Author: Janet Malcolm
Publisher:
ISBN: 9780879233877
Category : Photography
Languages : en
Pages : 180
Book Description
The relationship of photography to painting, the polarity of the fine art and vernacular traditions, and the connection between photography and modernism are some of the topics which crop up again and again in this collection of 16 essays which explore the works of a number of photographers. The ess
Diana & Nikon
Author: Janet Malcolm
Publisher:
ISBN: 9780879233877
Category : Photography
Languages : en
Pages : 180
Book Description
The relationship of photography to painting, the polarity of the fine art and vernacular traditions, and the connection between photography and modernism are some of the topics which crop up again and again in this collection of 16 essays which explore the works of a number of photographers. The ess
Publisher:
ISBN: 9780879233877
Category : Photography
Languages : en
Pages : 180
Book Description
The relationship of photography to painting, the polarity of the fine art and vernacular traditions, and the connection between photography and modernism are some of the topics which crop up again and again in this collection of 16 essays which explore the works of a number of photographers. The ess
Texts
Author:
Publisher: MAPP Editions
ISBN: 1907946780
Category :
Languages : en
Pages :
Book Description
This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekula, Chris Burden, Thomas Ruff, Barry Le Va, Jeff Wall, Félix González-Torres, John McLaughlin, Slavica Perkovic and Krzysztof Wodiczko, among others. This important publication gives Baltz's literary output the standing it deserves and offers a unique insight into some of history's leading photographers.
Publisher: MAPP Editions
ISBN: 1907946780
Category :
Languages : en
Pages :
Book Description
This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekula, Chris Burden, Thomas Ruff, Barry Le Va, Jeff Wall, Félix González-Torres, John McLaughlin, Slavica Perkovic and Krzysztof Wodiczko, among others. This important publication gives Baltz's literary output the standing it deserves and offers a unique insight into some of history's leading photographers.
The Engine of Visualization
Author: Patrick Maynard
Publisher: Cornell University Press
ISBN: 1501728636
Category : Photography
Languages : en
Pages : 349
Book Description
In the first philosophical book wholly about photography, Patrick Maynard dispels some basic, persistent confusions by treating photography as a technology—a way to enhance and filter human power. Once photography is understood as a kind of technology, Maynard argues, insights about technology may be applied to provide the general perspective on photography that has been missing.
Publisher: Cornell University Press
ISBN: 1501728636
Category : Photography
Languages : en
Pages : 349
Book Description
In the first philosophical book wholly about photography, Patrick Maynard dispels some basic, persistent confusions by treating photography as a technology—a way to enhance and filter human power. Once photography is understood as a kind of technology, Maynard argues, insights about technology may be applied to provide the general perspective on photography that has been missing.
Still Pictures
Author: Janet Malcolm
Publisher: Farrar, Straus and Giroux
ISBN: 0374605149
Category : Biography & Autobiography
Languages : en
Pages : 128
Book Description
“Superb . . . [The] final, splendid, most personal work of [Janet Malcolm’s] long career.” —Charles Finch, The New York Times Book Review For decades, Janet Malcolm’s books and dispatches for The New Yorker and The New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes’s Camera Lucida. Malcolm looks beyond the content of the image and the easy seductions of self-recognition, constructing a memoir from memories that pose questions of their own. Still Pictures begins with the image of a morose young girl on a train, leaving Prague for New York at the age of five in 1939. From her fitful early loves, to evenings at the old Metropolitan Opera House, to her fascination with what it might mean to be a “bad girl,” Malcolm assembles a composite portrait of a New York childhood, one that never escapes the tug of Europe and the mysteries of fate and family. Later, Still Pictures delves into her marriage to Gardner Botsford, the world of William Shawn’s New Yorker, and the libel trial that led Malcolm to become a character in her own drama. Displaying the sharp wit and astute commentary that are Malcolmian trademarks, this brief volume develops into a memoir like few others in our literature.
Publisher: Farrar, Straus and Giroux
ISBN: 0374605149
Category : Biography & Autobiography
Languages : en
Pages : 128
Book Description
“Superb . . . [The] final, splendid, most personal work of [Janet Malcolm’s] long career.” —Charles Finch, The New York Times Book Review For decades, Janet Malcolm’s books and dispatches for The New Yorker and The New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes’s Camera Lucida. Malcolm looks beyond the content of the image and the easy seductions of self-recognition, constructing a memoir from memories that pose questions of their own. Still Pictures begins with the image of a morose young girl on a train, leaving Prague for New York at the age of five in 1939. From her fitful early loves, to evenings at the old Metropolitan Opera House, to her fascination with what it might mean to be a “bad girl,” Malcolm assembles a composite portrait of a New York childhood, one that never escapes the tug of Europe and the mysteries of fate and family. Later, Still Pictures delves into her marriage to Gardner Botsford, the world of William Shawn’s New Yorker, and the libel trial that led Malcolm to become a character in her own drama. Displaying the sharp wit and astute commentary that are Malcolmian trademarks, this brief volume develops into a memoir like few others in our literature.
