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Author: Amadeo Bordiga
Publisher: Radical Reprint
ISBN: 9787465082017
Category : Political Science
Languages : en
Pages : 208
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Book Description
Amadeo Bordiga (1899-1970) was an Italian Marxist theoretician, who played a major role in the ideological development of the post-1917 Socialist revolution. He is well known as one of the last Comintern members to criticize Stalin to his face and live to tell the tale, most notably referred to as "the gravedigger of the revolution" during a 1926 party conference. In Dialogue with Stalin, Bordiga carefully dissects the economic state of the USSR under Stalin, and lays forward the capitalist nature of the USSR.
Author: Amadeo Bordiga
Publisher: Radical Reprint
ISBN: 9787465082017
Category : Political Science
Languages : en
Pages : 208
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Book Description
Amadeo Bordiga (1899-1970) was an Italian Marxist theoretician, who played a major role in the ideological development of the post-1917 Socialist revolution. He is well known as one of the last Comintern members to criticize Stalin to his face and live to tell the tale, most notably referred to as "the gravedigger of the revolution" during a 1926 party conference. In Dialogue with Stalin, Bordiga carefully dissects the economic state of the USSR under Stalin, and lays forward the capitalist nature of the USSR.
Author: Milovan Djilas
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156225915
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
Content: Written from his experiences as a vice-president of Yugoslavia and aide to Tito, the author here records face to face meetingwith Stalin from 1944-1953. The author was imprisoned by the Yugoslav government from 1957-1961.
Author: Gabriel Gorodetsky
Publisher: Yale University Press
ISBN: 0300217331
Category : Literary Collections
Languages : en
Pages : 633
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Book Description
The terror and purges of Stalin’s Russia in the 1930s discouraged Soviet officials from leaving documentary records let alone keeping personal diaries. A remarkable exception is the unique diary assiduously kept by Ivan Maisky, the Soviet ambassador to London between 1932 and 1943. This selection from Maisky's diary, never before published in English, grippingly documents Britain’s drift to war during the 1930s, appeasement in the Munich era, negotiations leading to the signature of the Ribbentrop–Molotov Pact, Churchill’s rise to power, the German invasion of Russia, and the intense debate over the opening of the second front. Maisky was distinguished by his great sociability and access to the key players in British public life. Among his range of regular contacts were politicians (including Churchill, Chamberlain, Eden, and Halifax), press barons (Beaverbrook), ambassadors (Joseph Kennedy), intellectuals (Keynes, Sidney and Beatrice Webb), writers (George Bernard Shaw, H. G. Wells), and indeed royalty. His diary further reveals the role personal rivalries within the Kremlin played in the formulation of Soviet policy at the time. Scrupulously edited and checked against a vast range of Russian and Western archival evidence, this extraordinary narrative diary offers a fascinating revision of the events surrounding the Second World War.
Author: Jeffrey Brooks
Publisher: Princeton University Press
ISBN: 1400843928
Category : History
Languages : en
Pages : 340
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Book Description
Thank you, our Stalin, for a happy childhood." "Thank you, dear Marshal [Stalin], for our freedom, for our children's happiness, for life." Between the Russian Revolution and the Cold War, Soviet public culture was so dominated by the power of the state that slogans like these appeared routinely in newspapers, on posters, and in government proclamations. In this penetrating historical study, Jeffrey Brooks draws on years of research into the most influential and widely circulated Russian newspapers--including Pravda, Isvestiia, and the army paper Red Star--to explain the origins, the nature, and the effects of this unrelenting idealization of the state, the Communist Party, and the leader. Brooks shows how, beginning with Lenin, the Communists established a state monopoly of the media that absorbed literature, art, and science into a stylized and ritualistic public culture--a form of political performance that became its own reality and excluded other forms of public reflection. He presents and explains scores of self-congratulatory newspaper articles, including tales of Stalin's supposed achievements and virtue, accounts of the country's allegedly dynamic economy, and warnings about the decadence and cruelty of the capitalist West. Brooks pays particular attention to the role of the press in the reconstruction of the Soviet cultural system to meet the Nazi threat during World War II and in the transformation of national identity from its early revolutionary internationalism to the ideology of the Cold War. He concludes that the country's one-sided public discourse and the pervasive idea that citizens owed the leader gratitude for the "gifts" of goods and services led ultimately to the inability of late Soviet Communism to diagnose its own ills, prepare alternative policies, and adjust to new realities. The first historical work to explore the close relationship between language and the implementation of the Stalinist-Leninist program, Thank You, Comrade Stalin! is a compelling account of Soviet public culture as reflected through the country's press.
Author: Robert Kindler
Publisher: University of Pittsburgh Press
ISBN: 0822986140
Category : History
Languages : en
Pages : 317
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Book Description
Robert Kindler's seminal work is a comprehensive and unsettling account of the Soviet campaign to forcefully sedentarize and collectivize the Kazakh clans. Viewing the nomadic life as unproductive, and their lands unused and untilled, Stalin and his inner circle pursued a campaign of violence and subjugation, rather than attempting any dialog or cultural assimilation. The results were catastrophic, as the conflict and an ensuing famine (1931-1933) caused the death of nearly one-third of the Kazakh population. Hundreds of thousands of nomads became refugees and a nomadic culture and social order were essentially destroyed in less than five years. Kindler provides an in-depth analysis of Soviet rule, economic and political motivations, and the role of remote and local Soviet officials and Kazakhs during the crisis. This is the first English-language translation of an important and harrowing history, largely unknown to Western audiences prior to Kindler’s study. The translation of this work was funded by Geisteswissenschaften International – Translation Funding for Work in the Humanities and Social Sciences from Germany, a joint initiative of the Fritz Thyssen Foundation, the German Federal Foreign Office, the collecting society VG WORT and the Börsenverein des Deutschen Buchhandels (German Publishers & Booksellers Association).
