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Author: Gail Day
Publisher: Columbia University Press
ISBN: 023152062X
Category : Philosophy
Languages : en
Pages : 321
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Book Description
Representing a new generation of theorists reaffirming the radical dimensions of art, Gail Day launches a bold critique of late twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of "critical postmodernism" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical. She also challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought and social process: T. J. Clark, Manfredo Tafuri, Fredric Jameson, Benjamin H. D. Buchloh, and Hal Foster, among others. She maps the tension between radical dialectics and left nihilism and assesses the interpretation and internalization of negation in art theory. Chapters confront the claim that exchange and equivalence have subsumed the use value of cultural objects and with it critical distance and interrogate the proposition of completed nihilism and the metropolis put forward in the politics of Italian operaismo. Day covers the debates on symbol and allegory waged within the context of 1980s art and their relation to the writings of Walter Benjamin and Paul de Man. She also examines common conceptions of mediation, totality, negation, and the politics of anticipation. A necessary unsettling of received wisdoms, Dialectical Passions recasts emancipatory reflection in aesthetics, art, and architecture.
Author: Gail Day
Publisher: Columbia University Press
ISBN: 023152062X
Category : Philosophy
Languages : en
Pages : 321
Get Book Here
Book Description
Representing a new generation of theorists reaffirming the radical dimensions of art, Gail Day launches a bold critique of late twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of "critical postmodernism" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical. She also challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought and social process: T. J. Clark, Manfredo Tafuri, Fredric Jameson, Benjamin H. D. Buchloh, and Hal Foster, among others. She maps the tension between radical dialectics and left nihilism and assesses the interpretation and internalization of negation in art theory. Chapters confront the claim that exchange and equivalence have subsumed the use value of cultural objects and with it critical distance and interrogate the proposition of completed nihilism and the metropolis put forward in the politics of Italian operaismo. Day covers the debates on symbol and allegory waged within the context of 1980s art and their relation to the writings of Walter Benjamin and Paul de Man. She also examines common conceptions of mediation, totality, negation, and the politics of anticipation. A necessary unsettling of received wisdoms, Dialectical Passions recasts emancipatory reflection in aesthetics, art, and architecture.
Author: Michel Meyer
Publisher: Penn State Press
ISBN: 0271020318
Category : Philosophy
Languages : en
Pages : 327
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Book Description
The subject of the passions has always haunted Western philosophy and, more often than not, aroused harsh judgments. For the passions represent a force of excess and lawlessness in humanity that produces troubling, confusing paradoxes.In this book, noted European philosopher Michel Meyer offers a wide-ranging exegesis, the first of its kind, that systematically retraces the history of philosophic conceptions of the passions in the work of such thinkers as Plato, Aristotle, Augustine, Spinoza, Descartes, Hobbes, Rousseau, Kant, and Freud. The great ruptures that led to passion's condemnation as sin, and to its romantic exultation as the truth of existence, are meticulously registered and the logic governing them astutely explicated.Meyer thus provides new insight into an age-old dilemma: Does passion torture people because it blinds them, or, on the contrary, does it permit them to apprehend who and what we really are?
