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Author: Kathryn Brown
Publisher: Bloomsbury Publishing
ISBN: 1350258717
Category : Art
Languages : en
Pages : 299
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Book Description
Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices. The first in-depth examination of this major artist's impact on contemporary art, this book explores how contemporary practitioners have used Degas's creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. Individual chapters are devoted to dialogues between Degas's art and works produced by Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren. Through close analyses of selected paintings, drawings, prints and sculptures, Kathryn Brown explores how Degas's technical and compositional experiments have been extended or challenged in innovative ways. By experimenting with the materials and methods of existing works, contemporary artists generate visual palimpsests that make new demands of the viewer and prompt a reconsideration of ideas that have informed histories of 19th-century French art. The book overturns familiar conceptions of influence by eschewing a genealogical approach and prioritizing, instead, the analysis of non-linear encounters between artworks. This encourages a new conception of the agency of visual artefacts and of the conversations they are capable of entertaining with each other. While this study sheds new light on Degas's art and that of his interlocutors, it also has methodological significance for the writing of art history.
Author: Kathryn Brown
Publisher: Bloomsbury Publishing
ISBN: 1350258717
Category : Art
Languages : en
Pages : 299
Get Book Here
Book Description
Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices. The first in-depth examination of this major artist's impact on contemporary art, this book explores how contemporary practitioners have used Degas's creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. Individual chapters are devoted to dialogues between Degas's art and works produced by Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren. Through close analyses of selected paintings, drawings, prints and sculptures, Kathryn Brown explores how Degas's technical and compositional experiments have been extended or challenged in innovative ways. By experimenting with the materials and methods of existing works, contemporary artists generate visual palimpsests that make new demands of the viewer and prompt a reconsideration of ideas that have informed histories of 19th-century French art. The book overturns familiar conceptions of influence by eschewing a genealogical approach and prioritizing, instead, the analysis of non-linear encounters between artworks. This encourages a new conception of the agency of visual artefacts and of the conversations they are capable of entertaining with each other. While this study sheds new light on Degas's art and that of his interlocutors, it also has methodological significance for the writing of art history.
Author: Pierre Cabanne
Publisher: Da Capo Press
ISBN: 0786749717
Category : Art
Languages : en
Pages : 158
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Book Description
With an introduction by Robert Motherwell and an appreciation by Jasper Johns "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . "In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said. "The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' "He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.' "The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation
Author: Anthony Hope
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 196
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Book Description
Author: Pierre Schneider
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 266
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Book Description
![The dolly dialogues by Anthony Hope [d. i. Sir Anthony Hope Hawkins.] PDF](https://books.google.com/books/content/images/frontcover/F4nwmOQAhI0C?fife=w80-h100)
Author: Anthony Hope
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
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Book Description
Author: Elizabeth Cowling
Publisher: Sterling and Francine Clark Art Museum
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
"This book is published on the occasion of the exhibition Picasso Looks at Degas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 13 June-12 September 2010, Museu Picasso, Barcelona, 14 October 2010-16 January 2011."--T.p. verso.
Author: Joanna Woronkowicz
Publisher: Springer Nature
ISBN: 303159231X
Category :
Languages : en
Pages : 229
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Book Description
Author: James Z. Wang
Publisher: Springer Nature
ISBN: 3031502698
Category :
Languages : en
Pages : 408
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Book Description
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
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Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Author: Carl P. Ellerman
Publisher: Jason Aronson
ISBN: 0765707802
Category : Psychology
Languages : en
Pages : 357
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Book Description
Reflecting on his experience in the clinical trenches, a pragmatic existential therapist offers a provocative study of power, erotic influence, and illusion in the clinical relationship. Written in a conversational style that makes a challenging subject accessible to specialists in the clinical professions, teachers and students of the psychological disciplines, and scholars in the humanities and social sciences, Enchantments of the Clinic introduces readers to interesting ways in which language, ideas, and speech as well as illusions of the clinical station enable therapists to cast an unintentional spell that captivates and charms unsuspecting patients. Exposing this suggestive underworld of clinical experience, where the high-stakes game of persuasive dialogical therapy is often won or lost, critical attention is focused on the erotization of the clinic, the erotization of the clinician, and the erotization of clinical confession. Using dramatic examples from clinical practice, Carl P. Ellerman challenges prevailing dogmas of the therapeutic to demonstrate his thesis that enchantments of the clinic facilitate psychological healing if managed well, but if mismanaged, these volatile erotic enchantments may undermine the struggle against emotional illness in the clinical trenches. This ambitious study of the clinical relationship also addresses the disturbing fact that we are dwelling in a postmodern era in which clinical nihilism is flourishing. Ellerman conceives the dialogical therapist as a potentially dangerous, ethically vulnerable therapeutic artiste, whose strategic encounters in the postmodern clinic may be likened to aesthetic experiences in which an education to reality and a love of truth are obsolete or irrelevant, notwithstanding a clinical masquerade that reinforces in spellbound patients a blind trust in the phantastic therapist's honesty, truthfulness, and intellectual integrity. Embracing the Socratic mystique, Ellerman offers a vigorous philosophic critique of clinical nihilism while warning readers of the communal risks involved in surrendering the perennial quest for truth.
