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Author: Lynn Ellen Patyk
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
Tapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors – (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.
Author: Ambrose Bierce
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 341
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Book Description
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Author: Lynn Ellen Patyk
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
Tapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors – (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.
Author: David Francis Taylor
Publisher: Yale University Press
ISBN: 0300223757
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
An original take on literary history that uses visual satire to explore literature's importance to eighteenth-century political culture
Author: Richard Harris Barham
Publisher: SpringStreet Books
ISBN: 0979520479
Category : Humor
Languages : en
Pages : 377
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Book Description
With eighty-eight distinct editions and some 450,000 licensed copies in print, The Ingoldsby Legends of Richard Harris Barham (writing as Thomas Ingoldsby) was among the most beloved and most quoted works of nineteenth-century English literature. Long out of print, it is now available in a fully annotated two-volume edition, complete with over a hundred illustrations by John Tenniel, George Cruikshank, George Du Maurier, John Leech, Arthur Rackham and others. "For inexhaustible fun that never gets flat and scarcely ever simply uproarious, for a facility and felicity in rhyme and rhythm which is almost miraculous, and for a blending of the grotesque and the terrible . no one competent to judge and enjoy will ever go to Barham in vain." - George Saintsbury, A History of Nineteenth Century Literature "In the growth of English short fiction Barham's work looms larger yet. Many a good story and tale are scattered through the corpus of English fiction prior to the 1830s, but it is not, I think, an exaggeration to claim Barham as the first consistent English writer of the true short story." - Wendall V. Harris, British Short Fiction in the Nineteenth Century "Richard Barham was a genuine poet, who exerts a peculiar spell. A man of some property in Kent, a minor canon of St. Paul's Cathedral, an amateur but learned antiquary, he wrote mainly to amuse himself, and his verse has a spontaneity of unexpected rhyming and reckless imagination that makes it different from anybody else's . Barham was gifted with some special genius which makes his meters and rhyming as catching as music, so that they run in your head after reading." - Edmund Wilson, "The Devils and Canon Barham" "Popular phrases, the most prosaic sentences, the cramped technicalities of legal diction, and snatches of various languages are worked in with an apparent absence of all art or effort; not a word seems out of place, not an expression forced, whilst syllables the most intractable find the only partners fitted for them throughout the range of our language. These Legends have often been imitated, but never equalled." - Walter Hamilton, Parodies of the Works of English and American Authors "Barham brought exceptional qualities to the development of his particular art. He was a wit, and his initial success was won by his startling originality. Not only did he adapt the Gallic spirit and conte to the exigencies of the English language: his blending of saints and demons, ghosts and abbots, monkish legend and romance, antiquarian lore and classical knowledge, murder and crime, with his own freakish and whimsical sense of humour, his lightning leaps from grave to gay, his quaint verbal quips, his wealth of topical allusion and most bizarre rhymes - all combined to secure him immediate attention and resultant fame." - Stewart Marsh Ellis, Mainly Victorian
Author: Leslie Fiedler
Publisher: Catapult
ISBN: 1593762666
Category : Literary Collections
Languages : en
Pages : 353
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Book Description
Despite his often-unacknowledged influence, academics, intellectuals, and the general audience in America and abroad still read Leslie Fiedler’s work and draw on its concepts. He inspired both reverence (Leonard Cohen penned: "leaning over the American moonlight / like the shyest gargoyle / who will not become angry or old") and rage (Saul Bellow called him "the worst fucking thing that ever happened to American literature"). The essays in The Devil Gets His Due will reacquaint readers with the depth and breadth of Fiedler’s achievements. Tackling subjects ranging wildly from Dante, Ezra Pound, and Mary McCarthy to Rambo, Iwo Jima, and Jerry Lewis, these writings showcase Fiedler’s pioneering of an egalitarian canon that encompassed both "high" and popular literature, cinema, and history. As such, they show a powerful mind critiquing whole aspects of a culture and uncovering lessons therein that remain timely today. A lengthy introduction by Professor Samuele F. S. Pardini offers both context and history, with an in-depth profile of Fiedler and his career as both a literary critic and a public intellectual.
Author: Yujin Nagasawa
Publisher: Taylor & Francis
ISBN: 1136737464
Category : Philosophy
Languages : en
Pages : 202
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Book Description
Does God exist? What are the various arguments that seek to prove the existence of God? Can atheists refute these arguments? The Existence of God: A Philosophical Introduction assesses classical and contemporary arguments concerning the existence of God: the ontological argument, introducing the nature of existence, possible worlds, parody objections, and the evolutionary origin of the concept of God the cosmological argument, discussing metaphysical paradoxes of infinity, scientific models of the universe, and philosophers’ discussions about ultimate reality and the meaning of life the design argument, addressing Aquinas’s Fifth Way, Darwin’s theory of evolution, the concept of irreducible complexity, and the current controversy over intelligent design and school education. Bringing the subject fully up to date, Yujin Nagasawa explains these arguments in relation to recent research in cognitive science, the mathematics of infinity, big bang cosmology, and debates about ethics and morality in light of contemporary political and social events. The book also includes fascinating insights into the passions, beliefs and struggles of the philosophers and scientists who have tackled the challenge of proving the existence of God, including Thomas Aquinas, and Kurt Gödel - who at the end of his career as a famous mathematician worked on a secret project to prove the existence of God. The Existence of God: A Philosophical Introduction is an ideal gateway to the philosophy of religion and an excellent starting point for anyone interested in arguments about the existence of God.
Author: W R Owens
Publisher: Routledge
ISBN: 1000161838
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.
Author: Yujin Nagasawa
Publisher: Oxford University Press
ISBN: 0191076430
Category : Philosophy
Languages : en
Pages : 256
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Book Description
Yujin Nagasawa presents a new, stronger version of perfect being theism, the conception of God as the greatest possible being. Although perfect being theism is the most common form of monotheism in the Judeo-Christian-Islamic tradition its truth has been disputed by philosophers and theologians for centuries. Nagasawa proposes a new, game-changing defence of perfect being theism by developing what he calls the 'maximal concept of God'. Perfect being theists typically maintain that God is an omniscient, omnipotent, and omnibenevolent being; according to Nagasawa, God should be understood rather as a being that has the maximal consistent set of knowledge, power, and benevolence. Nagasawa argues that once we accept the maximal concept we can establish perfect being theism on two grounds. First, we can refute nearly all existing arguments against perfect being theism simultaneously. Second, we can construct a novel, strengthened version of the modal ontological argument for perfect being theism. Nagasawa concludes that the maximal concept grants us a unified defence of perfect being theism that is highly effective and economical.
Author: Valerie R. Hotchkiss
Publisher: Routledge
ISBN: 1135231710
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
In this book, the author explores medieval society's fascination with the cross-dressed woman. The author examines a wide variety of religious, literary, and historical sources, which record interpretations of sartorial attempts to overcome gender hierarchy and also illustrate, mainly through the device of inversion, a remarkably sustained desire to examine and reexamine the nature of social gender identities.
Author: Arthur Shadwell Martin
Publisher:
ISBN:
Category : Parody
Languages : en
Pages : 336
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Book Description
