her boots stuffed into his mouth. Later on, Célestine becomes the maid of an upper class couple, Lanlaire, and is perfectly aware that she is entangled in the power struggles of their marriage. Célestine ends by becoming a café hostess, who mistreats her servants in turn! Excerpt: "To-day, September 14, at three o'clock in the afternoon, in mild, gray, and rainy weather, I have entered upon my new place. It is the twelfth in two years. Of course I say nothing of the places which I held in previous years. It would be impossible for me to count them. Ah! I can boast of having seen interiors and faces, and dirty souls. And the end is not yet. Judging from the really extraordinary and dizzy way in which I have rolled, here and there, successively, from houses to employment-bureaus, and from employment-bureaus to houses, from the Bois de Boulogne to the Bastille, from the Observatory to Montmartre, from the Ternes to the Gobelins, everywhere, without ever succeeding in establishing myself anywhere, the masters in these days must be hard to please. It is incredible..."
The Diary of a Chambermaid
Author: Octave Mirbeau
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 277
Book Description
The novel presents itself as the diary of Mademoiselle Célestine R., a chambermaid. Her first employer fetishizes her boots, and she later discovers the elderly man dead, with one of her boots stuffed into his mouth. Later on, Célestine becomes the maid of an upper class couple, Lanlaire, and is perfectly aware that she is entangled in the power struggles of their marriage. Célestine ends by becoming a café hostess, who mistreats her servants in turn! Excerpt: "To-day, September 14, at three o'clock in the afternoon, in mild, gray, and rainy weather, I have entered upon my new place. It is the twelfth in two years. Of course I say nothing of the places which I held in previous years. It would be impossible for me to count them. Ah! I can boast of having seen interiors and faces, and dirty souls. And the end is not yet. Judging from the really extraordinary and dizzy way in which I have rolled, here and there, successively, from houses to employment-bureaus, and from employment-bureaus to houses, from the Bois de Boulogne to the Bastille, from the Observatory to Montmartre, from the Ternes to the Gobelins, everywhere, without ever succeeding in establishing myself anywhere, the masters in these days must be hard to please. It is incredible..."
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 277
Book Description
The novel presents itself as the diary of Mademoiselle Célestine R., a chambermaid. Her first employer fetishizes her boots, and she later discovers the elderly man dead, with one of her boots stuffed into his mouth. Later on, Célestine becomes the maid of an upper class couple, Lanlaire, and is perfectly aware that she is entangled in the power struggles of their marriage. Célestine ends by becoming a café hostess, who mistreats her servants in turn! Excerpt: "To-day, September 14, at three o'clock in the afternoon, in mild, gray, and rainy weather, I have entered upon my new place. It is the twelfth in two years. Of course I say nothing of the places which I held in previous years. It would be impossible for me to count them. Ah! I can boast of having seen interiors and faces, and dirty souls. And the end is not yet. Judging from the really extraordinary and dizzy way in which I have rolled, here and there, successively, from houses to employment-bureaus, and from employment-bureaus to houses, from the Bois de Boulogne to the Bastille, from the Observatory to Montmartre, from the Ternes to the Gobelins, everywhere, without ever succeeding in establishing myself anywhere, the masters in these days must be hard to please. It is incredible..."