Author: Geoffrey Roberts
Publisher: Yale University Press
ISBN: 0300179049
Category : History
Languages : en
Pages : 277
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Book Description
A compelling intellectual biography of Stalin told through his personal library "[A] fascinating new study."--Michael O'Donnell, Wall Street Journal In this engaging life of the twentieth century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words, and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics. Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated, revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin's personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies--the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors--but detested their ideas even more.
Author: Karen L. Ryan
Publisher: Univ of Wisconsin Press
ISBN: 0299234436
Category : History
Languages : en
Pages : 254
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Book Description
During Stalin’s lifetime the crimes of his regime were literally unspeakable. More than fifty years after his death, Russia is still coming to terms with Stalinism and the people’s own role in the abuses of the era. During the decades of official silence that preceded the advent of glasnost, Russian writers raised troubling questions about guilt, responsibility, and the possibility of absolution. Through the subtle vehicle of satire, they explored the roots and legacy of Stalinism in forms ranging from humorous mockery to vitriolic diatribe. Examining works from the 1917 Revolution to the fall of the Soviet Union in 1991, Karen L. Ryan reveals how satirical treatments of Stalin often emphasize his otherness, distancing him from Russian culture. Some satirists portray Stalin as a madman. Others show him as feminized, animal-like, monstrous, or diabolical. Stalin has also appeared as the unquiet dead, a spirit that keeps returning to haunt the collective memory of the nation. While many writers seem anxious to exorcise Stalin from the body politic, for others he illuminates the self in disturbing ways. To what degree Stalin was and is “in us” is a central question of all these works. Although less visible than public trials, policy shifts, or statements of apology, Russian satire has subtly yet insistently participated in the protracted process of de-Stalinization.
Author: Solomon Volkov
Publisher: Knopf
ISBN: 0307427722
Category : Biography & Autobiography
Languages : en
Pages : 315
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Book Description
“Music illuminates a person and provides him with his last hope; even Stalin, a butcher, knew that.” So said the Russian composer Dmitri Shostakovich, whose first compositions in the 1920s identified him as an avant-garde wunderkind. But that same singularity became a liability a decade later under the totalitarian rule of Stalin, with his unpredictable grounds for the persecution of artists. Solomon Volkov—who cowrote Shostakovich’s controversial 1979 memoir, Testimony—describes how this lethal uncertainty affected the composer’s life and work. Volkov, an authority on Soviet Russian culture, shows us the “holy fool” in Shostakovich: the truth speaker who dared to challenge the supreme powers. We see how Shostakovich struggled to remain faithful to himself in his music and how Stalin fueled that struggle: one minute banning his work, the next encouraging it. We see how some of Shostakovich’s contemporaries—Mandelstam, Bulgakov, and Pasternak among them—fell victim to Stalin’s manipulations and how Shostakovich barely avoided the same fate. And we see the psychological price he paid for what some perceived as self-serving aloofness and others saw as rightfully defended individuality. This is a revelatory account of the relationship between one of the twentieth century’s greatest composers and one of its most infamous tyrants.
Author: Jochen Hellbeck
Publisher: Harvard University Press
ISBN: 9780674021747
Category : Biography & Autobiography
Languages : en
Pages : 460
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Book Description
Revolution on My Mind is a stunning revelation of the inner world of Stalin’s Russia. We see into the minds and hearts of Soviet citizens who recorded their lives during an extraordinary period of revolutionary fervor and state terror. Writing a diary, like other creative expression, seems nearly impossible amid the fear and distrust of totalitarian rule; but as Jochen Hellbeck shows, diary-keeping was widespread, as individuals struggled to adjust to Stalin’s regime. Rather than protect themselves against totalitarianism, many men and women bent their will to its demands, by striving to merge their individual identities with the collective and by battling vestiges of the old self within. We see how Stalin’s subjects, from artists to intellectuals and from students to housewives, absorbed directives while endeavoring to fulfill the mandate of the Soviet revolution—re-creation of the self as a builder of the socialist society. Thanks to a newly discovered trove of diaries, we are brought face to face with individual life stories—gripping and unforgettably poignant. The diarists’ efforts defy our liberal imaginations and our ideals of autonomy and private fulfillment. These Soviet citizens dreamed differently. They coveted a morally and aesthetically superior form of life, and were eager to inscribe themselves into the unfolding revolution. Revolution on My Mind is a brilliant exploration of the forging of the revolutionary self, a study without precedent that speaks to the evolution of the individual in mass movements of our own time.
Author: J. V. Stalin
Publisher: Lulu.com
ISBN: 1794775293
Category : History
Languages : en
Pages : 89
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Book Description
The foundations of Leninism is a big subject. To exhaust it a whole volume would be required. Indeed, a whole number of volumes would be required. Naturally, therefore, my lectures cannot be an exhaustive exposition of Leninism; at best they can only offer a concise synopsis of the foundations of Leninism. Nevertheless, I consider it useful to give this synopsis, in order to lay down some basic points of departure necessary for the successful study of Leninism. Lenin was a Marxist, and Marxism is, of course, the basis of his world outlook. But from this it does not at all follow that an exposition of Leninism ought to begin with an exposition of the foundations of Marxism. To expound Leninism means to expound the distinctive and new in the works of Lenin that Lenin contributed to the general treasury of Marxism and that is naturally connected with his name. Only in this sense will I speak in my lectures of the foundations of Leninism.
