Author: Prabhaker Acharya
Publisher: Manipal Universal Press
ISBN: 9382460721
Category : Education
Languages : en
Pages : 192
Book Description
Dhvani and Epiphany examines the work of major Indian poets like Nissim Ezekiel and Arun Kolatkar; the struggle of young poets to find an audience; and the art of fiction. But its main focus is on the nature of creativity. How does an artist communicate his meaning? What makes a work genuinely creative? Through a sensitive exploration of poetry – ranging from the simple poems of a child, Poorna Prajna, to the complex “Byzantium Poems” of Yeats – the first seven essays try to show how a poem comes to life when it speaks to us and we listen to its dhvani and respond. Even in fiction, it is not all realism. There is irony in exploring the paradoxical nature of reality; events taking on symbolic overtones; and epiphany, moments of illumination and insights – when surprising correspondences are seen. Writers cannot surprise and delight their audience if they themselves are not surprised and delighted by such insights.
Dhvani and Epiphany: Essays in Criticism (12 Essays)
Dhvani
Author: Indira Gandhi National Centre for the Arts
Publisher: Arts Publications
ISBN:
Category : Music
Languages : en
Pages : 192
Book Description
This Volume Explores The Various Complex Conceptual Dimensions Of Sound: Ranging From Its Mystical And Traditionally Meta-Physical To Its Present-Day Developments, From Its Perceptions In Indigenous Musical Theory To Its Futuristic Applications.
Publisher: Arts Publications
ISBN:
Category : Music
Languages : en
Pages : 192
Book Description
This Volume Explores The Various Complex Conceptual Dimensions Of Sound: Ranging From Its Mystical And Traditionally Meta-Physical To Its Present-Day Developments, From Its Perceptions In Indigenous Musical Theory To Its Futuristic Applications.
Late Colonial Sublime
Author: G. S. Sahota
Publisher: Northwestern University Press
ISBN: 0810136503
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime reconstellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization. By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Western and Eastern, all of which took shape upon the common realities of imperial capitalism—Late Colonial Sublime takes an original dialectical approach. It experiments with fragments, parallaxes, and constellational form to explore the aporias of modernity as well as the possible futures they may signal in our midst. A bold intervention into contemporary debates that synthesizes a wealth of sources, this book will interest readers and scholars in world literature, critical theory, postcolonial criticism, and South Asian studies.
Publisher: Northwestern University Press
ISBN: 0810136503
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime reconstellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization. By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Western and Eastern, all of which took shape upon the common realities of imperial capitalism—Late Colonial Sublime takes an original dialectical approach. It experiments with fragments, parallaxes, and constellational form to explore the aporias of modernity as well as the possible futures they may signal in our midst. A bold intervention into contemporary debates that synthesizes a wealth of sources, this book will interest readers and scholars in world literature, critical theory, postcolonial criticism, and South Asian studies.
Kumar Shahani
Author: Kumar Shahani
Publisher:
ISBN: 9789382381617
Category : Culture in motion pictures
Languages : en
Pages : 0
Book Description
The fifty-one essays compiled in this book were written over a forty-year period by India's leading independent filmmaker. They provide new insights into a turbulent era in modern India's cultural history. Although known primarily as a filmmaker, Kumar Shahani has taught, spoken and written on a variety of subjects over this period, that include the cinema, but also politics, aesthetics, history and psychoanalysis. In these essays Shahani addresses diverse political issues, aesthetic practice, questions of artistic freedom and censorship. There are also personal essays on filmmakers and artists including his teachers and colleagues. Shahani's often polemical positions, as they occur in several previously unpublished essays and presentations, are essential contributions to film and cultural histories of the Indian cinema as well as of the New Cinema worldwide. The book includes a comprehensive introductory essay, "Kumar Shahani Now," by Ashish Rajadhyaksha.