Torture Garden
Author: Octave Mirbeau
Publisher: Library of Alexandria
ISBN: 1465606947
Category : Fiction
Languages : en
Pages : 219
Book Description
One evening some friends were gathered at the home of one of our most celebrated writers. Having dined sumptuously, they were discussing murder—apropos of what, I no longer remember probably apropos of nothing. Only men were present: moralists, poets, philosophers and doctors—thus everyone could speak freely, according to his whim, his hobby or his idiosyncrasies, without fear of suddenly seeing that expression of horror and fear which the least startling idea traces upon the horrified face of a notary. I—say notary, much as I might have said lawyer or porter, not disdainfully, of course, but in order to define the average French mind. With a calmness of spirit as perfect as though he were expressing an opinion upon the merits of the cigar he was smoking, a member of the Academy of Moral and Political Sciences said: “Really—I honestly believe that murder is the greatest human preoccupation, and that all our acts stem from it... “ We awaited the pronouncement of an involved theory, but he remained silent. “Absolutely!” said a Darwinian scientist, “and, my friend, you are voicing one of those eternal truths such as the legendary Monsieur de La Palisse discovered every day: since murder is the very bedrock of our social institutions, and consequently the most imperious necessity of civilized life. If it no longer existed, there would be no governments of any kind, by virtue of the admirable fact that crime in general and murder in particular are not only their excuse, but their only reason for being. We should then live in complete anarchy, which is inconceivable. So, instead of seeking to eliminate murder, it is imperative that it be cultivated with intelligence and perseverance. I know no better culture medium than law.” Someone protested. “Here, here!” asked the savant, “aren't we alone, and speaking frankly?” “Please!” said the host, “let us profit thoroughly by the only occasion when we are free to express our personal ideas, for both I, in my books, and you in your turn, may present only lies to the public.” The scientist settled himself once more among the cushions of his armchair, stretched his legs, which were numb from being crossed too long and, his head thrown back, his arms hanging and his stomach soothed by good digestion, puffed smoke−rings at the ceiling: “Besides,” he continued, “murder is largely self−propagating. Actually, it is not the result of this or that passion, nor is it a pathological form of degeneracy. It is a vital instinct which is in us all—which is in all organized beings and dominates them, just as the genetic instinct. And most of the time it is especially true that these two instincts fuse so well, and are so totally interchangeable, that in some way or other they form a single and identical instinct, so that we no longer may tell which of the two urges us to give life, and which to take it—which is murder, and which love. I have been the confidant of an honorable assassin who killed women, not to rob them, but to ravish them. His trick was to manage things so that his sexual climax coincided exactly with the death−spasm of the woman: 'At those moments,' he told me, 'I imagined I was a God, creating a world!”
Publisher: Library of Alexandria
ISBN: 1465606947
Category : Fiction
Languages : en
Pages : 219
Book Description
One evening some friends were gathered at the home of one of our most celebrated writers. Having dined sumptuously, they were discussing murder—apropos of what, I no longer remember probably apropos of nothing. Only men were present: moralists, poets, philosophers and doctors—thus everyone could speak freely, according to his whim, his hobby or his idiosyncrasies, without fear of suddenly seeing that expression of horror and fear which the least startling idea traces upon the horrified face of a notary. I—say notary, much as I might have said lawyer or porter, not disdainfully, of course, but in order to define the average French mind. With a calmness of spirit as perfect as though he were expressing an opinion upon the merits of the cigar he was smoking, a member of the Academy of Moral and Political Sciences said: “Really—I honestly believe that murder is the greatest human preoccupation, and that all our acts stem from it... “ We awaited the pronouncement of an involved theory, but he remained silent. “Absolutely!” said a Darwinian scientist, “and, my friend, you are voicing one of those eternal truths such as the legendary Monsieur de La Palisse discovered every day: since murder is the very bedrock of our social institutions, and consequently the most imperious necessity of civilized life. If it no longer existed, there would be no governments of any kind, by virtue of the admirable fact that crime in general and murder in particular are not only their excuse, but their only reason for being. We should then live in complete anarchy, which is inconceivable. So, instead of seeking to eliminate murder, it is imperative that it be cultivated with intelligence and perseverance. I know no better culture medium than law.” Someone protested. “Here, here!” asked the savant, “aren't we alone, and speaking frankly?” “Please!” said the host, “let us profit thoroughly by the only occasion when we are free to express our personal ideas, for both I, in my books, and you in your turn, may present only lies to the public.” The scientist settled himself once more among the cushions of his armchair, stretched his legs, which were numb from being crossed too long and, his head thrown back, his arms hanging and his stomach soothed by good digestion, puffed smoke−rings at the ceiling: “Besides,” he continued, “murder is largely self−propagating. Actually, it is not the result of this or that passion, nor is it a pathological form of degeneracy. It is a vital instinct which is in us all—which is in all organized beings and dominates them, just as the genetic instinct. And most of the time it is especially true that these two instincts fuse so well, and are so totally interchangeable, that in some way or other they form a single and identical instinct, so that we no longer may tell which of the two urges us to give life, and which to take it—which is murder, and which love. I have been the confidant of an honorable assassin who killed women, not to rob them, but to ravish them. His trick was to manage things so that his sexual climax coincided exactly with the death−spasm of the woman: 'At those moments,' he told me, 'I imagined I was a God, creating a world!”