The Rough Guide to Digital Photography
Author: Sophie Goldsworthy
Publisher: Penguin
ISBN: 1405388722
Category : Photography
Languages : en
Pages : 258
Book Description
The Rough Guide to Digital Photography is an up-to-date quick reference tool for all things photography-related. With tips on composition and technique, editing quick fixes, and cool things to do with photos, this essential handbook tells you what you need to know to maximize the quality and impact of your pictures, both online and off. It will also help you make sense of the mass of online options in an ever-changing digital age, from photo sharing and hosting to creating blogs, mash-ups, and slide shows. Taking a practical look at the many image tools available, it will help you decide what's best for you and shows you how to: Learn the rules of composition ... and then learn how to break them Harness the power of the digital darkroom and how to create images that will impress your friends Whether you are new to photography, want to get the best out of your camera-phone, or are a dedicated amateur with an SLR, this book will help you make the most of your pictures at home, on the move, or online.
Publisher: Penguin
ISBN: 1405388722
Category : Photography
Languages : en
Pages : 258
Book Description
The Rough Guide to Digital Photography is an up-to-date quick reference tool for all things photography-related. With tips on composition and technique, editing quick fixes, and cool things to do with photos, this essential handbook tells you what you need to know to maximize the quality and impact of your pictures, both online and off. It will also help you make sense of the mass of online options in an ever-changing digital age, from photo sharing and hosting to creating blogs, mash-ups, and slide shows. Taking a practical look at the many image tools available, it will help you decide what's best for you and shows you how to: Learn the rules of composition ... and then learn how to break them Harness the power of the digital darkroom and how to create images that will impress your friends Whether you are new to photography, want to get the best out of your camera-phone, or are a dedicated amateur with an SLR, this book will help you make the most of your pictures at home, on the move, or online.
Iowa
Author: Nancy Rexroth
Publisher:
ISBN:
Category : Iowa
Languages : en
Pages : 128
Book Description
"Rexroth's most notable work, Iowa, is a series of dream-like and poetic images.Each seemingly candid and liquid composition includes a soft focus and vignette, characteristic qualities of Diana camera images. [...] The Iowa series subconsciously expresses Rexroth's childhood memories of visiting family in Iowa. Growing up in the suburbs of Arlington, Virginia, she was captivated by the exotic summer landscapes of Iowa. Although the influence of her memories is present, Rexroth refers to Iowa as a hallucinatory state of mind rather than a concrete geographic location of personal sentiment. She describes Iowa as 'conceived of as a kind of psychic journey from one emotional mood to the next-- a maturation process. It all happens in a place which is very exotic.' In the introduction to the book, Mark L. Power describes this work as 'Sunny Iowa was transformed by memory into a dark Iowa with "a real feeling of melancholy." [...]"
Publisher:
ISBN:
Category : Iowa
Languages : en
Pages : 128
Book Description
"Rexroth's most notable work, Iowa, is a series of dream-like and poetic images.Each seemingly candid and liquid composition includes a soft focus and vignette, characteristic qualities of Diana camera images. [...] The Iowa series subconsciously expresses Rexroth's childhood memories of visiting family in Iowa. Growing up in the suburbs of Arlington, Virginia, she was captivated by the exotic summer landscapes of Iowa. Although the influence of her memories is present, Rexroth refers to Iowa as a hallucinatory state of mind rather than a concrete geographic location of personal sentiment. She describes Iowa as 'conceived of as a kind of psychic journey from one emotional mood to the next-- a maturation process. It all happens in a place which is very exotic.' In the introduction to the book, Mark L. Power describes this work as 'Sunny Iowa was transformed by memory into a dark Iowa with "a real feeling of melancholy." [...]"
The Lens
Author: NK Guy
Publisher: Rocky Nook, Inc.
