Dialogue Cutting Continuities PDF Download
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Author: Metro-Goldwyn-Mayer
Publisher:
ISBN:
Category :
Languages : en
Pages : 812
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Book Description
The collection contains the Metro-Goldwyn-Mayer Corporation dialogue cutting continuity scripts arranged chronologically by production date. Each script provides a cut-by-cut description of all camera shots, including the movement of camera and actors within shot, dialogue spoken within the shot, subtitle, in and out times and calculated duration.
Author: Metro-Goldwyn-Mayer
Publisher:
ISBN:
Category :
Languages : en
Pages : 812
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Book Description
The collection contains the Metro-Goldwyn-Mayer Corporation dialogue cutting continuity scripts arranged chronologically by production date. Each script provides a cut-by-cut description of all camera shots, including the movement of camera and actors within shot, dialogue spoken within the shot, subtitle, in and out times and calculated duration.
Author: Cybulski Mary
Publisher: CRC Press
ISBN: 1136040668
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
First published in 2013. A guide to the craft of script supervising, Beyond Continuity features practical instruction through real-world examples demonstrating and explaining the skills needed by a professional script supervisor. Mary Cybulski, one of Hollywood's premier script supervisors, imparts her sage wisdom as she walks you through the process of training and working as a professional script supervisor,, covering the basic skills of breaking down a script, taking notes on set, matching, cheating, determining screen direction, and knowing what the director, actors, and editor expect from a script supervisor. She also details many of the more subtle, but just as important skills- how to get a job, how to think like an editor, how to tell what is important in a script and on set, how to get along with the cast and crew, and how not to get overwhelmed when there is too much information to process.
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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
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Book Description
Author: Bruce Kawin
Publisher: Univ of California Press
ISBN: 9780520076969
Category : Business & Economics
Languages : en
Pages : 610
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Book Description
How Movies Work, offers the filmgoer an engaging and informative guide to the appreciation and evaluation of films. It provides a comprehensive consideration of movies from idea to script, casting, financing, shooting and distribution. Bruce Kawin addresses the book not just to students of film but to any filmgoer curious to know more about the process of the conception and creation of our favorite entertainment and art form.
Author: Sue Harris
Publisher: Bloomsbury Publishing
ISBN: 1844578828
Category : Performing Arts
Languages : en
Pages : 130
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Book Description
An American in Paris (1951) was a landmark film in the careers of Vincente Minnelli, Gene Kelly and Leslie Caron. A joyous celebration of George Gershwin's music, French art, the beauty of dance and the fabled City of Light, the film was heralded as a rare example of entertainment 'for mass and class alike'. Choreographed by Kelly at the height of his career, it gave new stature to the Hollywood musical, and showcased as never before the artistic ambition, technical skills, creative imagination and collaborative ethos of MGM's pioneering Arthur Freed Unit. Sue Harris draws on archival material to trace the film's development from conception to screen. Offering new insights into the design process in particular, she shows how An American in Paris established the cinematic template for a city with which Hollywood would become increasingly infatuated in the decades to follow.
Author: David Bordwell
Publisher: Columbia University Press
ISBN: 9780231060554
Category : Business & Economics
Languages : en
Pages : 658
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Book Description
An overview of American studio filmmaking that examines its distinct mode of film practice, in both production and style, from 1917 through 1960.
Author: Jeremy G. Butler
Publisher: Routledge
ISBN: 1135635412
Category : Performing Arts
Languages : en
Pages : 469
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Jon Towlson
Publisher: McFarland
ISBN: 0786494743
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.
Author: Andrew Buchman (College teacher)
Publisher: Oxford University Press
ISBN: 0197791964
Category : Performing Arts
Languages : en
Pages : 168
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Book Description
The classic film musical Singin' in the Rain combines a streamlined 1920s storyline with vivid characters, memorable wisecracks and comedy, romance, riveting dancing, beautiful musical arrangements, gorgeous sets, props, and costumes, and virtuosic camera work. This guide traces the film's genesis and analyzes the music and dance that make Singin' in the Rain Gene Kelly's best-known work.
Author: Robert Spadoni
Publisher: Univ of California Press
ISBN: 0520251229
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
“Through meticulous historical research, Spadoni in Uncanny Bodies provides a fine understanding of the aesthetic and cultural context in which the original Universal film version of Dracula appeared. Through analyses of films that came before and after, he successfully restores Dracula's strangeness for a contemporary audience, a strangeness that reflects the rapidly evolving conventions of the early sound film. A significant contribution to reception studies, Uncanny Bodies makes us see why Dracula, while holding little terror for subsequent audiences, is nevertheless both a foundational work for the horror film, and also, paradoxically, an anomaly, one effectively overshadowed by Frankenstein.”—William Paul, author of Laughing Screaming: Modern Hollywood Horror and Comedy "Uncanny Bodies is a pleasure to read. I know of no other work that has looked as closely at early sound and horror films to make a persuasive argument about horror's relation to the beginnings of sound film. Given the voluminous literature on Universal horror films, Spadoni presents some very original ideas and frames his inquiry in an interesting way."—Jan-Christopher Horak, editor of Lovers of Cinema: The First American Film Avant-Garde, 1919-1945