Sébastien Roch
Author: Octave Mirbeau
Publisher: Dedalus European Classics
ISBN:
Category : Art
Languages : en
Pages : 274
Book Description
This is a classic portrait of a boy''s psychological, sexual and political coming of age in provincial France, set against the background of the Belle Epoque'
Publisher: Dedalus European Classics
ISBN:
Category : Art
Languages : en
Pages : 274
Book Description
This is a classic portrait of a boy''s psychological, sexual and political coming of age in provincial France, set against the background of the Belle Epoque'
The Diary and Letters of Gouverneur Morris
Author: Gouverneur Morris
Publisher:
ISBN:
Category : France
Languages : en
Pages : 690
Book Description
A biography of Gouverneur Morris (1752-1816) by his granddaughter, making extensive use of his letters and diary.
Publisher:
ISBN:
Category : France
Languages : en
Pages : 690
Book Description
A biography of Gouverneur Morris (1752-1816) by his granddaughter, making extensive use of his letters and diary.
The Secret Language of Film
Author: Jean-Claude Carrière
Publisher: Pantheon
ISBN:
Category : Performing Arts
Languages : en
Pages : 248
Book Description
Carriere, whose screenwriting credits include The Tin Drum, The Unbearable Lightness of Being, and Cyrano de Bergerac, explores the vocabulary of the visual language of film. Filled with anecdote and insight, this book provides readers with an illuminating new way to see and enjoy the movies.
Publisher: Pantheon
ISBN:
Category : Performing Arts
Languages : en
Pages : 248
Book Description
Carriere, whose screenwriting credits include The Tin Drum, The Unbearable Lightness of Being, and Cyrano de Bergerac, explores the vocabulary of the visual language of film. Filled with anecdote and insight, this book provides readers with an illuminating new way to see and enjoy the movies.
21 Days of a Neurasthenic
Author: Octave Mirbeau
Publisher: French Literature
ISBN: 9781628970302
Category : Fiction
Languages : en
Pages : 0
Book Description
Octave Mirbeau, author of The Torture Garden and Diary of a Chambermaid, wrote this scathing novel on the cusp of the twentieth century. Driven mad by modern life, Georges Vasseur leaves for a rest cure, where he encounters corrupt politicians, amnesiac coquettes, cheerfully sadistic killers, imperialist generals, and quack psychiatrists. Hypocrites are eternal, and not much has changed since Mirbeau wrote this acid portrait of his era.
Publisher: French Literature
ISBN: 9781628970302
Category : Fiction
Languages : en
Pages : 0
Book Description
Octave Mirbeau, author of The Torture Garden and Diary of a Chambermaid, wrote this scathing novel on the cusp of the twentieth century. Driven mad by modern life, Georges Vasseur leaves for a rest cure, where he encounters corrupt politicians, amnesiac coquettes, cheerfully sadistic killers, imperialist generals, and quack psychiatrists. Hypocrites are eternal, and not much has changed since Mirbeau wrote this acid portrait of his era.
Sophie Calle: The Hotel
Author:
Publisher:
ISBN: 9781938221293
Category : Art
Languages : en
Pages : 224
Book Description
A forensic conceptualist's inventory of the ordinary and extraordinary lives in a Venetian hotel In 1981 Sophie Calle took a job as a chambermaid for the Hotel C in Venice, Italy. Stashing her camera and tape recorder in her mop bucket, she not only cleans and tidies, but sorts through the evidence of the hotel guests' lives. Assigned 12 rooms on the fourth floor, she surveys the state of the guests' bedding, their books, newspapers and postcards, perfumes and cologne, traveling clothes and costumes for Carnival. She methodically photographs the contents of closets and suitcases, examining the detritus in the rubbish bin and the toiletries arranged on the washbasin. She discovers their birth dates and blood types, diary entries, letters from and photographs of lovers and family. She eavesdrops on arguments and love-making. She retrieves a pair of shoes from the wastebasket and takes two chocolates from a neglected box of sweets, while leaving behind stashes of money, pills and jewelry. Her thievery is the eye of the camera, observing the details that were not meant for her, or us, to see. The Hotel now manifests as a book for the first time in English (it was previously included in the book Double Game). Collaborating with the artist on a new design that features enhanced and larger photographs, and pays specific attention to the beauty of the book as an object, Siglio is releasing its third book authored by Calle, after The Address Book (2012) and Suite Vénitienne (2015). Sophie Calle (born 1953) is an internationally renowned artist whose controversial works often fuse conceptual art and Oulipo-like constraints, investigatory methods and the plundering of autobiography. The Whitechapel Gallery in London organized a retrospective in 2009, and her work has been shown at the Museum of Modern Art and the Whitney Museum of American Art, New York; the Carnegie Museum of Art, Pittsburgh; the Museum of Fine Arts, Boston; the Hayward Gallery and Serpentine, London; and the Museum of Contemporary Art, Chicago, among others. She lives and works in Paris.