Author: Jamie Dow
Publisher: OUP Oxford
ISBN: 0191025569
Category : Philosophy
Languages : en
Pages : 259
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Book Description
For Aristotle, arousing the passions of others can amount to giving them proper grounds for conviction. On that basis a skill in doing so can be something valuable, an appropriate constituent of the kind of expertise in rhetoric that deserves to be cultivated and given expression in a well-organised state. Such are Jamie Dow's principal claims in Passions and Persuasion in Aristotle's Rhetoric. He attributes to Aristotle a normative view of rhetoric and its role in the state, and ascribes to him a particular view of the kinds of cognitions involved in the passions. In the first sustained treatment of these issues, and the first major monograph on Aristotle's Rhetoric in twenty years, Dow argues that Aristotle held distinctive and philosophically interesting views of both rhetoric and the nature of the passions. In Aristotle's view, he argues, rhetoric is exercised solely in the provision of proper grounds for conviction (pisteis). This is rhetoric's valuable contribution to the proper functioning of the state. Dow explores, through careful examination of the text of the Rhetoric, what normative standards must be met for something to qualify in Aristotle's view as 'proper grounds for conviction', and how he supposed these standards could be met by each of his trio of 'technical proofs' (entechnoi pisteis)—those using reason, character and emotion. In the case of the passions, Dow suggests, meeting these standards is a matter of arousing passions that constitute the reasonable acceptance of premises in arguments supporting the speaker's conclusion. Dow then seeks to show that Aristotle's view of the passions is compatible with this role in rhetorical expertise. This involves taking a stand on a number of controversial issues in Aristotle studies. In Passions and Persuasion, Dow rejects the view that Aristotle's Rhetoric expresses inconsistent views on emotion-arousal. Aristotle's treatment of the passions in the Rhetoric is, he argues, best understood as expressing a substantive theory of the passions as pleasures and pains. This is supported by a new representationalist reading of Aristotle's account of pleasure (and pain) in Rhetoric 1. Dow also defends a distinctive understanding of how Aristotle understood the contribution of phantasia ('appearance') to the cognitive component of the passions. On this interpretation, Aristotelian passions must involve the subject's affirming things to be the way that they are represented. Thus understood, the passions of an emotionally-engaged audience can constitute a part of their reasonable acceptance of a speaker's argument.
Author: Robyn Marasco
Publisher: Columbia University Press
ISBN: 0231538898
Category : Philosophy
Languages : en
Pages : 241
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Book Description
Hegel's "highway of despair," introduced in his Phenomenology of Spirit, is the tortured path traveled by "natural consciousness" on its way to freedom. Despair, the passionate residue of Hegelian critique, also indicates fugitive opportunities for freedom and preserves the principle of hope against all hope. Analyzing the works of an eclectic cast of thinkers, Robyn Marasco considers the dynamism of despair as a critical passion, reckoning with the forms of historical life forged along Hegel's highway. The Highway of Despair follows Theodor Adorno, Georges Bataille, and Frantz Fanon as they each read, resist, and reconfigure a strand of thought in Hegel's Phenomenology of Spirit. Confronting the twentieth-century collapse of a certain revolutionary dialectic, these thinkers struggle to revalue critical philosophy and recast Left Hegelianism within the contexts of genocidal racism, world war, and colonial domination. Each thinker also re-centers the role of passion in critique. Arguing against more recent trends in critical theory that promise an escape from despair, Marasco shows how passion frustrates the resolutions of reason and faith. Embracing the extremism of what Marx, in the spirit of Hegel, called the "ruthless critique of everything existing," she affirms the contemporary purchase of radical critical theory, resulting in a passionate approach to political thought.
Author: Ben Davis
Publisher: Haymarket Books
ISBN: 1608462684
Category : Art
Languages : en
Pages : 242
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Book Description
In 9.5 Theses on Art and Class, Ben Davis takes on a broad array of contemporary art's most persistent debates: How does creative labor fit into the economy? Is art merging with fashion and entertainment? What can we expect from political art? Davis argues that returning class to the center of discussion can play a vital role in tackling the challenges that visual art faces today, including the biggest challenge of all--how to maintain faith in art itself in a dysfunctional world.
Author: Mary J. Eberhardinger
Publisher: Rowman & Littlefield
ISBN: 1793639329
Category : Language Arts & Disciplines
Languages : en
Pages : 155
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Book Description
A Rhetoric and Philosophy of Gifts synthesizes a scope of rhetorical and philosophical perspectives of the gift. Eberhardinger asks “What is the relationship between gifts and rhetoric?” She contextualizes the question throughout a review of related literature, analysis, examples, and personal anecdotes of overseas experiences. Eberhardinger concludes the book by offering implications and opportunities for interpreting gifts, thereby addressing why the question concerning the relationship between gifts and rhetoric matters for the larger landscape of international relations, intercultural friendship, and peace-making. Scholars of communication, rhetoric, and philosophy will find this book particularly interesting.