ISBN: 1457179261
Category : Photography
Languages : en
Pages : 617
Book Description
Which lens should I buy for my camera? It's such a simple question, but choosing the right lens or lenses is actually one of the most important photographic decisions you can make. Nothing affects the quality of a photo more than the lens. It's no longer just about the megapixels-it's the glass that makes all the difference! Many first-time buyers of DSLRs don't venture past the basic lens included in the box. While some are reluctant to spend more money, others are confused by all the buzzwords or are overwhelmed by all the choices out there. It's really a shame, because interchangeable lenses give you amazing scope for quality photography. Take in vast sweeping scenes with a wide angle lens. Capture faraway birds with a telephoto lens. Examine the tiniest detail of a flower with a macro lens. Record the perfect portrait with a prime lens. Anything is possible when you choose the right lens for the job! This book isn't a simple catalogue of available lenses. New products are coming out all the time, and comparing specific lenses can be difficult. Instead, author N.K. Guy gives you all the information you need to make smart buying decisions. Optical technology is demystified, arcane terminology is decoded, and practical tips are provided. The Lens will help you build the perfect lens collection to suit your needs-now and in the future.
Publisher: Rocky Nook, Inc.
ISBN: 1457179261
Category : Photography
Languages : en
Pages : 617
Book Description
Which lens should I buy for my camera? It's such a simple question, but choosing the right lens or lenses is actually one of the most important photographic decisions you can make. Nothing affects the quality of a photo more than the lens. It's no longer just about the megapixels-it's the glass that makes all the difference! Many first-time buyers of DSLRs don't venture past the basic lens included in the box. While some are reluctant to spend more money, others are confused by all the buzzwords or are overwhelmed by all the choices out there. It's really a shame, because interchangeable lenses give you amazing scope for quality photography. Take in vast sweeping scenes with a wide angle lens. Capture faraway birds with a telephoto lens. Examine the tiniest detail of a flower with a macro lens. Record the perfect portrait with a prime lens. Anything is possible when you choose the right lens for the job! This book isn't a simple catalogue of available lenses. New products are coming out all the time, and comparing specific lenses can be difficult. Instead, author N.K. Guy gives you all the information you need to make smart buying decisions. Optical technology is demystified, arcane terminology is decoded, and practical tips are provided. The Lens will help you build the perfect lens collection to suit your needs-now and in the future.
The Silent Woman
Author: Janet Malcolm
Publisher: Vintage
ISBN: 0307830616
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
In an astonishing feat of literary detection, one of the most provocative critics of our time and the author of In the Freud Archives and The Purloined Clinic offers an elegantly reasoned meditation on the art of biography. In The Silent Woman, Janet Malcolm examines the biographies of Sylvia Plath to create a book not about Plath’s life but about her afterlife: how her estranged husband, the poet Ted Hughes, as executor of her estate, tried to serve two masters—Plath’s art and his own need for privacy; and how it fell to his sister, Olwyn Hughes, as literary agent for the estate, to protect him by limiting access to Plath’s work. Even as Malcolm brings her skepticism to bear on the claims of biography to present the truth about a life, a portrait of Sylvia Plath emerges that gives us a sense of “knowing” this tragic poet in a way we have never known her before. And she dispels forever the innocence with which most of us have approached the reading of any biography.
Publisher: Vintage
ISBN: 0307830616
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
In an astonishing feat of literary detection, one of the most provocative critics of our time and the author of In the Freud Archives and The Purloined Clinic offers an elegantly reasoned meditation on the art of biography. In The Silent Woman, Janet Malcolm examines the biographies of Sylvia Plath to create a book not about Plath’s life but about her afterlife: how her estranged husband, the poet Ted Hughes, as executor of her estate, tried to serve two masters—Plath’s art and his own need for privacy; and how it fell to his sister, Olwyn Hughes, as literary agent for the estate, to protect him by limiting access to Plath’s work. Even as Malcolm brings her skepticism to bear on the claims of biography to present the truth about a life, a portrait of Sylvia Plath emerges that gives us a sense of “knowing” this tragic poet in a way we have never known her before. And she dispels forever the innocence with which most of us have approached the reading of any biography.
Portraits of a Princess: Travels with Diana
Author: Patrick Jephson
Publisher: Macmillan
ISBN: 9780312337827
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
From the author of the "New York Times" bestseller "Shadows of a Princess" comes the inside story of Princess Diana's journeys in public and private--with over 250 previously unpublished photographs.
Publisher: Macmillan
ISBN: 9780312337827
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
From the author of the "New York Times" bestseller "Shadows of a Princess" comes the inside story of Princess Diana's journeys in public and private--with over 250 previously unpublished photographs.
Forty-one False Starts
Author: Janet Malcolm
Publisher: Farrar, Straus and Giroux
ISBN: 0374709726
Category : Literary Collections
Languages : en
Pages : 318
Book Description
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013
Publisher: Farrar, Straus and Giroux
ISBN: 0374709726
Category : Literary Collections
Languages : en
Pages : 318
Book Description
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013