Publisher:
ISBN: 9781938221293
Category : Art
Languages : en
Pages : 224
Book Description
A forensic conceptualist's inventory of the ordinary and extraordinary lives in a Venetian hotel In 1981 Sophie Calle took a job as a chambermaid for the Hotel C in Venice, Italy. Stashing her camera and tape recorder in her mop bucket, she not only cleans and tidies, but sorts through the evidence of the hotel guests' lives. Assigned 12 rooms on the fourth floor, she surveys the state of the guests' bedding, their books, newspapers and postcards, perfumes and cologne, traveling clothes and costumes for Carnival. She methodically photographs the contents of closets and suitcases, examining the detritus in the rubbish bin and the toiletries arranged on the washbasin. She discovers their birth dates and blood types, diary entries, letters from and photographs of lovers and family. She eavesdrops on arguments and love-making. She retrieves a pair of shoes from the wastebasket and takes two chocolates from a neglected box of sweets, while leaving behind stashes of money, pills and jewelry. Her thievery is the eye of the camera, observing the details that were not meant for her, or us, to see. The Hotel now manifests as a book for the first time in English (it was previously included in the book Double Game). Collaborating with the artist on a new design that features enhanced and larger photographs, and pays specific attention to the beauty of the book as an object, Siglio is releasing its third book authored by Calle, after The Address Book (2012) and Suite Vénitienne (2015). Sophie Calle (born 1953) is an internationally renowned artist whose controversial works often fuse conceptual art and Oulipo-like constraints, investigatory methods and the plundering of autobiography. The Whitechapel Gallery in London organized a retrospective in 2009, and her work has been shown at the Museum of Modern Art and the Whitney Museum of American Art, New York; the Carnegie Museum of Art, Pittsburgh; the Museum of Fine Arts, Boston; the Hayward Gallery and Serpentine, London; and the Museum of Contemporary Art, Chicago, among others. She lives and works in Paris.
Red Rooms
Author: Cherie Dimaline
Publisher: Red Rooms
ISBN: 9781926886176
Category : Fiction
Languages : en
Pages : 192
Book Description
Red Rooms is a unique journey articulating the lives of the Native patrons of an urban hotel as seen through the eyes of the hotels cleaning lady. The characters face the crises in their lives in ways that are easily identifiable and not uncommon to Native people. What is unique about this collection of stories is Dimaline's sometimes cryptic, sometimes comedic, always compassionate and visionary housekeeper who offers hindsight, insight and foresight to the reader in the representation of their lives."Haunting and complex Red Rooms is the Native Rosetta Stone. A lovely tour de force from an up-and-coming writer to watch."Eden Robinson
Publisher: Red Rooms
ISBN: 9781926886176
Category : Fiction
Languages : en
Pages : 192
Book Description
Red Rooms is a unique journey articulating the lives of the Native patrons of an urban hotel as seen through the eyes of the hotels cleaning lady. The characters face the crises in their lives in ways that are easily identifiable and not uncommon to Native people. What is unique about this collection of stories is Dimaline's sometimes cryptic, sometimes comedic, always compassionate and visionary housekeeper who offers hindsight, insight and foresight to the reader in the representation of their lives."Haunting and complex Red Rooms is the Native Rosetta Stone. A lovely tour de force from an up-and-coming writer to watch."Eden Robinson
Buñuel
Author: John Baxter
Publisher: Carroll & Graf Pub
ISBN: 9780786705061
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
Traces the life of the controversial Spanish director most famous for "Un Chien Andalou," "Belle de Jour," and "The Discrete Charm of the Bourgeoisie"
Publisher: Carroll & Graf Pub
ISBN: 9780786705061
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
Traces the life of the controversial Spanish director most famous for "Un Chien Andalou," "Belle de Jour," and "The Discrete Charm of the Bourgeoisie"
Cracking Gilles Deleuze's Crystal
Author: Barry Nevin
Publisher:
ISBN: 9781474426329
Category : Motion pictures
Languages : en
Pages : 0
Book Description
Reassessing the unique qualities of Renoir's influential visual style by interpreting his films through Gilles Deleuze's film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir's oeuvre.
Publisher:
ISBN: 9781474426329
Category : Motion pictures
Languages : en
Pages : 0
Book Description
Reassessing the unique qualities of Renoir's influential visual style by interpreting his films through Gilles Deleuze's film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir's oeuvre.