Publisher:
ISBN: 9789382381617
Category : Culture in motion pictures
Languages : en
Pages : 0
Book Description
The fifty-one essays compiled in this book were written over a forty-year period by India's leading independent filmmaker. They provide new insights into a turbulent era in modern India's cultural history. Although known primarily as a filmmaker, Kumar Shahani has taught, spoken and written on a variety of subjects over this period, that include the cinema, but also politics, aesthetics, history and psychoanalysis. In these essays Shahani addresses diverse political issues, aesthetic practice, questions of artistic freedom and censorship. There are also personal essays on filmmakers and artists including his teachers and colleagues. Shahani's often polemical positions, as they occur in several previously unpublished essays and presentations, are essential contributions to film and cultural histories of the Indian cinema as well as of the New Cinema worldwide. The book includes a comprehensive introductory essay, "Kumar Shahani Now," by Ashish Rajadhyaksha.
Alternative Krishnas
Author: Guy L. Beck
Publisher: State University of New York Press
ISBN: 079148341X
Category : Religion
Languages : en
Pages : 227
Book Description
Krishna—widely venerated and adored in the Hindu tradition—is a deity of many aspects. An ancient manifestation of the Supreme God Vishnu, or the Godhead itself, Krishna is the bringer of Yoga philosophy and the creator of the universe, the destroyer of evil tyrants, and the hero of the epic Mahabharata. He is also described in classical Sanskrit texts as having human characteristics and enjoying very human pursuits: Krishna is the butter thief, cowherd, philanderer, and flute player. Yet even these playful depictions are based upon descriptions found in the Sanskrit canon, and mostly reflect familiar, classical Pan-Indian images. In this book, contributors examine the alternative, or unconventional, Krishnas, offering examples from more localized Krishna traditions found in different regions among various ethnic groups, vernacular language traditions, and remote branches of Indian religions. These wide-ranging, alternative visions of Krishna include the Tantric Krishna of Bengal, Krishna in urban women's rituals, Krishna as monogamous husband and younger brother in Braj, Krishna in Jainism, Krishna in Marathi tradition, Krishna in South India, and the Krishna of nineteenth-century reformed Hinduism.
Publisher: State University of New York Press
ISBN: 079148341X
Category : Religion
Languages : en
Pages : 227
Book Description
Krishna—widely venerated and adored in the Hindu tradition—is a deity of many aspects. An ancient manifestation of the Supreme God Vishnu, or the Godhead itself, Krishna is the bringer of Yoga philosophy and the creator of the universe, the destroyer of evil tyrants, and the hero of the epic Mahabharata. He is also described in classical Sanskrit texts as having human characteristics and enjoying very human pursuits: Krishna is the butter thief, cowherd, philanderer, and flute player. Yet even these playful depictions are based upon descriptions found in the Sanskrit canon, and mostly reflect familiar, classical Pan-Indian images. In this book, contributors examine the alternative, or unconventional, Krishnas, offering examples from more localized Krishna traditions found in different regions among various ethnic groups, vernacular language traditions, and remote branches of Indian religions. These wide-ranging, alternative visions of Krishna include the Tantric Krishna of Bengal, Krishna in urban women's rituals, Krishna as monogamous husband and younger brother in Braj, Krishna in Jainism, Krishna in Marathi tradition, Krishna in South India, and the Krishna of nineteenth-century reformed Hinduism.
