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Author: Dr. Sangeeta
Publisher: Notion Press
ISBN: 1947697315
Category : Art
Languages : en
Pages : 292
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Book Description
Any artistic creation, be it a painting or sculpture, initiates a reaction within us, invoking within us a desire to analyse or evaluate it. The criticism of art definitely has its presence. But the question is—in what form and of what relevance is it? Art criticism is exclusively presented in the written form—it does not consist of descriptions of pictures, interpretations, or re-creations; but of something new and autonomous, related to the piece of art in some way. Criticism always gives us novel ideas for modern art, which in turn, enriches the Indian heritage. Art has been part of our life since ancient times. Traditionally, Indian art writing was mainly composed of commentaries on courtly art conventions and on the poetic texts that inspired paintings and sculptures. Since the 20th century, there has been a breakdown of established conceptions of meaning in the all streams of arts and several rapid changes in artistic style. This book will help readers understand the journey of modern art criticism since Indian independence. It formulates as precisely as possible, the basic principles and norms that will enrich artistically sensitive laymen and critics alike.
Author: Dr. Sangeeta
Publisher: Notion Press
ISBN: 1947697315
Category : Art
Languages : en
Pages : 292
Get Book Here
Book Description
Any artistic creation, be it a painting or sculpture, initiates a reaction within us, invoking within us a desire to analyse or evaluate it. The criticism of art definitely has its presence. But the question is—in what form and of what relevance is it? Art criticism is exclusively presented in the written form—it does not consist of descriptions of pictures, interpretations, or re-creations; but of something new and autonomous, related to the piece of art in some way. Criticism always gives us novel ideas for modern art, which in turn, enriches the Indian heritage. Art has been part of our life since ancient times. Traditionally, Indian art writing was mainly composed of commentaries on courtly art conventions and on the poetic texts that inspired paintings and sculptures. Since the 20th century, there has been a breakdown of established conceptions of meaning in the all streams of arts and several rapid changes in artistic style. This book will help readers understand the journey of modern art criticism since Indian independence. It formulates as precisely as possible, the basic principles and norms that will enrich artistically sensitive laymen and critics alike.
Author: Rakhee Balaram
Publisher: National Geographic Books
ISBN: 0500023328
Category : Art
Languages : en
Pages : 0
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Book Description
A major publication showcasing the history of Indian art across the subcontinent and South Asia from the late-nineteenth century to the present day. This landmark collection presents a new history of Indian art from the twentieth century to the present day. Recent decades have seen an overdue interest in the acquisition and exhibition of modern Indian and South Asian art and artists by major international museums. This essential, lavishly illustrated volume presents an engaging, informative history of modern art from the subcontinent as seen through the eyes of prominent Indian art historians. Illustrations are paired with a strong narrative through line, where key experts contribute multiple perspectives on modernism, modernity, and plurality, as well as expansive ideas about contemporary art practices. A range of subjects, including Group 1890, the Madras Art Movement, Regional Modern, and Dalit art, are contextualized, along with key artists such as Amrita Sher-Gil and Raqs Media Collective. There are also sections devoted to the art of Pakistan, Nepal, Bangladesh, and other parts of South Asia. Together with lively expert discussions and a selection of absorbing interviews with artists, 20th Century Indian Art meets a clear demand for a comprehensive and authoritative sourcebook on modern, postmodern, and contemporary Indian art. This is the definitive reference for anyone with an interest in Indian art and non-Western art histories. Published in association with Art Alive
Author: Susan S Bean
Publisher: National Geographic Books
ISBN: 0500238936
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Highlights from the Peabody Essex Museum’s Herwitz Collection of Indian art, the preeminent public collection outside of India A revolutionary art movement asserted itself in India between the declaration of independence at midnight on August 15, 1947, and the economic boom of the 1990s. This is the first in-depth study of the three generations of artists responsible for critical shifts in the development of India’s modernist art. Their achievements and the country’s unprecedented boom ushered India’s modern and contemporary art into a new era of globalism, a soaring international market, and an explosion in the media and technologies of art. After independence, India’s artists faced a particular artistic challenge: how to express the new nation’s distinctive character while entering a global discourse focused on modernism’s universal premises of experimentation and shared human values. In the absence of a dominant aesthetic, painters could turn where they wished and blend as they liked—from Abstract Expressionism to Tantric spiritualism; from Rajasthani painting to changes in India’s complex politics, religions, classes, and vernacular life. The contributors to this beautifully illustrated publication bring a deep knowledge of both India and modern and contemporary art: Susan S. Bean, Curator of South Asian and Korean Art at the Peabody Essex Museum; Homi K. Bhabha, Harvard University; Rebecca M. Brown, Johns Hopkins University; Beth Citron, Rubin Museum of Art; Ajay Sinha, Mount Holyoke College; and Karin Zitzewitz, Michigan State University.