Author: Martin J. Schade
Publisher: UPA
ISBN: 0761867589
Category : Philosophy
Languages : en
Pages : 193
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Book Description
Western dualism is an illusion. Reality is a dialectical unity of incarnate love through the condition of the possibilities of divine and human, spirit and matter, Self and Other. The historical development to this metaphysical view is investigated in depth. Incarnation is a “legitimate pantheism.” Similarities to the Aum, the Tao, Rastafari and the “New Physics” are also provided. Incarnation offers an understanding of the Self with ethical and cultural applications which are presented in the material-supernatural existential of music and dance found in the Riddim of Creation.
Author: Paul L Holmer
Publisher: James Clarke & Company
ISBN: 0227901908
Category : Religion
Languages : en
Pages : 358
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Book Description
In his teaching and his writing, Paul L. Holmer (1916-2004), Professor of Philosophy at the University of Minnesota (1946-1960) and Noah Porter Professor of Philosophical Theology at Yale Divinity School (1960-1987), made many important contributions to recent American theology. One of the most insightful American students of Kierkegaard of his generation, Holmer perceived early on Wittgenstein's importance for theology, and employed both thinkers to inspire his own fresh consideration of perennial issues in philosophical theology: understanding, belief, faith, the emotions, and the importance of the virtues. While best known for his essays in 'The Grammar of Faith' (1978), Holmer penned numerous other interesting and original essays, some published but many unpublished, which circulated widely in typescript during his tenure at Yale. Following his death, the Holmer family in 2005 donated his papers to the Yale Divinity School Library; in reviewing Holmer's papers, the editors havechosen a selection of his most seminal essays, beyond those in The Grammar of Faith, demonstrating the breadth and range of his contributions. In this, the second volume of The Paul L. Holmer Papers, the editors present pieces that illuminate four significant areas of Holmer's contributions: essays on Kierkegaard; essays on Wittgenstein; Theology, Understanding, and Faith; and Emotions, Passions, and Virtues. Taken together, these essays invite in-depth exploration of the thought of this important American philosophical theologian. This is the second volume of The Paul L. Holmer Papers, which includes also volume 1, 'On Kierkegaard and the Truth', and volume 3, 'Communicating the Faith Indirectly: Selected Sermons, Addresses, and Prayers'.
Author: Robert Slifkin
Publisher: Bloomsbury Publishing USA
ISBN: 1501341588
Category : Art
Languages : en
Pages : 209
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Book Description
The Present Prospects of Social Art History represents a major reconsideration of how art historians analyze works of art and the role that historical factors, both those at the moment when the work was created and when the historian addresses the objects at hand, play in informing their interpretations. Featuring the work of some of the discipline's leading scholars, the volume contains a collection of essays that consider the advantages, limitations, and specific challenges of seeing works of art primarily through a historical perspective. The assembled texts, along with an introduction by the co-editors, demonstrate an array of possible methodological approaches that acknowledge the crucial role of history in the creation, reception, and exhibition of works of art.
Author: Gean Moreno
Publisher: Verso Books
ISBN: 1788730704
Category : Art
Languages : en
Pages : 335
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Book Description
In the Mind, But Not From There: Real Abstraction and Contemporary Art considers how the Marxian concept of Real Abstraction--originally developed by Alfred Sohn Rethel, and recently updated by Alberto Toscano--might help to define the economic, social, political, and cultural complexities of our contemporary moment. In doing so, this volume brings together noted contemporary artists, literary critics, curators, historians, and social theorists who connect the concept of Real Abstraction with contemporary cultural production. Theoretical and artistic contributions from Benjamin Noys, Paul Chan, Joao Enxuto and Erica Love, Marina Vishmidt, Sven Ltticken, and many others help to map out the relationship between political economy and artistic production in the realm of contemporary, globalized cultural exchange. This anthology places economic and social analyses alongside creative projects and visual essays to consider the many angles of contemporary art, and how inquiry into the the production of abstraction through material and social processes can be used to better understand, and hopefully change, the conditions under which art is made, seen, and circulated today. Published in collaboration with [NAME] publications.