Poetry of Kings
Author: Allison Busch
Publisher: Oxford University Press
ISBN: 0199877432
Category : Religion
Languages : en
Pages : 360
Book Description
This in-depth study of the classical Hindi tradition brings the world of Mughal-era poetry and court culture alive for an English readership. Allison Busch draws on the perspectives of literary, social, and intellectual history to elucidate one of premodern India's most significant textual traditions, documenting the dramatic rise of a new type of professional Hindi writer while providing critical insight into the motives that animated this literary community and its patrons. Busch examines how riti literature served as an important aesthetic and political resource in the richly multicultural world of Mughal India, and provides, for the first time in a Western language, a detailed study of the fascinating oeuvre of Keshavdas, whose seminal Rasikpriya (Handbook for poetry connoisseurs, 1591) was the catalyst for a new Hindi classicism that attracted a spectacular following in the leading courts of early modern India. The circulation of Hindi literature among diverse communities during this period is testament to a remarkable pluralism that cannot be understood in terms of the nationalist logic that has constrained modern Hindi and Urdu to be "Hindu" and "Muslim" languages since the nineteenth century. With the cultural reforms ushered in by colonialism, north Indians repudiated the classical traditions of the courtly past, a complex process given extended treatment in the final chapter. Busch provides valuable insight into more than two centuries of Hindi courtly culture. Poetry of Kings also showcases the importance of bringing precolonial archives into dialogue with current debates of postcolonial theory.
Publisher: Oxford University Press
ISBN: 0199877432
Category : Religion
Languages : en
Pages : 360
Book Description
This in-depth study of the classical Hindi tradition brings the world of Mughal-era poetry and court culture alive for an English readership. Allison Busch draws on the perspectives of literary, social, and intellectual history to elucidate one of premodern India's most significant textual traditions, documenting the dramatic rise of a new type of professional Hindi writer while providing critical insight into the motives that animated this literary community and its patrons. Busch examines how riti literature served as an important aesthetic and political resource in the richly multicultural world of Mughal India, and provides, for the first time in a Western language, a detailed study of the fascinating oeuvre of Keshavdas, whose seminal Rasikpriya (Handbook for poetry connoisseurs, 1591) was the catalyst for a new Hindi classicism that attracted a spectacular following in the leading courts of early modern India. The circulation of Hindi literature among diverse communities during this period is testament to a remarkable pluralism that cannot be understood in terms of the nationalist logic that has constrained modern Hindi and Urdu to be "Hindu" and "Muslim" languages since the nineteenth century. With the cultural reforms ushered in by colonialism, north Indians repudiated the classical traditions of the courtly past, a complex process given extended treatment in the final chapter. Busch provides valuable insight into more than two centuries of Hindi courtly culture. Poetry of Kings also showcases the importance of bringing precolonial archives into dialogue with current debates of postcolonial theory.
A History of Sanskrit Literature
Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category : Sanskrit literature
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category : Sanskrit literature
Languages : en
Pages : 750
Book Description
A Comparative Study of the Indian Poetics and the Western Poetics
Author: Mohit Kumar Ray
Publisher: Sarup & Sons
ISBN: 9788176258500
Category : Indic poetry
Languages : en
Pages : 228
Book Description
Publisher: Sarup & Sons
ISBN: 9788176258500
Category : Indic poetry
Languages : en
Pages : 228
Book Description
Comparative Literature
Author: Amiẏa Deba
Publisher: Allied Publishers (India)
ISBN:
Category : Comparative literature
Languages : en
Pages : 352
Book Description
Papers presented at a seminar held at Indian Institute of Advanced Studies, Shimla on 22-26 June 1987.
Publisher: Allied Publishers (India)
ISBN:
Category : Comparative literature
Languages : en
Pages : 352
Book Description
Papers presented at a seminar held at Indian Institute of Advanced Studies, Shimla on 22-26 June 1987.
Kavyamimamsa Of Rajasekhara
Author: Sadhana Parashar
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
Written Sometime During 880-920 Ad By Rajasekhara: An Eminent Poet, This First English Translation Of Kavyamimamsa Is A Kind Of Practical Treatise For Poets: Kavisiksa Manual Highlighting, All Possible Attributes That Go Into The Making Of A Good Poet And A Good Poetic Composition.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
Written Sometime During 880-920 Ad By Rajasekhara: An Eminent Poet, This First English Translation Of Kavyamimamsa Is A Kind Of Practical Treatise For Poets: Kavisiksa Manual Highlighting, All Possible Attributes That Go Into The Making Of A Good Poet And A Good Poetic Composition.