Author: Zehra Jumabhoy
Publisher: Prestel Publishing
ISBN: 9783791357683
Category : Art, Indic
Languages : en
Pages : 0
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Book Description
"Formed within months of the 1947 Partition of India and the ensuing violence and protest, the Progressive Artists' Group (PAG) included artists seeking a break with their country's past and its cultural constraints. Through lush illustrations and scholarly essays, this volume looks at the brand of modernism the Group espoused and its relevance and importance to contemporary art. The careers of artists K.H. Ara, S.K. Bakre, H.A. Gade, V.S. Gaitonde, M.F. Husain, Krishen Khanna, Ram Kumar, Tyeb Mehta, Akbar Padamsee, S.H. Raza, Mohan Samant, and F.N. Souza are presented in three sections. Progressives in Their Time explores how the artists turned away from the trauma of colonial rule and Partition, and embraced the land and varied peoples of the new nation. National/International demonstrates how the Progressives drew on multiple traditions of visual iconography, both from within India and from Asia and the wider world, to creat their own distinct genre. Masters of the Game brings together works created after the PAG's dissolution and shows how these pieces collectively gave visual form to the idea of India as secular, heterogeneous, international, and united. A valuable examination of the ways artistic expression can preserve and advance its cultural heritage, this volume captures an exciting time in India's art history"--Back cover.
Author: Richard Bartholomew
Publisher:
ISBN: 9789350673652
Category : Art criticism
Languages : en
Pages : 639
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Book Description
Author: Ramachandra Guha
Publisher: Pan Macmillan
ISBN: 1509883282
Category : History
Languages : en
Pages : 871
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Book Description
Ramachandra Guha’s India after Gandhi is a magisterial account of the pains, struggles, humiliations and glories of the world’s largest and least likely democracy. A riveting chronicle of the often brutal conflicts that have rocked a giant nation, and of the extraordinary individuals and institutions who held it together, it established itself as a classic when it was first published in 2007. In the last decade, India has witnessed, among other things, two general elections; the fall of the Congress and the rise of Narendra Modi; a major anti-corruption movement; more violence against women, Dalits, and religious minorities; a wave of prosperity for some but the persistence of poverty for others; comparative peace in Nagaland but greater discontent in Kashmir than ever before. This tenth anniversary edition, updated and expanded, brings the narrative up to the present. Published to coincide with seventy years of the country’s independence, this definitive history of modern India is the work of one of the world’s finest scholars at the height of his powers.
Author: Partha Mitter
Publisher: Reaktion Books
ISBN: 1861896360
Category : Art
Languages : en
Pages : 282
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Book Description
The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of “oriental art,” and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, The Triumph of Modernism will be essential reading for scholars of art, British studies, and Indian history.
Author: Wendy Singer
Publisher: Routledge
ISBN: 1317876199
Category : History
Languages : en
Pages : 250
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Book Description
Independent India is an exploration of India’s national history from independence in 1947 to the end of the twentieth century. Wendy Singer charts the rapid development of this emerging world power by following a series of different narratives crucial to the history of post-independence India: national integrations, the ongoing development of arts and culture, social movements, and political change. In telling the broader history of political movements and cultural transformations from different perspectives, this book provides key examples that demonstrate the experiences of women and men from the many classes and cultures that comprise modern India. In keeping with the series as a whole, this text also provides a range of primary source documents both to illuminate that history and to show the rich resources and unique challenges involved in writing contemporary history. Key features include: Thematic chapters within a chronological structure, incorporating different approaches to the study of history A varied range of primary sources, demonstrating the diversity of material available In-depth social, cultural and political analysis, including the study of regional identities, film, literature, gender, politics and economic change Investigating India’s recent national history from a range of angles, this new Seminar Studies volume is an essential introduction for anyone who wishes to learn more about the important place that India, the world’s largest democracy, has in our global age. .
Author: Pran Nath Mago
Publisher: National Book Trust India
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
A quintessential work that unfolds the origin and development of contemporary indian art.Covering the last 150 years and with nearly 300 illustrations, the book focusses on the different artistic and stylistic genres and art movements which have enriched
Author: Rebecca M. Brown
Publisher: Duke University Press
ISBN: 0822392267
Category : Art
Languages : en
Pages : 222
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Book Description
Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.
